Using documents from German sources...Final Judgment: The Story of Nuremberg is a revealing X-ray of the whole political, economic, and moral system that the Nazis built up. It uses the Nuremberg trials as its starting point. But it peels away, one after another, the layers of meaning behind Nuremberg. Anyone who followed the reports of the trials in the American press must have been dismayed by their fragmentary and superficial character. All we got were bits and pieces of the Nazi story. Millions of words were, of course, cabled from Nuremberg by correspondents to the twelve corners of the world—especially in the first few days. But mainly they were color stuff, portraying the trial as a spectacle. There were pictures of the defendants and detailed accounts of their behavior in jail. There were excerpts from United States Prosecutor Robert H. Jackson’s opening indictment, and some scattered debate on the international law at the basis of the trial. And at the end there was a sensational flare-up of think-pieces about how Goering managed to cheat the gallows by concealing his lethal poison. It is some kind of commentary on our press and our ways of thought that the most important trial of our era should have ended on the cheap note of a mystery thriller entitled The Case of the Hidden Poison. Nuremberg is still the Trial Nobody Knows. In contrast with this surface stuff, Victor Bernstein has written an attack-in-depth on what the Nazis did, and the techniques they used, and what Nazism did to them. The book is a scalpel-dissection of the whole Nazi disease of which the Nuremberg criminals were only the more ulcerous outcroppings.-Print ed.

The Nuremberg trials brought to public attention the worst of the Nazi atrocities. Judgment at Nuremberg brings those trials to life. Abby Mann's riveting drama Judgment at Nuremberg not only brought some of the worst Nazi atrocities to public attention, but has become, along with Elie Wiesel's Night and Anne Frank's Diary of a Young Girl, one of the twentieth century's most important records of the Holocaust. Originally written as a 1957 television play, later made into an Academy Award winning 1961 film, and available now for the first time in print (using the text of Mann's recent Broadway adaptation), Judgment at Nuremberg is as potent and relevant as ever. To this day the Nuremberg trials stand as a model for international criminal tribunals, due in large measure to the spotlight thrown on them by Mann's dramatic interpretation of the historic events. Mann's overwhelming compassion strikes at the heart of human suffering--his achievement has been to reaffirm humanity and justice in the wake of unspeakable evil.

"John Marshall remains one of the towering figures in the landscape of American law. From the Revolution to the age of Jackson, he played a critical role in defining the "province of the judiciary" and the constitutional limits of legislative action. In this masterly study, Charles Hobson clarifies the coherence and thrust of Marshall's jurisprudence while keeping in sight the man as well as the jurist." "Hobson argues that contrary to his critics, Marshall was no ideologue intent upon appropriating the lawmaking powers of Congress. Rather, he was deeply committed to a principled jurisprudence that was based on a steadfast devotion to a "science of law" richly steeped in the common law tradition. As Hobson shows, such jurisprudence governed every aspect of Marshall's legal philosophy and court opinions, including his understanding of judicial review." "The chief justice, Hobson contends, did not invent judicial review (as many have claimed) but consolidated its practice by adapting common law methods to the needs of a new nation. In practice, his use of judicial review was restrained, employed almost exclusively against acts of the state legislatures. Ultimately, he wielded judicial review to prevent the states from undermining the power of a national government still struggling to establish sovereignty at home and respect abroad."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

A sweeping chronicle of Jewish life in the Tar Heel State from colonial times to the present, this beautifully illustrated volume incorporates oral histories, original historical documents, and profiles of fascinating individuals. The first comprehensive social history of its kind, Down Home demonstrates that the story of North Carolina Jews is attuned to the national story of immigrant acculturation but has a southern twist. Keeping in mind the larger southern, American, and Jewish contexts, Leonard Rogoff considers how the North Carolina Jewish experience differs from that of Jews in other southern states. He explores how Jews very often settled in North Carolina's small towns, rather than in its large cities, and he documents the reach and vitality of Jewish North Carolinians' participation in building the New South and the Sunbelt. Many North Carolina Jews were among those at the forefront of a changing South, Rogoff argues, and their experiences challenge stereotypes of a society that was agrarian and Protestant. More than 125 historic and contemporary photographs complement Rogoff's engaging epic, providing a visual panorama of Jewish social, cultural, economic, and religious life in North Carolina. This volume is a treasure to share and to keep. Published in association with the Jewish Heritage Foundation of North Carolina, Down Home is part of a larger documentary project of the same name that will include a film and a traveling museum exhibition, to be launched in June 2010.