Scarrella shares powerful truths that can be gleaned from the revival history of both the Azusa Street and Welsh revivals. This book will cause you to hunger for God in your own life as well as help you to stir others with Revival!"--Roy Fields.

In 'The Fire on the Ocean: Naval War of 1812', Theodore Roosevelt delves into the historical account of the naval battles that took place during the War of 1812. Roosevelt's prose is characterized by meticulous attention to detail and a vivid depiction of key naval engagements, making this book an essential primary source for naval history enthusiasts. Written in a scholarly and engaging style, the book explores the strategies, tactics, and technological advancements that shaped the outcome of the conflict. Roosevelt's focus on the maritime aspect of the war offers a unique perspective on this often overlooked period in American history. The narrative is enhanced by insightful analysis and compelling storytelling, capturing the reader's attention from start to finish.

Examines how the discovery of hot springs in 1977 on the ocean floor resulted in major developments in science and technology in the twentieth century.

*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).

A former PR exec is out to save the world from evil in this paranormal fantasy steeped in Ancient Hawaiian lore by the author of The Obsidian Mirror. After saving the world once, Sierra Carter has earned a little sun, surf, and sand in Hawaii. With her boyfriend away on business, she’ll make do with the company of her friends Chaco, also known as Coyotl the trickster, and Fred, a mischievous mannegishi with the power to disappear at will. But when the motley crew is swept overboard during a whale watching trip, they are plunged into a new adventure that will test their magical mettle—and suddenly Hawaii is anything but a day at the beach. Pulled ashore on the island of Molokai, Sierra finds hospitality and powerful friends. When she is asked to prevent the construction of a potentially disruptive energy plant, she is drawn into a tangle of supernatural proportions. But the machinations of the ancient gods can be opaque at best—and sometimes downright lethal for mortals.

The cold, stygian dark of the extreme sea depths is home to some of our planet’s strangest creatures. Even their names evoke a science fiction adventure: dragonfishes, greeneyes, viperfishes, mirrorbellies, lanternfishes. Marine biologist Henry “Hank” Compton (1928–2005) of the Texas Parks and Wildlife Department’s Rockport Marine Lab was present on some of the earliest Gulf of Mexico cruises on which these fishes were collected for the first time in Texas waters. Upon returning, Compton would retire to the darkroom he had constructed beneath a stairwell at the lab and photograph the specimens. A talented artist, Compton then painted watercolors based on his photographs. He allowed free rein to both his scientific judgment and his artistic vision as he constructed representations of how the specimens might have appeared in the crushing pressure of their alien environment. Compton dubbed the series of deep-water paintings “Fire in the Sea” because of the shimmering bioluminescence common to these deep-water species. Then, along with taxonomic descriptions, he drafted fanciful narratives to accompany the paintings: quirky, humorous, and sometimes cryptic stories of the fishes in their unreachable habitat. Professor, researcher, and author David A. McKee has taken Compton’s work, discovered in cardboard boxes following his death, and, along with others, provided chapters on bioluminescence, life in the deep, taxonomic arrangement, and life history information.

For decades teachers, biologists, geographers and interested members of the public have asked for an up-to-date account of how Northland, Auckland and the Coromandel Peninsula and their landforms were formed. Here, for the first time, is an accessible account designed to be of interest to all levels of understanding. Almost all of the older rocks were deposited as sediment or erupted as lava on the floor of the ancient Pacific Ocean. Some were plastered onto the coastal edge of Gondwana, and at least 100,000 km3 of these rocks were pushed up out of the ocean and slid onto Northland, about 20 million years ago. About the same time, 1 km-thickness of Waitemata sandstones were deposited in a deep-sea basin over Auckland. Most of the subsequent history of northern New Zealand was dominated by fiery volcanic activity of greater diversity than any area of similar size elsewhere in the world. This included eruptions of andesite stratovolcanoes, giant caldera volcanoes, searing ignimbrite flows, viscous rhyolite domes and at least 200 small basalt volcanoes erupted in seven volcanic fields. The present-day shape and landforms of the region reflect its more recent history with local uplift, erosion, volcanic activity, construction of New Zealand¿s largest sand-dune barriers and harbours, and moulding of the coast by the oscillating sea levels during the Ice Ages.

This imaginative and colorful collection of more than 150 poems contains work by poets from many Pacific lands as well as from Europe, Asia, and the Americas. The poems were gathered especially but not exclusively for young readers. Most were written in English, but a few were translated from their original languages. Unlike conventional anthologies, Fire in the Sea places the rich traditional and contemporary poetry of Hawai‘i and the Pacific (often overlooked by anthologists) alongside better-known works from the East and West. Selected works of art from the collections of the Honolulu Academy of Arts accompany the poems.