This book offers an introduction to the fundamental principles and systematic methodologies employed in computational approaches to ship design. It takes a detailed approach to the description of the problem definition, related theories, mathematical formulation, algorithm selection, and other core design information. Over eight chapters and appendices the book covers the complete process of ship design, from a detailed description of design theories through to cutting-edge applications. Following an introduction to relevant terminology, the first chapters consider ship design equations and models, freeboard calculations, resistance prediction and power estimation. Subsequent chapters cover topics including propeller deign, engine selection, hull form design, structural design and outfitting. The book concludes with two chapters considering operating design and economic factors including construction costs and fuel consumption. The book reflects first-hand experiences in ship design and R&D activities, and incorporates improvements based on feedback received from many industry experts. Examples provided are based on genuine case studies in the field. The comprehensive description of each design stage presented in this book offers guidelines for academics, researchers, students, and industrial manufactures from diverse fields, including ocean engineering and mechanical engineering. From a commercial point of view the book will be of great value to those involved in designing a new vessel or improving an existing ship.

In his short life, Bollinger created an oeuvre that is complex, radical and intense, and well worth rediscovering. At the same time, the show aims to contribute to the current reappraisal of hitherto neglected art positions. At the height of the space race, he was creating sculptures that explore the gravity, balance and specific properties of a wide variety of materials. The cosmos and water are key elements in the work of Bollinger, who was fascinated by curved space, the vertical and the horizontal, resulting in evanescent, purist, energy-laden works with a radical edge that still have the power to astound us, even today.

In the last 10 years we have experienced a seismic shift in media culture, as the social media revolution of the noughties has brought vastly expanded networking, mobility and connection. This shift has significantly altered the making of art as well as the ways that audiences engage with art. Unsitely Aesthetics seeks to describe and undersatand these changes in art production and its accompanying new aesthetics, coining the term "unsitely" to point to the dispersed way that many artists are now making work across the networks both online and offline. A departure point for the book is the idea that the traditional art historical term of site and site-specificity offers a new and strategic way to understand the shifiting and troubled relationship of artwork and audience in network culture. This is a counterintuitive move against the sense of network culture as immaterial flows in a placeless word, thus underlining the situatedness of the making and experincing of art that is still significant. The book suggests that with the unsitely aesthetics of today's contemporary artists there is the possibility of a more democratic art with the internet acting as a public space for artists to encounter and even call forth new publics.

In The Art of Placemaking, Ronald Lee Fleming adopts a practical approach to tackling public art and community planning in the US as they are experienced today. Through detailed, in-depth case studies he discusses the development of placemaking initiatives since 1990, accompanying beautiful and approachable examples with constructive criticism of those he sees as less successful. The case studies deal with varied project, ranging from a clock with bronze bells that marks the gateway to downtown Cincinnati to the beautification of a water treatment plant in Cambridge, Masschusetts; and from a terrazzo floor incorporating sea-creatures at Miami International Airport Florida, to a firefighters' memorial in Boston.

The Nether, a daring examination of moral responsibility in virtual worlds, opens with a familiar interrogation scene given a technological twist. As Detective Morris, an online investigator, questions Mr. Sims about his activities in a role-playing realm so realistic it could be life, she finds herself on slippery ethical ground. Sims argues for the freedom to explore even the most deviant corners of our imagination. Morris holds that we cannot flesh out our malign fantasies without consequence. Their clash of wills leads to a consequence neither could have imagined. Suspenseful, ingeniously constructed, and fiercely intelligent, Haley’s play forces us to confront deeply disturbing questions about the boundaries of reality.

This book deals with ship design and in particular with methodologies of the preliminary design of ships. The book is complemented by a basic bibliography and five appendices with useful updated charts for the selection of the main dimensions and other basic characteristics of different types of ships (Appendix A), the determination of hull form from the data of systematic hull form series (Appendix B), the detailed description of the relational method for the preliminary estimation of ship weights (Appendix C), a brief review of the historical evolution of shipbuilding science and technology from the prehistoric era to date (Appendix D) and finally a historical review of regulatory developments of ship's damage stability to date (Appendix E). The book can be used as textbook for ship design courses or as additional reading for university or college students of naval architecture courses and related disciplines; it may also serve as a reference book for naval architects, practicing engineers of related disciplines and ship officers, who like to enter the ship design field systematically or to use practical methodologies for the estimation of ship's main dimensions and of other ship main properties and elements of ship design.

The first book to devote serious attention to questions of scale in contemporary sculpture, this study considers the phenomenon within the interlinked cultural and socio-historical framework of the legacies of postmodern theory and the growth of global capitalism. In particular, the book traces the impact of postmodern theory on concepts of measurement and exaggeration, and analyses the relationship between this philosophy and the sculptural trend that has developed since the early 1990s.

Contemporary artists are engaging more deeply than ever with religious imagery, themes, practices, and audiences. With a bracing, jargon-free style, Aaron Rosen--a leading scholar, art critic, and curator--takes readers into studios, galleries, and worship spaces as he paints a compelling picture of art and religion today. Focusing on individual artists, from eminent names to emerging stars, Rosen's essays and interviews tackle key questions, from how art might sustain communities to how it might offer new approaches to conflict resolution. Drawing on years spent developing relationships with artists around the globe--from Algeria to India to the United States--Rosen gets artists to talk, often for the first time, about how religion impacts their practice. Whether inspiring or unsettling, these brushes with faith challenge and invigorate the artists in question, and those who ponder the results. Replete with more than seventy color images of works ranging from video art to outdoor installations, this volume is indispensable reading for those looking to see contemporary art in a new light.

This book deals with the number-theoretic properties of almost all real numbers. It brings together many different types of result never covered within the same volume before, thus showing interactions and common ideas between different branches of the subject. It provides an indispensablecompendium of basic results, important theorems and open problems. Starting from the classical results of Borel, Khintchine and Weyl, normal numbers, Diophantine approximation and uniform distribution are all discussed. Questions are generalized to higher dimensions and various non-periodic problemsare also considered (for example restricting approximation to fractions with prime numerator and denominator). Finally, the dimensions of some of the exceptional sets of measure zero are considered.