Quanchi and Shekleton's new history of colonial Fiji titled An Ideal Colony and Epitome of Progress. The book features hundreds of picture postcards from the 19th and 20th centuries and is an excellent resource for high school teachers in Fiji.

This Fiji handbook provides a thought-provoking introduction to Fiji's turbulent history, diverse population, and cultural riches. Travelers gain from seasoned traveler Stanley's extensive descriptions and evaluations of Fiji's lodgings, from luxury resorts to simple hotels on the beach. His comprehensive reporting of outdoor recreation makes it simple to locate the perfect activities, such as scuba diving, snorkeling, surfing, sailing, kayaking, hiking, camping, and golf.

This book is the first concise account of the history of the Fiji islands from the beginning of human settlement to the early years of the 21st century. Its primary focus is on the period since the advent of colonial rule in the late 19th century to the present, benefiting from the author’s internationally acknowledged expertise as a scholar and writer on the Fijian past. Besides factual information, the book also offers a scholarly assessment of the people and events which have shaped Fiji’s history. The Historical Dictionary of Fiji contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Fiji.

The second generation of Pacific historians, who began their careers in the 1970s and 1980s, is gradually fading from the academic scene. They have made fundamental contributions to the field of Pacific history, enduring in their impact, and the identity of the discipline is now firmly established. This volume is not so much about their individual research but, rather, their improbable journeys into Pacific history—why and how they came to it in the first place. Almost without exception, they did not choose Pacific history but rather stumbled into the field through serendipity. They came from forays into African, Indian, East Asian, French, British imperial, and other fields, and were enticed into Pacific history through chance or the efforts of kindly mentors. All this is evident in the values and understandings they bring to the subject. The one commonality that binds them is a love of the islands that have been the center of their lifetime work. Many distinguished Pacific historians of the last four to five decades are represented in this collection. Serendipity presents fourteen autobiographical chapters in which the contributors trace their paths as Pacific historians. They offer their sources of inspiration, supporters, and publications that shaped them as historians. With a significant focus on the importance of teaching and mentoring that they both received and provided, their writing not only illuminates their lives, but the state of Pacific history as an academic field. The experiences of the contributors are moving, replete with sorrows and regrets, as well as of achievements and satisfactions. Part of these careers were spent working in areas other than scholarship, such as high school teaching, consultancies, volunteering, teaching English as a second language, or doing menial jobs just to keep going. Serendipity is a pathbreaking form of historiography and essential to the Pacific history field.

South Pacific expert and veteran travel writer David Stanley knows the best way to experience Fiji, from making the most of one of the world's premiere diving spots to getting away from it all in lesser-known villages. David provides great trip ideas for a variety of travelers, such as Best of Fiji, Island-Hopper Special, and The Life Aquatic. Packed with information on swimming the reefs, taking day-long boat cruises, and sampling Fijian specialties, Moon Fiji gives travelers the tools they need to create a more personal and memorable experience.

Along with my own personal story, I am going to write down a few things that may amuse you (or even take you down some other emotional path) and I'll let you in on a few so-far-unrevealed aspects of my life. I'll try to leave out the boring bits. Don't be thinking this is easy for me. I'm darn good at getting under other people's skin, but opening up about my own life is quite a different matter. So how shall I portray myself? There are choices, you know: Wife, mother, psychologist, writer, comedian, actor, dancer, diver, gypsy, dreamer, rich girl, poor girl, beggar girl, thief. I am all of those and more. Tell you what, you decide. You decide exactly what I am… A complicated childhood in Australia, a bold move to London, being a woman in a man's world on Not the Nine O'Clock News, becoming Mrs Billy Connolly, motherhood, career changes and then Strictly Come Dancing - told in her own inimitable style, The Varnished Untruthis Pamela Stephenson's own story.

This volume investigates Pacific collections held in Australian museums, art galleries and archives, and the diverse group of 19th and 20th century collectors responsible for their acquisition. The nineteen essays reveal varied personal and institutional motivations that eventually led to the conservation, preservation and exhibition in Australia of a remarkable archive of Pacific Island material objects, art and crafts, photographs and documents. Hunting the Collectors benchmarks the importance of Pacific Collections in Australia and is a timely contribution to the worldwide renaissance of interest in Oceanic arts and cultures. The essays suggest that the custodial role is not fixed and immutable but fluctuates with the perceived importance of the collection, which in turn fluctuates with the level of national interest in the Pacific neighbourhood. This cyclical rise and fall of Australian interest in the Pacific Islands means many of the valuable early collections in state and later national repositories and institutions have been rarely exhibited or published. But, as the authors note, enthusiastic museum anthropologists, curators, collection managers and university-based scholars across Australia, and worldwide, have persisted with research on material collected in the Pacific. This volume is a very important one for anyone studying the art and material culture of the Pacific. It focuses on collections now in Australia. Even those well versed in museum collections from the Pacific will learn about many important but little-known collectors as well as better-known figures like the anthropologists F. E. Williams and Thomas Farrell, the husband of Queen Emma. This will be a treat for students and specialist alike. —Professor Robert L. Welsch, University of Dartmouth

Suva Stories explores a fascinating tapestry of histories in one of the Pacific’s oldest and most culturally diverse urban centres, the capital of Fiji. Charting the trajectory of Suva from indigenous village to colonial hub to contemporary Pacific metropolis, it draws on a rich colonial archive and moving personal memoirs that bear witness to their time. The diverse contributions in this volume form a complex mosaic of urban lives and histories that contribute fresh insights into historical and ongoing debates about race, place and belonging. Suva Stories is a valuable companion to those seeking to engage with the city’s pasts and present, and will prompt new conversations about history and memory in Fiji.