This comprehensive "natural history" of a traditional art form honors more than a hundred contemporary Finnish American rag rug weavers and loom builders, whom the author has met and interviewed during more than two decades of research, mostly in Michigan's western Upper Peninsula. As in the classic Finnish American rag rug, Lockwood weaves a colorful yet subdued, artfully lasting, and deeply symbolic tribute that reclaims remnants of past Michigan Traditional Arts Program productions in a fresh composition that will appeal to rag rug artisans, Finns and Finnish Americans, scholars, and a broad public alike. Janet C. Gilmore, Independent Folklorist & Professor, University of Wisconsin-Madison --

Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft

Every weaver weaves a rag rug—or two, or three. In this long-awaited book, well-known weaver and teacher Tom Knisely shares his knowledge and expertise in this collection of favorite rag rug patterns. • The first comprehensive book on weaving rag rugs in a generation • Color planning and design advice for rag rugs • Step-by-step instructions on warping and weaving for your rag rug • More than 30 rag rug projects, from simple to advanced

First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.

Presents a portrait of a Jerusalem neighborhood providing details of a divided society of Arabs and Jews.

A cloth bag containing eight copies of the title.

Are you a witless cretin with no reason to live? Would you like to know more about every piece of knowledge ever? Do you have cash? Then congratulations, because just in time for the death of the print industry as we know it comes the final book ever published, and the only one you will ever need: The Onion's compendium of all things known. Replete with an astonishing assemblage of facts, illustrations, maps, charts, threats, blood, and additional fees to edify even the most simple-minded book-buyer, The Onion Book of Known Knowledge is packed with valuable information -- such as the life stages of an Aunt; places to kill one's self in Utica, New York; and the dimensions of a female bucket, or "pail." With hundreds of entries for all 27 letters of the alphabet, The Onion Book of Known Knowledge must be purchased immediately to avoid the sting of eternal ignorance.

Elspeth Jackson reinvents the traditional craft of rag rugging to create contemporary and sustainable homeware items from leftover fabrics. You’ll be amazed at how simple and enjoyable it is to upcycle old and well-loved garments into beautiful rugs, pillows, artworks, bags, and other gifts, using just a few basic tools and some simple techniques. The book is arranged into three chapters: Home includes a selection of projects for fun and easy rugs in a range of colours and styles, as well as a shaggy pillow, draught excluder, wall hanging and chalkboard frame. Gifts has wonderful ideas for unique items that you can make for friends and family, from a clutch purse to flower hair clips and even a brooch. Finally, Seasonal will inspire you to turn your strips of fabric into decorations and gifts to use at certain times of the year, from a rag-rugged heart for Valentine’s Day, to an unusual spring wreath and some gorgeous Christmas baubles. With lavish color photographs and clear, step-by-step instructions and artworks, crafters of all ages will enjoy making these projects. A comprehensive section at the start of the book covers everything you need to know about which fabrics to choose, what tools you will need, and the essential techniques, allowing you to discover how to update this traditional craft with endless possibilities of color and fabric combinations.

Composed over several decades, the essays here are remarkably fresh and relevant. They offer instruction for the student just beginning the study of folklore as well as repeated value for the many established scholars who continue to wrestle with issues that Wilson has addressed. As his work has long offered insight on critical matters—nationalism, genre, belief, the relationship of folklore to other disciplines in the humanities and arts, the currency of legend, the significance of humor as a cultural expression, and so forth—so his recent writing, in its reflexive approach to narrative and storytelling, illuminates today’s paradigms. Its notable autobiographical dimension, long an element of Wilson’s work, employs family and local lore to draw conclusions of more universal significance. Another way to think of it is that newer folklorists are catching up with Wilson and what he has been about for some time. As a body, Wilson’s essays develop related topics and connected themes. This collection organizes them in three coherent parts. The first examines the importance of folklore—what it is and its value in various contexts. Part two, drawing especially on the experience of Finland, considers the role of folklore in national identity, including both how it helps define and sustain identity and the less savory ways it may be used for the sake of nationalistic ideology. Part three, based in large part on Wilson’s extensive work in Mormon folklore, which is the most important in that area since that of Austin and Alta Fife, looks at religious cultural expressions and outsider perceptions of them and, again, at how identity is shaped, by religious belief, experience, and participation; by the stories about them; and by the many other expressive parts of life encountered daily in a culture. Each essay is introduced by a well-known folklorist who discusses the influence of Wilson’s scholarship. These include Richard Bauman, Margaret Brady, Simon Bronner, Elliott Oring, Henry Glassie, David Hufford, Michael Owen Jones, and Beverly Stoeltje.