Presents detailed annotations to sixty-four of the best games of Magnus Carlsen, an elite and well-known chess player.

The first book to focus on United States Chess Champion Grandmaster Hikaru Nakamura's fascinating journey to the top of world chess is documented in this look at his life and career. Hikaru was not a typical child prodigy, and at his first Junior World championships didn’t even make it onto the winners' podium. He won a World Cup medal at the age of 13 and at the age of 24, he is still surprising the chess world. He is considered by many to be the greatest American chess player since the legendary Bobby Fischer, and this book features a prologue penned by Lubosh Kavalek, Bobby's insider and supporter at the match of the century against Boris Spasski in 1972.

In this book Crouch examines the tremendous fighting qualities of today' s top grandmasters. Analysing key games from 2012, Crouch demonstrates how they give nothing away to opponents but are always alert to punish any slight errors, and crucially, how we can apply these lessons to help us in our own games.

Bent Larsen (1935-2010) was one of the greatest fighters chess has ever seen. In his rich career the great Dane defeated all World Champions from Botvinnik to Karpov. He was a Candidate for the World Championship four times and became one of the most successful tournament players of his time. His uncompromising style and his unorthodox thinking made him popular with chess players all around the globe. In 1967/1968 Larsen won five international elite events in a row, a truly spectacular achievement. His successes were such that Bobby Fischer let him play first board in the legendary match Soviet Union vs. the World in 1970 in Belgrade. Bent Larsen also was a highly original chess writer and an extremely productive chess journalist. Not surprisingly the first chess book that Magnus Carlsen ever studied was written by the strongest Scandinavian player before him. This collection brings together more than 120 of Bent Larsen’s best games, annotated by himself. His comments are lucid, to the point, instructive and humorous. Together, these games are a tribute to his genius and a continuous joy to read and play through. ,

Garry Kasparov has dominated the world of competitive chess for longer than any world champion. The period 1999–2005 represents one of the most fascinating and controversial phases of his career, including repeated and frustrated attempts to reunify the world championship. Following his retirement, this must-have guide is a celebration of the final years of one of the greatest players of our time. A large selection of games are covered, accompanied by in-depth annotation and analysis. Including games right up to the eve of his retirement, this is the most up-to-date and comprehensive guide available, representing an unrivalled opportunity to draw on Kasparov's phenonemal experience on the chess board.

This edition describes how Gary Kasparov progressed from prodigy to champion and gives details of his recent career from 1988 to 1995. It also affords insight into the thought processes of the man who has been chess World Champion since 1985. Many of the game notes are Kasparov's own.

A collection of fifty games spans more than a century of chess play, from McDonnell v. Labourdonnais in 1834 to Matanovich v. Rossolimo in 1951

Chess is a cruel game. We all know that feeling when your position has gone awry and everything seems hopeless. You feel like resigning. But don’t give up! This is precisely the moment to switch to swindle mode. Master the art of provoking errors and you will be able to turn the tables and escape with a draw – or sometimes even steal the full point! Swindling is a skill that can be trained. In this book, David Smerdon shows how you can use tricks from psychology to marshal hidden resources and exploit your opponent’s biases. In a lost position, your best practical chance often lies not in the computer’s best moves, but in playing your opponent – however bad the evaluation! With an abundance of eye-popping examples and training exercises, Smerdon identifies the four best friends of every chess swindler: your opponent’s impatience, their hubris, their fear, and their need to stay in control. You’ll also learn about such cunning swindling motifs as the Trojan Horse, the decoy trap, the berserk attack, and ‘window-ledging’. So, come and join the Swindlers’ Club, become a great escape artist and dramatically improve your results. In this instructive and wildly entertaining guide, Smerdon shows you how.

One of the important issues players face - both relatively inexperienced ones at the beginning of their career as well as seasoned ones as they realize their chess craves change - is choosing an opening repertoire. As a player and a coach, I have seen many approaches to this question, both remarkable and mistaken. Some players believe that the opening is something to ignore, that everything is decided in the middlegame. Others think that studying opening traps is what wins games.Some tend to follow their favorite world-class player''s recommendations, while others like to sidestep well-known opening theory early on, preferring unpopular side-lines.To me, opening choice is about all those decisions. I think that many openings are good; there are some dubious ones, but they can also yield formidable results overall or in specific situations if chosen and handled carefully. I firmly believe that your opening repertoire should mostly be based on your playing style and other personal traits, such as memory and work ethic. It is important to evaluate yourself as well as your strengths and weaknesses properly in order to be able to build the right repertoire that would not only suit you well, but also improve your overall chess.The little detail, though, is in the word "mostly". Namely, I firmly believe that there are a few classical, rock-solid openings with an impeccable reputation, such as 1.e4 e5 as a response to 1.e4 or the Queen''s Gambit and Nimzo as an answer to 1.d4 that players of all styles and standards should try, no matter what their style is. This will enable players to learn, appreciate and practice some of the key chess values, such as the importance of space, lack of weaknesses, bad pieces, and comfortable development and so on - you name it. I, myself, started out as a keen Sicilian player. Just like all youngsters, I cheerfully enjoyed complications, tactical massacres and everything else that the Sicilian is all about. However, as I was developing as a player, my style was changing also. Eventually, I realized I was much more successful with positional play, so it was time to change the outfit - and 1.e4 e5 suited me well. I have used this move as a response to 1.e4 nearly exclusively in recent years, both versus weaker and stronger opposition, with fantastic results. If only other openings would grant me such results as well! I have not only studied these variations myself but have also shown them to numerous private students. To be frank, we have almost always concentrated on White''s most dangerous possibilities, such as the Ruy Lopez, Italian and Scotch. Occasionally, we have also analysed the side-lines - either as a part of preparation for specific opponents or to make sure my students become more universal players and gain more all-round knowledge. Eventually, I realized that the knowledge I gained from 1.e4 e5 can and should be shared with more players, and this is how my book came to life. Of course, the readers will differ, so there is a no "one-size-fits-all" solution. But, I have carefully and diligently tried to achieve the same goal I used when working with my students: to keep my recommendations both theoretically sound as well as practical and accessible. I expect not only titled players but club players and the less experienced readers to equally benefit from this book. So, sometimes you will find razor-sharp novelties, but in many cases, we will rely on positional understanding, typical structures and standard ideas. I believe the opening is not all about memorization, so I have taken a different approach from many authors by keeping the balance between recommending objectively good variations as well as making sure an adequate amount of work will suffice to get you started. You won''t need to spend years studying the material, fearing there is still much more to learn. 1.e4 e5! is not just an opening. It is repertoire that represents our game as a whole. It is something players of all styles will enjoy due to the countless possibilities 1...e5 provides. Hopefully, learning 1...e5 will also make you a better player. And, finally, I hope the book you are now holding in your hands will not only give you joy but illustrate a passion for chess with the variations presented in this work.