His lyrics are a lesson in history. His songs are a movement in groove theory. His book is a light out of the dark that will change the way you think about America and the world as a whole. From Rap to Hip-Hop, Gangsta to Trip-Hop, Chuck D, his Bomb Squad, and his monumental band, Public Enemy, have been a sonic, singular, and transcendental force in modern music. As a poet and philosopher, Chuck D has been the hard rhymer, rolling anthems off his tongue in an era of apathy, tapping into the youth culture of the world for more than a decade. Fight the Power, his first book, part memoir, part treatise, part State of the Union Address, is a testament to his nearly twenty years in the music business and his experiences around the world. Here is a history of one of the most important and controversial musical movements of our century, its impact on modern culture, and the heroes and victims it has created in its wake. Chuck D has never been just a rapper. He's an artist, a rock 'n' roll star who's shared the spotlight with everyone from U2 to Anthrax. He's fought to bridge the gap between musical genres and cultural differences. He is truly the voice of a generation. Startling, gripping, and uncompromising, Fight the Power is most of all the story of one man's struggle to bring about change in this difficult world at all costs. It is certain to take its place among the classics of African American experience.

Chuck D, the creative force behind Public Enemy and one of the most outspoken rappers in the history of music, discusses his views on everything from rap and race to the problems with politics in society today.

Musician Chuck D, lead singer for Public Enemy, discusses the world of Rap and Hip-Hop, arguing that the genre and its performers have been too often ignored, and offers his opinions about racism, ethnic prejudice, classism, fanatical nationalism, and other issues affecting African-Americans in modern society.

Public Enemy are an American hip hop group, formed in New York in 1982, known for their politically charged lyrics and criticism of the American media. This account focuses on the highs and lows of their career, provides an overview of their album releases, and examines what the future holds for them and hip hop as a whole.

In the spring of 1992 the African American neighborhoods of Los Angeles — Compton, Watts, Gardena, South Central — were irrevocably transformed by the greatest domestic disturbance of this century: the “Uprisings,” as they were then described on the streets. In the aftermath of the violence emerged a powerful spirit of reconciliation and change, as gang members who had once fought each other for years came together in an attempt to rebuild their homes, businesses, families and most importantly themselves. This new sense of peace and cooperation continued to thrive in the inner city, and now, with uprising, thirteen former Crips and Bloods give voice to their fresh hopes for the future.What these men reveal is both provocative and profound: the rites of initiation, the pressure to commit crimes, the bonds of gang brotherhood, the significance of gangsta rap, the need for self-empowerment, and the durability of racism in our culture. But Uprising has a timely moral mission as well: Mean streets similar to those of L.A. can be found in cities across the country like Chicago, Baltimore, New York, Atlanta, and Newark. Gang warfare is escalating, spreading to the heartland — and here Yusuf Jah and Sister Shah’Keyah proclaim that lives and communities must be saved. An intricate mosaic of a nuanced and often turbulent world, Uprising defines issues that confront all Americans. It’s message cannot be ignored. Uprising is a powerfully raw, intimate history of gang life in South Central L.A. In detailed interviews, gang members of the Crips and Bloods open up on a wide range of issues, including the bonds of the gang brotherhood, the significance of gangsta rap, the despair of welfare, and the scourge of drugs. "Moments of brutal clarity…One finishes the book convinced of its authentic depiction of gang life." — The New York Times Book Review

A one-of-a kind survey of rap and hip hop history from 1973 to today by Chuck D, arguably the most influential rapper in the world. In the more than 40 years since the days of DJ Kool Herc and "Rapper's Delight," hip hop and rap have become a billion-dollar worldwide phenomenon. Yet there is no definitive history of the genre-until now. Based on Chuck's long-running show on Rapstation.com, this massive compendium details the most iconic moments and influential songs in the genre's recorded history, from Kurtis Blow's "Christmas Rappin'" to The Miseducation of Lauryn Hill to Kendrick Lamar's ground-breaking verse on "Control." Also included are key events in hip hop history, from Grandmaster Flash's first scratch through Tupac's holographic appearance at Coachella. Throughout, Chuck offers his insider's perspective on the chart toppers and show stoppers as he lived it. Illustrating the pages are more than 100 portraits from the talented artists specializing in hip hop.

The infamous Suge Knight, former Death Row Records CEO, and Keffe D are the only living eyewitnesses to the deadly confrontation on the Las Vegas strip between the occupants of our two vehicles. A violent confrontation that led to the deaths of two of Hip-Hop's biggest stars (Tupac Shakur & Christopher 'Notorious B.I.G.' Wallace) and changed Hip-Hop history forever. There's a strict code on the streets. One that real street players live, kill, and die by. Compton Street Legend reveals the street-level code violations and the explosive consequences when the powerful worlds of the streets, entertainment, and corrupt law enforcement collide. More than twenty years after the premature deaths of Tupac and Biggie there have been numerous TV specials, documentaries, books, magazine and newspaper, and social media dedicated to the subject. But at the end of the day, none of the private investigators, retired police officers, informants, Hip-Hop heads, actors, or academics that have weighed in on the topic truly know what happened and the reasons behind it, because none of them were there. Duane 'Keffe D' Davis, a native of Compton, California, admittedly lived most of his life as a gangster; a real gangster that did the shit that real gangsters do. He rose up the gang-banging ranks to become a shot-caller for the notorious Southside Compton Crips, while running a multi-million dollar, multi-state drug empire. Keffe D has been a central figure in both the Tupac Shakur and Biggie murders for the past 20 years. COMPTON STREET LEGEND will add valuable information about two of the biggest "unsolved" crimes in American history. It will serve as the missing piece of the puzzle that Hip-Hop Fans have been waiting for. On the surface, COMPTON STREET LEGEND will look like a story based on violence and hate, it is actually a story about Love, Family, Brotherhood, Loyalty, Trust, and Honor. It's time to set the story straight. Fasten your seatbelts.

The Oxford Handbook of Social Justice in Music Education provides a comprehensive overview and scholarly analyses of challenges relating to social justice in musical and educational practice worldwide, and provides practical suggestions that should result in more equitable and humane learning opportunities for students of all ages.

Over the last quarter-century hip-hop has grown from an esoteric form of African-American expression to become the dominant form of American popular culture. Today, Snoop Dogg shills for Chrysler and white kids wear Fubu, the black-owned label whose name stands for "For Us, By Us." This is not the first time that black music has been appreciated, adopted, and adapted by white audiences-think jazz, blues, and rock-but Jason Tanz, a white boy who grew up in the suburban Northwest, says that hip-hop's journey through white America provides a unique window to examine the racial dissonance that has become a fact of our national life. In such culture-sharing Tanz sees white Americans struggling with their identity, and wrestling (often unsuccessfully) with the legacy of race. To support his anecdotally driven history of hip-hop's cross-over to white America, Tanz conducts dozens of interviews with fans, artists, producers, and promoters, including some of hip-hop's most legendary figures-such as Public Enemy's Chuck D; white rapper MC Serch; and former Yo! MTV Raps host Fab 5 Freddy. He travels across the country, visiting "nerdcore" rappers in Seattle, who rhyme about Star Wars conventions; a group of would-be gangstas in a suburb so insulated it's called "the bubble"; a break-dancing class at the upper-crusty New Canaan Tap Academy; and many more. Drawing on the author's personal experience as a white fan as well as his in-depth knowledge of hip-hop's history, Other People's Property provides a hard-edged, thought-provoking, and humorous snapshot of the particularly American intersection of race, commerce, culture, and identity.

In It's Bigger Than Hip Hop, M. K. Asante, Jr. looks at the rise of a generation that sees beyond the smoke and mirrors of corporate-manufactured hip hop and is building a movement that will change not only the face of pop culture, but the world. Asante, a young firebrand poet, professor, filmmaker, and activist who represents this movement, uses hip hop as a springboard for a larger discussion about the urgent social and political issues affecting the post-hip-hop generation, a new wave of youth searching for an understanding of itself outside the self-destructive, corporate hip-hop monopoly. Through insightful anecdotes, scholarship, personal encounters, and conversations with youth across the globe as well as icons such as Chuck D and Maya Angelou, Asante illuminates a shift that can be felt in the crowded spoken-word joints in post-Katrina New Orleans, seen in the rise of youth-led organizations committed to social justice, and heard around the world chanting "It's bigger than hip hop."