"The first of its kind in Philippine scholarship. It chronicles the evolution of Philippine literature simultaneously in terms of medium (English) and gender (women). In addition, the book proposes hypotheses regarding the whys and wherefores of this specific segment of Philippine literature."--Page [4] of cover.

This book studies a selection of works of Philippine literature written in Spanish during the American occupation of the Philippines (1902-1946). It explores the place of Filipino nationalism in a selection of fiction and non-fiction texts by Spanish-speaking Filipino writers Jesús Balmori, Adelina Gurrea Monasterio, Paz Mendoza Guazón, and Antonio Abad. Taking an interdisciplinary approach that draws from Anthropology, History, Literary Studies, Cultural Analysis and World Literature, this book offers a comparative analysis of the position of these authors toward the cultural transformations that have taken place as a result of the Philippines' triple history of colonization (by Spain, the US, and Japan) while imagining an independent nation. Engaging with an untapped archive, this book is a relevant and timely contribution to the fields of both Filipino and Hispanic literary studies.

Unique in its breadth of coverage, Who's Who in Contemporary Women's Writing is a comprehensive, authoritative and enjoyable guide to women's fiction, prose, poetry and drama from around the world in the second half of the twentieth century. Over the course of 1000 entries by over 150 international contributors, a picture emerges of the incredible range of women's writing in our time, from Toni Morrison to Fleur Adcock- all are here. This book includes the established and well-loved but also opens up new worlds of modern literature which may be unfamiliar but are never less than fascinating.

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

Balik-Tanaw: The Road Taken is the memoir of the distinguished Filipino critic, Soledad S. Reyes. This book is a record of Reyess journey of more than seven decades where personal narrative intertwines with people and events, with social and political movements with which the country sought to negotiate the treacherous shoals in the postwar years. The account carries a fair amount of biographical data (as lodged in the critics memory in the absence of diaries), from her childhood into her college years. But as the context becomes wider and more complex, the narrative takes on a more analytical frame as she tries to make sense of disparate experiences whirling about her in the tumult of the 1970s and beyond, and in the startling changes in the political landscape, local and global, that now grip the Filipino nation. This account, according to the author, is a story of an individual constructing a narrative that seeks to impose order upon chaos by retrieving aspects of the past and weaving a series of recalcitrant experiences into a coherent whole. Published in association with De La Salle University Publishing House

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