From the author of The Tunnel comes a new collection of essays, his first in eight years, on art, writing, nature and culture. This book is by one of the most important and briliant thinkers at work today.

Filling in a form may be an everyday experience, yet as an aspect of design that affects all our lives, forms are quite often overlooked. This is a handbook on form design for designers, students and anyone interested in improving client communication and information handling.

Here, in one volume, is all the architect needs to know to participate in the entire process of designing structures. Emphasizing bestselling author Edward Allen's graphical approach, the book enables you to quickly determine the desired form of a building or other structure and easily design it without the need for complex mathematics. This unique text teaches the whole process of structural design for architects, including selection of suitable materials, finding a suitable configuration, finding forces and size members, designing appropriate connections, and proposing a feasible method of erection. Chapters are centered on the design of a whole structure, from conception through construction planning.

An acute and deeply insightful book of essays exploring poetic form and the role of instinct and imagination within form—from former poet laureate, Pulitzer Prize and National Book Award winning author Robert Hass. Robert Hass—former poet laureate, winner of the National Book Award, and recipient of the Pulitzer Prize—illuminates the formal impulses that underlie great poetry in this sophisticated, graceful, and accessible volume of essays drawn from a series of lectures he delivered at the renowned Iowa Writers’ Workshop. A Little Book on Form brilliantly synthesizes Hass’s formidable gifts as both a poet and a critic and reflects his profound education in the art of poetry. Starting with the exploration of a single line as the basic gesture of a poem, and moving into an examination of the essential expressive gestures that exist inside forms, Hass goes beyond approaching form as a set of traditional rules that precede composition, and instead offers penetrating insight into the true openness and instinctiveness of formal creation. A Little Book on Form is a rousing reexamination of our longest lasting mode of literature from one of our greatest living poets.

Forms make or break the most crucial online interactions: checkout (commerce), registration (community), data input (participation and sharing), and any task requiring information entry. In Web Form Design, Luke Wroblewski draws on original research, his considerable experience at Yahoo! and eBay, and the perspectives of many of the field's leading designers to show you everything you need to know about designing effective and engaging Web forms.

True competence in drawing is an essential skill for anyone in the graphic arts. In this important book, one of America's most distinguished art teachers guides the reader beyond mere surface fluency to a serious understanding and mastery of the basic structural principles common to all forms, human, animal and natural. The clear, straightforward text and schematic diagrams, photographs and drawings show how these forms express perfectly their growth and function. Drawing the human figure is covered in detail, with emphasis on movement, foreshortening and perspective. The structure and interrelationships of body cavity, arms and legs and head are clearly presented with photographs of male and female models and student and master drawings, which are analyzed in detail with diagrams printed in two colors. The dynamic structure of animals is visualized and related to the other subjects. The natural forms of landscape, as well as overall design and composition in nature, are related to other organic structures and illustrated with drawings by students and professionals to indicate the wide range of individual aesthetic responses evoked by the same subject. Basic elements of graphic design -- line, tone, rhythm, movement and value -- are demonstrated in a variety of materials and tools: charcoal, pencil, ink, brush, pen, twigs. A gallery of drawings by leading contemporary artists brings to life that most important goal of the serious artist: the development of an expressive, personal idiom. - Jacket flap.

Anyone can make art. Finding one's spiritual center can come of making art. Making art can come of finding one's spiritual center. Nancy Azara has been teaching the making of art, art-making as a spiritual practice, and other spiritual practices for thirty-five years. She has developed a system that combines her lifelong spiritual practice with techniques designed to help anyone get and stay in touch with their own inner artistic souls. Spirit Taking Form is a practical book. It offers lists of materials to work with and exercises and meditation techniques to help everyone bring out their inner voice. It includes specific meditations for healing the inner critic, cultivating imagination, and finding one's artistic heart. Its meditations and exercises can be done many times, and each time they can bring the reader new and richer experiences and deeper insights. Throughout the book Azara shares her own story and the inspirations that have made her a successful artist. Using an old Sicilian folk tale taught to her by her grandfather, she has always sought to look at life with one eye open out to the world and the other closed, or turned inward. It is this skill more than any other that she seeks to engender in the reader through exercises such as "The Visual Diary." Learning and teaching about art from a place of spirit calls us to a challenge, a challenge to look at something very familiar, yet distant and remote. Spirit Taking Form offers insight into artistic expression and how it can be applied to life as a catalyst for growth, change, and expression.

*** Featuring a foreword by Pritzker Prize Winner Shigeru Ban *** Bringing together experts from research and practice, Shell Structures for Architecture: Form Finding and Optimization presents contemporary design methods for shell and gridshell structures, covering form-finding and structural optimization techniques. It introduces architecture and engineering practitioners and students to structural shells and provides computational techniques to develop complex curved structural surfaces, in the form of mathematics, computer algorithms, and design case studies. • Part I introduces the topic of shells, tracing the ancient relationship between structural form and forces, the basics of shell behaviour, and the evolution of form-finding and structural optimization techniques. • Part II familiarizes the reader with form-finding techniques to explore expressive structural geometries, covering the force density method, thrust network analysis, dynamic relaxation and particle-spring systems. • Part III focuses on shell shape and topology optimization, and provides a deeper understanding of gradient-based methods and meta-heuristic techniques. • Part IV contains precedent studies of realised shells and gridshells describing their innovative design and construction methods.

WINNER of the 2017 Firecracker Award for Nonfiction from CLMP A collection of linked essays concerned with the life and mind of the writer by one of the most original voices in contemporary literature. Each essay takes a day as its point of inquiry, observing the body as it moves through time, architecture, and space, gradually demanding a new logic and level of consciousness from the narrator and reader.

Matter and Form explores the relationship that has long existed between natural science and political philosophy. Plato's Socrates articulates the Ideas or Forms as an account of the ultimate source of causality in the cosmos. Aristotle's natural philosophy had a significant impact on his political philosophy: he argues that humans are by nature political animals, having their natural end in the city whose regime is hierarchically structured based on differences in moral and intellectual capacity. Medieval theorists attempt to synthesize classical natural and political philosophy with the revealed truths of scripture; they argue that divine reason structures an ordered universe, the awareness of which allows for psychic and political harmony among human beings. Enlightenment thinkers challenge the natural philosophy of classical and medieval philosophers, ushering in a more liberal political order. For example, for Hobbes, there is no rest in nature as there are no Aristotelian forms or natural places that govern matter. Hobbes applies his mechanistic understanding of material nature to his understanding of human nature: individuals are by nature locked in an endless pursuit of power until death. However, from this mechanistic understanding of humanity's natural condition, Hobbes develops a social contract theory in which civil and political society is constituted from consent. Later thinkers, such as Locke and Rousseau, modify this Hobbesian premise in their pursuit of the protection of rights and a free society. Nevertheless, materialist conceptions of the cosmos have not always given rise to liberal democratic philosophies. Historicist influence on scientific inquiry in the nineteenth century is connected to Darwin's theory of evolution; Darwin reasoned that over time the process of natural selection produces ever newer and more highly adapted species. Reflecting a form of social Darwinism, Nietzsche envisions an aristocratic order that draws its inspiration from art rather than the rationalism embodied in the history of natural and political philosophy. Matter and Form's interdisciplinary approach, by international scholars in philosophy and political science, suits it for researchers, teachers and students of these fields.