This book brings together two main disciplines, namely cultural studies and language education - both of which share a long standing interest in films, multimodal text-forms, and visuals. It highlights the increasing impact of visuals and multimodal texts on our perception of the world, our discourse behavior, and how this calls for a change in methodologies and media to be used in foreign language classrooms. The book helps to orientate educators in schools and teachers at universities within the broad concept of a multiliteracies approach and to contextualize it with regard to teaching and learning English as a foreign language. (Series: Foreign Language Teaching in Global Perspective / Fremdsprachendidaktik in Globaler Perspektive - Vol. 2)

Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, this innovative comic book provides a detailed look at the history, meaning, and art of comics and cartooning.

Since the first Superman film came to the screen in 1978, films adapted from comics have become increasingly important as a film form. Since that time, advances in computer-generated special effects have significantly improved the ability of film to capture the style and action of comics, producing film such as X-men and Spider-man.

In Film and Comic Books contributors analyze the problems of adapting one medium to another; the translation of comics aesthetics into film; audience expectations, reception, and reaction to comic book-based films; and the adaptation of films into comics. A wide range of comic/film adaptations are explored, including superheroes (Spider-Man), comic strips (Dick Tracy), realist and autobiographical comics (American Splendor, Ghost World), and photo-montage comics (Mexico's El Santo). Essayists discuss films beginning with the 1978 Superman. That success led filmmakers to adapt a multitude of comic books for the screen including Marvel's Uncanny X-Men, the Amazing Spider-Man, Blade, and the Incredible Hulk as well as alternative graphic novels such as From Hell, V for Vendetta, and Road to Perdition. Essayists also discuss recent works from Mexico, France, Germany, and Malaysia. Essays from Timothy P. Barnard, Michael Cohen, Rayna Denison, Martin Flanagan, Sophie Geoffroy-Menoux, Mel Gibson, Kerry Gough, Jonathan Gray, Craig Hight, Derek Johnson, Pascal Lef?vre, Paul M. Malone, Neil Rae, Aldo J. Regalado, Jan van der Putten, and David Wilt Ian Gordon is associate professor of history and convenor of American studies at the National University of Singapore. Mark Jancovich is professor of film and television studies at the University of East Anglia. Matthew P. McAllister is associate professor of film, video, and media studies at Pennsylvania State University.

Graphic Novel. When evidence of a possible cannibal killer in Wainwright, Alaska draws the attention of the FBI, Mulder and Scully draw the assignment. But all is not as it seems, not only has the long seasonal darkness begun to fall, but there's something unnatural about a few of the locals. And what does a chilling, mysterious black ship have to do with the murders?

Best known for his work with Neil Gaiman and his Harvey award-winning graphic novel Cages, comes this Blu-ray collection of Dave McKean's surreal short films collected in a behind the scenes 9 x 12 hardcover book! Dave McKean's short cinema on Blu-ray included in a hardcover book featuring photos, posters, stills, drawings, and more. A must-have for McKean fans! "Dave demands his characters agonize over the meaning of life but he forces us to take the roller-coaster ride as well . . . right to the heart of the creative process--his words and drawings cascading across the page in perfectly structured cacophony. Beautiful!"--Terry Gilliam Blu-Ray includes the following short films and documentaries from Dave McKean: Week Before - 23mins - Insipired by the music of Django Reinhardt, story about two neighbors, God, and The Devil. Neon - 27mins - This film is narrated by Velvet Underground founder John Cale and was first prize winner at Clermont-Ferrand (one of most prestigous short film festivals in the world). Whack! - 14mins - Based on Mr. Punch graphic novel by Neil Gaiman and Dave McKean. Displacements - 14mins - A combination of three short films featuring Michael Moorcock, Iain Sinclair, and Ed Dorn. Dawn - 9mins - Filmed after McKeans's work on the movie Mirrormask, this short film is based on the Dark Horse Comics graphic novel Pictures that Tick, and was accepted into Clermont-Ferrand Festival Iain Ballamy & Stian Carstensen - 3 1/2 minutes - A video short of jazz musicians Iain Ballamy & Stian Carstensen. Sonnet No. 138 - 1min - An animated version of one of Shakespeare's sonnets as part of a large project to turn all of them into short films, the project was canceled and all that remains is this short film. MTV-9/11 Reason - 1min - Reason was created to play on Sept. 11th 2002, a year after the terrorist attack in New York in 2001. McKean made this image as a illustration for a memorial book published by Dark Horse, and turned it into a film shortly after. MTV-World Aids Day - 1min - McKean's short film for MTV on World Aids Day. Visitors - 15mins - Created to be a video shown during live performances for the band Food, this film was shot at the Pacific coastline at Pebble Beach, Point Lobos, Big Sur, Pacific Grove, and at the Monterrey Bay Aquarium. A short film for Adobe - 4mins - Short film to cover the making of an image, which was the cover of The Particle Tarot. Signal to Noise - 4mins - Based of his own Graphic Novel Signal to Noise. RAINDANCE 7 - 1min - Trailer/Advert for the Raindance Film Festival. KODAK: TAKE PICTURES FURTHER - 40Mins - Commissioned by Kodak to launch a new film stock, and consisted of a lavish book, featuring several photographer/ artists, and accompanying 'making of' films for each contributor. BUCKETHEAD -THE BALLAD OF BUCKETHEAD - 4.5 mins - Daves ode to the musician Buckethead Izzy - 3.5 Mins - Film dedicated to opera singer Izzy, featured on MTV's Classical Channel. Lowcraft - 1 minute - A music video made for the band Lowcraft, inspired by the artist Lorenzo Mattotti. The Old Monkey - 4 minutes - A performance by McKean of a song he wrote for jazz composer Iain Ballamy and poet Matthew Sweeney. 9 Lives: Sheepdip, Johnson and Dupree; 9 Lives: The Cathedral of Trees - 4 minutes - Two short films from a show by McKean called Nine Lives.

A collection of nine essays that describes strategies for teaching visual literacy by using graphic novels, comics, anime, political cartoons, and picture books.

Considered by many to be the greatest run on Thor ever, Walt Simonson's classic tales of the God of Thunder are collected here - completely remastered from the original artwork and newly colored by Steve Oliff ! And there are too many timeless tales to count: The Casket of Ancient Winters! The death of Odin! The origins of Asgard! The sacrifice of the Executioner! Thor as a frog! The Mutant Massacre! The curse of Hela! The debut of Thor's body armor! Guest-starring Beta Ray Bill, Nick Fury and the Avengers! Featuring the threats of Fafnir the dragon, Loki, Lorelei, Malekith the Dark Elf, Surtur, Hela, the Titanium Man, Kurse, Zaniac, the Marauders, the Absorbing Man, Fin Fang Foom, the Destroyer and the Midgard Serpent! COLLECTING: THOR 337-355, 357-369, 371-382; BALDER THE BRAVE 1-4

Baby Bjornstrand is like a monster movie written by Beckett, and presented in delightfully delicate, and slightly diabolical, pencil drawings.

In the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production. Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before. The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.