This first comprehensive overview of the process of commissioning and financing the construction of cathedrals in the Middle Ages reveals a financing system almost as monumental as the cathedrals themselves. Here we follow the historian on a fascinating examination of construction accounts and other sources - extant but never so minutely explored - bringing the bishop and the chapter to account, as it were. The book is divided into two parts. The first gives a broad overview of the resources on which medieval commissioners could draw, including contributions from the bishop, chapter, sovereign, city and, above all, the faithful of the diocese in which the cathedral was erected. The second part is a case study of the financing of construction at Utrecht Cathedral, whose archives are among the best preserved in Europe, followed by a brief discussion of the financing of several other cathedral building projects throughout Europe and of the church of St Peter's in Rome.

Some praise for the Dutch doctoral thesis that formed the basis of this book. --

Bringing together essays from experts in a variety of disciplines, this collection explores two of the most important facets of life within the medieval Europe: money and the church. By focusing on the interactions between these subjects, the volume addresses four key themes. Firstly it offers new perspectives on the role of churchmen in providing conceptual frameworks, from outright condemnation, to sophisticated economic theory, for the use and purpose of money within medieval society. Secondly it discusses the dichotomy of money for the church and its officers: on one hand voices emphasise the moral difficulties in engaging with money, on the other the reality of the ubiquitous use of money in the church at all levels and in places within Christendom. Thirdly it places in dialogue interdisciplinary perspectives and approaches, and evidence from philosophy, history, literature and material culture, to the issues of money and church. Lastly, the volume provides new perspectives on the role of the church in the process of monetization in the High Middle Ages. Concentrating on northern Europe, from the early eleventh century to the beginning of the thirteenth century, the collection is able to explore the profound changes in the use of money and the rise of a money-economy that this period and region witnessed. By adopting a multi-disciplinary approach, the collection challenges current understanding of how money was perceived, understood and used by medieval clergy in a range of different contexts. It furthermore provides wide-ranging contributions to the broader economic and ethical issues of the period, demonstrating how the church became a major force in the process of monetization.

Bringing together essays from experts in a variety of disciplines, this collection focuses on the interaction between money and the church in northern Europe in order to challenge current understanding of how money was perceived, understood and used by medieval clergy in a range of contexts. It provides wide-ranging contributions to the broader economic and ethical issues of the period, demonstrating how the church became a major force in the process of monetization.

A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.

The American Construction Industry meticulously chronicles the evolution of the construction industry from its roots in the medieval guild system to the high-tech jobsite of tomorrow. While celebrating more than two millennia of progress and innovation, this resource for students and professionals uncovers the ways of working that crossed the Atlantic with the earliest European settlers and will continue to define building trades in the United States today and in the years and decades to come. Full color illustrations bring the past to life and provide visual links to the present day.

The construction of a church was undoubtedly one of the most demanding events to take place in the life of a medieval parish. It required a huge outlay of time, money and labour, and often a new organisational structure to oversee design and management. Who took control and who provided the financing was deeply shaped by local patterns in wealth, authority and institutional development - from small villages with little formal government to settlements with highly unequal populations. This all took place during a period of great economic and social change as communities managed the impact of the Black Death, the end of serfdom and the slump of the mid-fifteenth century. This original and authoritative study provides an account of how economic change, local politics and architecture combined in late-medieval England. It will be of interest to researchers of medieval, socio-economic and art history.

Notre-Dame of Amiens is one of the great Gothic cathedrals. Its construction began in 1220, and artistic production in the Gothic mode lasted well into the sixteenth century. In this magisterial chronicle, Stephen Murray invites readers to see the cathedral as more than just a thing of the past: it is a living document of medieval Christian society that endures in our own time. Murray tells the cathedral’s story from the overlapping perspectives of the social groups connected to it, exploring the ways that the layfolk who visit the cathedral occasionally, the clergy who use it daily, and the artisans who created it have interacted with the building over the centuries. He considers the cycles of human activity around the cathedral and shows how groups of makers and users have been inextricably intertwined in collaboration and, occasionally, conflict. The book travels around and through the spaces of the cathedral, allowing us to re-create similar passages by our medieval predecessors. Murray reveals the many worlds of the cathedral and brings them together in the architectural triumph of its central space. A beautifully illustrated account of a grand, historically and religiously important building from a variety of perspectives and in a variety of time periods, this book offers readers a memorable tour of Notre-Dame of Amiens that celebrates the cathedral’s eight hundredth anniversary. Notre-Dame of Amiens is enhanced by high-resolution images, liturgical music, and animations embedded in an innovative website.

A People's Church brings together a distinguished international group of historians to provide a sweeping introduction to Christian religious life and institutions in medieval Italy. Each essay treats a single theme as broadly as possible, highlighting both the unique aspects of medieval Christianity on the Italian peninsula and the beliefs and practices it shared with other Christian societies. Because of its long tradition of communal self-governance, Christianity in medieval Italy, perhaps more than anywhere else, was truly a "people's church." At the same time, its exceptional urban wealth and literacy rates, along with its rich and varied intellectual and artistic culture, led to diverse forms of religious devotion and institutions. Contributors: Maria Pia Alberzoni on heresy; Frances Andrews on urban religion; Cécile Caby on monasticism; Giovanna Casagrande on mendicants; George Dameron on Florence; Antonella Degl'Innocenti on saints; Marina Gazzini on lay confraternities; Maureen C. Miller on bishops; Agostino Paravicini Bagliani and Pietro Silanos on the papacy and Italian politics; Antonio Rigon on clerical confraternities; Neslihan Şenocak on the pievi and care of souls; Giovanni Vitolo on Naples.

This book focuses on the formative period of Church reform in the Middle Ages in Northern Europe, when the Church paved the way for the development of money economy on its own doorstep. Church archaeology provides evidence for patterns of monetary use related to liturgy, church architecture and devotional culture through the centuries. This volume encompasses Alpine European evidence, with emphasis on Gotland, Denmark, Norway, Sweden, Finland and Switzerland, which opens up a new field of research on religion and money for an international audience. Based on 100,000 single finds of coins from the 11th to 18th centuries from 650 Scandinavian churches, the volume offers an in-depth discussion of the concepts of ritual, liturgy and devotional uses of money, monetary space and spiritual economy within the framework of Christendom, the medieval church and church architecture. Written by international scholars, Coins in Churches will be a valuable resource for readers interested in the history of religion, money, the economy, and church architecture in Northern Europe in the Middle Ages.