Finding Solace in the Soil tells the largely unknown story of the gardens of Amache, the War Relocation Authority incarceration camp in Colorado. Combining physical evidence with oral histories and archival data and enriched by the personal photographs and memories of former Amache incarcerees, the book describes how gardeners cultivated community in confinement. Before incarceration, many at Amache had been farmers, gardeners, or nursery workers. Between 1942 and 1945, they applied their horticultural expertise to the difficult high plains landscape of southeastern Colorado. At Amache they worked to form microclimates, reduce blowing sand, grow better food, and achieve stability and preserve community at a time of dehumanizing dispossession. In this book archaeologist Bonnie J. Clark examines botanical data like seeds, garden-related artifacts, and other material evidence found at Amache, as well as oral histories from survivors and archival data including personal letters and government records, to recount how the prisoners of Amache transformed the harsh military setting of the camp into something resembling a town. She discusses the varieties of gardens found at the site, their place within Japanese and Japanese American horticultural traditions, and innovations brought about by the creative use of limited camp resources. The gardens were regarded by the incarcerees as a gift to themselves and to each other. And they were also, it turns out, a gift to the future as repositories of generational knowledge where a philosophical stance toward nature was made manifest through innovation and horticultural skill. Framing the gardens and gardeners of Amache within the larger context of the incarceration of Japanese Americans and of recent scholarship on displacement and confinement, Finding Solace in the Soil will be of interest to gardeners, historical archaeologists, landscape archaeologists, cultural anthropologists, and scholars of Japanese American history and horticultural history.

Finding Solace in the Soil tells the largely unknown story of the gardens of Amache, the War Relocation Authority incarceration camp in Colorado. Combining physical evidence with oral histories and archival data and enriched by the personal photographs and memories of former Amache incarcerees, the book describes how gardeners cultivated community in confinement. Before incarceration, many at Amache had been farmers, gardeners, or nursery workers. Between 1942 and 1945, they applied their horticultural expertise to the difficult high plains landscape of southeastern Colorado. At Amache they worked to form microclimates, reduce blowing sand, grow better food, and achieve stability and preserve community at a time of dehumanizing dispossession. In this book archaeologist Bonnie J. Clark examines botanical data like seeds, garden-related artifacts, and other material evidence found at Amache, as well as oral histories from survivors and archival data including personal letters and government records, to recount how the prisoners of Amache transformed the harsh military setting of the camp into something resembling a town. She discusses the varieties of gardens found at the site, their place within Japanese and Japanese American horticultural traditions, and innovations brought about by the creative use of limited camp resources. The gardens were regarded by the incarcerees as a gift to themselves and to each other. And they were also, it turns out, a gift to the future as repositories of generational knowledge where a philosophical stance toward nature was made manifest through innovation and horticultural skill. Framing the gardens and gardeners of Amache within the larger context of the incarceration of Japanese Americans and of recent scholarship on displacement and confinement, Finding Solace in the Soil will be of interest to gardeners, historical archaeologists, landscape archaeologists, cultural anthropologists, and scholars of Japanese American history and horticultural history.

Recounts the author's experiences founding a faith-based community garden in rural North Carolina, and emphasizes how growing one's own food can help readers reconnect with the land and divine faith.

A wise, lyrical memoir about the power of literature to help us read our own lives—and see clearly the people we love most. “Transcendent.”—The Washington Post • “You’d be hard put to find a more moving appreciation of Woolf’s work.”—The Wall Street Journal NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TOWN & COUNTRY Katharine Smyth was a student at Oxford when she first read Virginia Woolf’s modernist masterpiece To the Lighthouse in the comfort of an English sitting room, and in the companionable silence she shared with her father. After his death—a calamity that claimed her favorite person—she returned to that beloved novel as a way of wrestling with his memory and understanding her own grief. Smyth’s story moves between the New England of her childhood and Woolf’s Cornish shores and Bloomsbury squares, exploring universal questions about family, loss, and homecoming. Through her inventive, highly personal reading of To the Lighthouse, and her artful adaptation of its groundbreaking structure, Smyth guides us toward a new vision of Woolf’s most demanding and rewarding novel—and crafts an elegant reminder of literature’s ability to clarify and console. Braiding memoir, literary criticism, and biography, All the Lives We Ever Lived is a wholly original debut: a love letter from a daughter to her father, and from a reader to her most cherished author. Praise for All the Lives We Ever Lived “This searching memoir pays homage to To the Lighthouse, while recounting the author’s fraught relationship with her beloved father, a vibrant figure afflicted with alcoholism and cancer. . . . Smyth’s writing is evocative and incisive.”—The New Yorker “Like H Is for Hawk, Smyth’s book is a memoir that’s not quite a memoir, using Woolf, and her obsession with Woolf, as a springboard to tell the story of her father’s vivid life and sad demise due to alcoholism and cancer. . . . An experiment in twenty-first century introspection that feels rooted in a modernist tradition and bracingly fresh.”—Vogue “Deeply moving – part memoir, part literary criticism, part outpouring of longing and grief… This is a beautiful book about the wildness of mortal life, and the tenuous consolations of art.”—The Times Literary Supplement “Blending analysis of a deeply literary novel with a personal story... gently entwining observations from Woolf's classic with her own layered experience. Smyth tells us of her love for her father, his profound alcoholism and the unpredictable course of the cancer that ultimately claimed his life.”—Time

These transcendent, lyrical essays on the West announced Gretel Ehrlich as a major American writer—“Wyoming has found its Whitman” (Annie Dillard). Poet and filmmaker Gretel Ehrlich went to Wyoming in 1975 to make the first in a series of documentaries when her partner died. Ehrlich stayed on and found she couldn’t leave. The Solace of Open Spaces is a chronicle of her first years on “the planet of Wyoming,” a personal journey into a place, a feeling, and a way of life. Ehrlich captures both the otherworldly beauty and cruelty of the natural forces—the harsh wind, bitter cold, and swiftly changing seasons—in the remote reaches of the American West. She brings depth, tenderness, and humor to her portraits of the peculiar souls who also call it home: hermits and ranchers, rodeo cowboys and schoolteachers, dreamers and realists. Together, these essays form an evocative and vibrant tribute to the life Ehrlich chose and the geography she loves. Originally written as journal entries addressed to a friend, The Solace of Open Spaces is raw, meditative, electrifying, and uncommonly wise. In prose “as expansive as a Wyoming vista, as charged as a bolt of prairie lightning,” Ehrlich explores the magical interplay between our interior lives and the world around us (Newsday).

A powerful work of memoir and storytelling that will change the way we think about the natural world. Like many diasporic people of colour, Claire Ratinon grew up feeling cut off from the natural world. She lived in cities, reluctant to be outdoors and stuck with the belief that success and status could fill the space where belonging was absent. But a chance encounter with a rooftop farm was the start of a journey that caused her to rethink the life she'd been creating and her beliefs about who she ought to be. Enlivened, she turned her hand to growing food in London before finding herself yearning for a small parcel of land to call her own. Unearthed tells the story of her leaving the city for the English countryside - and her first garden - in the hope of forging a pathway towards the embrace of the natural world and a sense of belonging cultivated on her own terms. 'Ratinon's story will change hearts and minds' Alice Vincent 'A beautiful book about nature...I recommend it' Afua Hirsch, author of Brit(ish)

'She lets us see the often chaotic and nature-starved modern world through the eyes of our foremost conservation president ...a view that is at once uplifting and provocative, but always fascinating.' Tony Flemming, Geologist and co-author, Geologic Map of the Washington West Quadrangle, Oct 24, 2020 Washington D.C. naturalist Melanie Choukas-Bradley dives into the natural history and beauty of Theodore Roosevelt Island, an island wilderness less than two miles from the White House and a memorial to the United States' foremost conservationist president. In 2016, as the presidential election dealt a body-blow to progressive thinkers in the US, Melanie sought the solace of Theodore Roosevelt Island. In this book she reflects on the inspiring environmental legacy of Roosevelt, and how immersing oneself in nature can help to heal, restore and encourage a person, even in the midst of the strange new reality of a divisive occupant in the White House. Melanie leads the reader along walks and kayak trips around the island, as together with other Washingtonian nature lovers, birders, conservationists, and even descendants of Roosevelt, they find solace in the island's natural wonders, and ponder their nation's future. Includes a foreword by Tom Lovejoy, Senior Fellow at the United Nations Foundation.

Literary sidekicks like Dr. Watson and Robin the Boy Wonder have not been the singular subject of a significant critical study—until now. Using young adult literature (YA) to study the sidekick reveals new and exciting ways to understand these kinds of characters and this kind of literature. YA has embraced the sidekick, recognizing the way the character reflects the importance of growth and finding one’s place in the world. The nature of many YA texts allows sidekicks to grow beyond literary or historical origins. This includes letting sidekicks “evolve” over the course of multiple texts, using parallel novels to add complexity to a sidekick’s characterization, and telling a story from the sidekick’s perspective, paradoxically making the sidekick the hero. A singularly focused and prolonged study helps to establish sidekick scholarship as a burgeoning field in and of itself.

This book is a call to action. It warns that unless we learn to accept and respect our social, cultural and political differences as town and country people, we are never going to solve the chronic problems in our food system and environment. As we stare down the barrel of climate change, only farmers - who manage two thirds of the UK's landscape - working together with conservation groups can create a healthier food system and bring back nature in diverse abundance. But this fledgling progress is hindered and hamstrung by simplistic debates that still stoke conflict between conservative rural communities and the liberal green movement. Each chapter, from Family and Politics to Animal Welfare and the Environment, explores a different aspect of the urban/rural disconnect, weaving case studies and research with Anna's personal stories of growing up on a small, upland farm. There is a simple theme and a strong message running throughout the book - a plea to respect our differences, recognise each other's strengths and work together to heal the land.