"Travel back to the birth of the blues, from the age-old field-hollers of Mississippi cotton fields to the hidden world of Delta juke joints, to the nightclubs of Chicago." - See Reviews Below "Finding Charley Patton" is a historical novel set in 1930, in Mississippi and Chicago. An African American reporter for the Chicago Defender travels back to Mississippi to find the mysterious Delta blues musicians who began appearing on 'race records' in the late 1920s. Black history and the blues are deeply interwoven into the fabric of America. The emergence of the radical new African American artform called "the Blues," and the blues culture the music inspired, had a profound impact on American society, both artistically and culturally. Yet the story of the blues is an often-overlooked chapter in the nation's history. In this rousing and entertaining adventure book, the story follows reporter Cyrus Jordan on his challenging journey, deep into "Jim-Crow" Mississippi, to write a story about the new Delta blues music. Cyrus Jordan, had worked in the Delta as a young man, and he hopes to find one bluesman in particular that he'd known there, named Charley Patton, who's recently been making records for Paramount. During the trip, the elusive history of the blues unfolds, along with the troubling social history of African Americans in Mississippi. But the book is about much more than the hard times often sung about in blues songs. It is also a tale of triumph over adversity and a great road-trip story, with a cast of complex and colorful characters and great blues music. The novel journeys deep into the hidden world of blues music found in cotton fields, juke joints, recording studios, and on street corners. The story follows the exploits of Mississippi blues musicians Charley Patton, Son House, Willie Brown, and their young proteges Robert Johnson, Howlin' Wolf and Muddy Waters, as they perform around the Delta during the vibrant days of the early blues. The book also explores the Chicago blues scene of the 1920s and pioneering black record producer Mayo Williams, who recorded the early blues records for Paramount. As a black man from Chicago, Cyrus Jordan's long and arduous trip back to Mississippi to search for his old friend Charley Patton, whose music had transcended the Delta, becomes a journey into finding Cyrus's own roots and American identity. "Finding Charley Patton" is an inspiring story of music and life. Cover photo (C) 2003 Blues Images - Used with permission REVIEWS (This book was originally published in December of 2019, as "The Promise of the Blues" Here are some "Top reviews from the United States" PeterG - 5.0 out of 5 stars One not to miss! - Reviewed in the United States on August 3, 2020 A fascinating work, a must for the lovers of the Blues! JerryG - 5.0 out of 5 stars If you're interested in the history of the Blues, you'll enjoy this book! Reviewed in the United States on July 7, 2020 - "The Promise of the Blues" is a compelling thesis on the history of the Delta Blues, and the social conditions surrounding the music, wrapped in a very entertaining novel. A great read! JoAnn R. - 5.0 out of 5 stars I recommend this book for a good read. July 20, 2020 - Great book, really enjoyed reading it. An insightful adventure tale of music and identity. Amazon Customer - 5.0 out of 5 stars The Real Feel of the blues and the characters and life and times of back then. April 16, 2020 - An excellent, entertaining, and important read! Lara D - 5.0 out of 5 stars Thorough history and social commentary placed in a delightful package July 19, 2020 -The amount of historical gems in this book is impressive.....a very pleasurable read....

Noted guitarist John Fahey presents a textual and musicological examination of the music of blues legend Charley Patton. This new edition is enhanced by Fahey's notes from the Grammy-winning, out-of-print box set Screamin' and Hollerin' the Blues: The Worlds of Charley Patton.

Traces the development and characteristics of the Delta blues, and describes the most influential blues musicians and recordings of the 1920s and 1930s

Skip James (1902–1969) was perhaps the most creative and idiosyncratic of all blues musicians. Drawing on hundreds of hours of conversations with James himself, Stephen Calt here paints a dark and unforgettable portrait of a man untroubled by his own murderous inclinations, a man who achieved one moment of transcendent greatness in a life haunted by failure. And in doing so, Calt offers new insights into the nature of the blues, the world in which it thrived, and its fate when that world vanished.

This highly acclaimed biography from the author of Last Train to Memphis illuminates the extraordinary life of one of the most influential blues singers of all time, the legendary guitarist and songwriter whose music inspired generations of musicians, from Muddy Waters to the Rolling Stones and beyond. The myth of Robert Johnson’s short life has often overshadowed his music. When he died in 1938 at the age of just twenty-seven, poisoned by the jealous husband of a woman he’d been flirting with at a dance, Johnson had recorded only twenty-nine songs. But those songs would endure as musical touchstones for generations of blues performers. With fresh insights and new information gleaned since its original publication, this brief biographical exploration brilliantly examines both the myth and the music. Much in the manner of his masterful biographies of Elvis Presley, Sam Phillips, and Sam Cooke, Peter Guralnick here gives readers an insightful, thought-provoking, and deeply felt picture, removing much of the obscurity that once surrounded Johnson without forfeiting any of the mystery. “I finished the book," declared the New York Times Book Review, "feeling that, if only for a brief moment, Robert Johnson had stepped out of the mists.”

Blues Book of the Year —26th Annual Living Blues Awards Contributions by Luther Allison, John Broven, Daniel Droixhe, David Evans, William Ferris, Jim O'Neal, Mike Rowe, Robert Sacré, Arnold Shaw, and Dick Shurman Fifty years after Charley Patton's death in 1934, a team of blues experts gathered five thousand miles from Dockery Farms at the University of Liege in Belgium to honor the life and music of the most influential artist of the Mississippi Delta blues. This volume brings together essays from that international symposium on Charley Patton and Mississippi blues traditions, influences, and comparisons. Originally published by Presses Universitaires de Liège in Belgium, this collection has been revised and updated with a new foreword by William Ferris, new images added, and some essays translated into English for the first time. Patton's personal life and his recorded music bear witness to how he endured and prevailed in his struggle as a black man during the early twentieth century. Within this volume, that story offers hope and wonder. Organized in two parts—“Origins and Traditions” and “Comparison with Other Regional Styles and Mutual Influence”—the essays create an invaluable resource on the life and music of this early master. Written by a distinguished group of scholars, these pieces secure the legacy of Charley Patton as the fountainhead of Mississippi Delta blues.

Robert Johnson did not sell his soul to the devil. But how did he crack the Blues code...? While modern music historians have now almost completely stripped the Blues of its myths, award-winning Swiss singer-songwriter, slide guitarist and book author Richard Koechli gives him back the soul in a philosophical way. With a mystical story that deeply explores the question of what exactly might be behind the legendary "mojo" of the great Blues masters. Koechli embarks on a trip to the temples of the African-American musical soul, gets involved in strange thought adventures, meets all kinds of stars of Blues and Rock history – and in the end is haunted in a dream by the most famous of all Blues figures, by Robert Johnson (1911-1938). Johnson 'tells' him what really happened in Mississippi back then, how he got the Blues secret – and whether the devil really played a role ... A stirring story for all Blues lovers; full of light-footed poetry, spiritual depth and music-historical precision. You can feel in every line that the author is not a theorist, but a Blues artist down to the core.

Beyond the familiar forms of Mississippi Delta Blues and mainstream country music, the vernacular music of the South also ranges from the ceremonial music of Native Americans, to "shout" singing in South Carolina sea islands, Cajun fiddling, and Mexican-American conjunto music. Sounds of the South assesses past efforts to document these richly varied musical forms and the challenges facing future work. "Sounds of the South"--a 1989 conference that gathered record collectors, folklorists, musicians, record producers, librarians, archivists, and traditional music lovers--celebrated the official opening of the Southern Folklife Collection with the John Edwards Memorial Collection at the library of the University of North Carolina, Chapel Hill. Based on that conference, Sounds of the South includes Bill Malone's account of his own career as fan and scholar of country music, Paul Oliver on European blues scholarship, and Ray Funk on researching Black Gospel Quartets. The contributors look at a number of topics related to the role of the archivist/folklorist in recording and documenting the music of the South--evaluating past fieldwork and current needs in documentation, archival issues, prospects for the publication of recordings, and changes in music and technology. Written in an accessible style, this volume will be of interest to all those concerned with preserving the music of the American South.

Steve Cushing, the award-winning host of the nationally syndicated public radio staple Blues before Sunrise, has spent over thirty years observing and participating in the Chicago blues scene. In Pioneers of the Blues Revival, he interviews many of the prominent white researchers and enthusiasts whose advocacy spearheaded the blues' crossover into the mainstream starting in the 1960s. Opinionated and territorial, the American, British, and French interviewees provide fascinating first-hand accounts of the era and movement. Experts including Paul Oliver, Gayle Dean Wardlow, Sam Charters, Ray Flerledge, Paul Oliver, Richard K. Spottswood, and Pete Whelan chronicle in their own words their obsessive early efforts at cataloging blues recordings and retrace lifetimes spent loving, finding, collecting, reissuing, and producing records. They and nearly a dozen others recount relationships with blues musicians, including the discoveries of prewar bluesmen Mississippi John Hurt, Son House, Skip James, and Bukka White, and the reintroduction of these musicians and many others to new generations of listeners. The accounts describe fieldwork in the South, renew lively debates, and tell of rehearsals in Muddy Waters's basement and randomly finding Lightning Hopkins's guitar in a pawn shop. Blues scholar Barry Lee Pearson provides a critical and historical framework for the interviews in an introduction.

First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.