When Leslie Cheung Kwok-wing threw himself to his death from the terrace of Hong Kong's Mandarin Oriental Hotel in 2003, he was the greatest star of his generation in the city. A performer loved for his character as much as for his magic as an entertainer, his death sent shock waves across Asia and amongst Asian populations around the world. Despite the fact that he was openly gay, he was adored, and remains adored, by multitudes in societies where his sexual orientation remains a little-discussed taboo. Firelight of a Different Colour traces Leslie's story from birth in 1950s Hong Kong to his death during the city's crippling SARS epidemic. Through initial struggles to gain a foothold in TV and the nascent world of Cantopop, he achieved final success as a megastar of music and the big screen and held that position for nearly two decades. At the forefront of almost all the cultural changes Hong Kong saw during his lifetime, Leslie came to embody the unique spirit of the city. No Western performer can boast so widespread an influence across so many arts. Firelight of a Different Colour commemorates a life that continues to amaze and inspire.

On 13 April 1919, General Reginald Dyer marched a squad of Indian soldiers into the Jallianwala Bagh in Amritsar, and opened fire without warning on a crowd gathered to hear political speeches. This is an account of the massacre set in the context of a biography of a man whose attitudes reflected many of the views common in the Raj.

Many artists and scientists – including Buffon, Goethe, and Philipp Otto Runge – who observed the vividly coloured shadows that appear outdoors around dawn and dusk, or indoors when a candle burns under waning daylight, chose to describe their colours as ‘beautiful’. Paul Smith explains what makes these ephemeral effects worthy of such appreciation – or how depictions of coloured shadows have genuine aesthetic and epistemological significance. This multidisciplinary book synthesises methodologies drawn from art history (close pictorial analysis), psychology and neuroscience (theories of colour constancy), history of science (the changing paradigms used to explain coloured shadows), and philosophy (theories of perception and aesthetic value drawn from Wittgenstein and Merleau-Ponty). This title will be of interest to scholars in art history, art theory, and the history of science and technology.

An illustrated monthly magazine in the interest of better art, better work and a better more reasonable way of living.

This book presents 48 varied topics with an emphasis on artwork and display.

This digital edition combines, for the first time, both volumes of The Complete Works of Aristotle: The Revised Oxford Translation, which is universally recognized as the standard English version. The Oxford Translation of Aristotle was originally published in twelve volumes between 1912 and 1954. The revised edition contains the substance of the original translation, slightly emended in light of recent scholarship; three of the original versions have been replaced by new translations; and a new and enlarged selection of fragments has been added. The aim of the translation remains the same: to make the surviving works of Aristotle readily accessible to English-speaking readers.