This book charts contemporary illustration's rich history: from the rampant idealism of the 1960s to the bleak realism of the 1970s, and from the over-blown consumerism of the 1980s to the digital explosion of the 1990s, followed by the increasing diversification of illustration in the early twenty-first century. The book explores the contexts in which the discipline has operated and looks historically, sociologically, politically, and culturally at the key factors at play across each decade, while artworks by key illustrators bring the decade to life. Contemporary illustration's impact and influence on design and popular culture are investigated through introductory essays and profiles of leading practitioners, illustrated with examples of the finest work.

Reproducing over 200 works on paper from the past 50 years, this retrospective publication presents a crucial part of British sculptor Phyllida Barlow's (born 1944) oeuvre. Designed by Japanese graphic designer Takaaki Matsumoto, the book will be published alongside the Hauser & Wirth London exhibition opening in late May 2014. A never-before-published interview between the artist and Hans Ulrich Obrist provides insight into drawings that are not preparations but, rather, daily exercises done before, during and after the creation of her sculptures. While the works on paper range in style, they demonstrate a consistency in color and form in their exploration of ideas related to structures, architectural interiors and urban surroundings. Barlow's works on paper date back to the early 1960s when she was a student at Chelsea College of Art in London.

FIFTY YEARS OF DEADHEAD ART: COLORING BOOK

Bessie Pease Gutmann was a premier illustrator during the first half of the twentieth century. She embodies the feel and subject matter that has come to be associated with women illustrators of that period. This visual masterpiece contains more full-color photography of Gutmann's work than all other previous Gutmann publications, and is accompanied by the most complete pricing to her work ever offered. Some of the works shown are so rare that this book provides their only publication outside of hard-to-find antique art print catalogs. The magnificent imagery of this book will make it a wonderful addition to anyone's art library.

Describes top trends and designers of the past fifty years, including their social and cultural contexts

This updated edition of The Illustrated Courtroom came to be because the world of court art has evolved so dramatically since our book's first edition. Trial art is now a fixture both in the 24/7 news cycle and in the fast-moving online world. And numerous epic news stories that broke in the past few years proved hard to ignore. We welcomed the opportunity to include some notable examples. The #MeToo social movement exploded internationally in 2017, signaling massive support for victims of sexual assault. Uber-powerful Hollywood movie producer Harvey Weinstein's precipitous fall was at its heart, following decades of rumors of his sexually predatory behavior. In February 2020, I drew Weinstein being found guilty of rape and criminal sexual acts then sentenced to 23 years in prison. Artist Aggie Kenny's work is also featured in this book. She and I covered multimillionaire financier Jeffrey Epstein's July 2019 arraignment on sex trafficking charges in New York. Epstein was first convicted as a sex offender back in 2008 but unlike in 2008, in 2019, he faced major prison time. However, on August 10, before he could stand trial, he was found dead in his cell. The story and theories on how Epstein died gripped the nation. We court artists have always needed nerves of steel plus an aptitude for speed and precision, but now, with the Internet's meme culture, our work is ever more closely scrutinized. Any perceived failure to produce a good likeness of a famous face triggers a flood of criticism. In 2015, an artist's rendition of New England Patriots' football star Tom Brady at the #Deflategate proceedings-which followed allegations that Brady's team had cheated by using under-inflated balls-was pilloried as unflattering and unrecognizable. The illustration swiftly went viral. Its artist was heavily criticized as parodies and memes erupted, ridiculing her artwork. The effect of the COVID-19 pandemic on the courts has been significant. Courtroom artists faced a whole new challenge, people's faces behind masks, behind barriers or on video. Limited seating in courtrooms due to social distancing. At the Britney Spears conservatorship, hearing some lawyers made their arguments via video, while others were in court wearing masks. Artists drew the R.Kelly sex trafficking trial from a blurry video feed piped into an overflow courtroom. These episodes alone are proof positive that we courtroom artists now inhabit a whole new world

Charles Burchfield (1893-1967) was an innovative visionary of American modernism, a watercolor painter who infused his landscapes of upstate New York and Ohio and scenes of small town industrialization with pulsing line and crackling, fluid color. He was also an accomplished writer who kept extensive journals and published several important essays during his lifetime. Burchfield's early watercolors were often strongly expressionistic, projecting a buoyant spirituality; he reached a critical juncture around 1920, when he turned to modernist pictorial strategies to express a severe geometry of houses, factories and barren trees, with skies traversed by stylized smoke. After moving to Buffalo in 1921, he became a founder of the Regionalist movement, but he returned to the dynamic expressionism of his youth in the 1940s; as he told a friend, "It is not that I am trying to escape real life, but that the realm of fantasy offers the true solution of truly evaluating an experience." Published for DC Moore Gallery's survey exhibition (and coinciding with the Whitney Museum's 2010 retrospective), this volume presents a career-wide selection of watercolors and drawings, many of which are drawn from private collections, and have never or very rarely been exhibited. The images are complemented by four autobiographical essays, spanning the years 1928 to 1965, which provide an intriguing window into the artist's complex personality. All are out of print and difficult to locate, making this catalogue an important reference source as well as a visually striking presentation of his work.

Weapon. Legend. Energy source. Shaper of cultures. Center of controversy. Throughout U.S. history, the horse has served as one of the most powerful influences on the country's development. Beginning 55 million years ago with the evolution of the horse across the Great Plains, this story charts its extinction in North America, its reintroduction to the continent by the Spanish, and eventually, its profoundly consequential acquisition by the native peoples of the plains. From there, the story tracks the horse's incredible contributions-through warring and racing and hauling, through companionship and servitude and strength-across the broad arc of the country's next 300 years. Soplop employs the horse as a narrative thread not only to bind seemingly disparate events, but also to allow for the inclusion of figures often written out of traditional histories: women and minorities. Through a modern lens, she skillfully weaves together science, literature, and policy to trace the fascinating account of how one animal shaped the nation. Captivating illustrations by Montana artist Robert Spannring, interspersed with Soplop's stunning photography, add further depth. This book is for anyone interested in exploring an unconventional perspective on history-no horse knowledge required.

In 1969, Andy Warhol launched Interview, an underground film journal that quickly transformed into an iconic symbol of New York City culture and style. The monthly's expansive conversations and irreverent approach opened doors to the intimate circles of society and became a launchpad for creative talents such as André Leon Talley and Fran Lebowitz. With a vibrant mix of rising celebrities including Madonna and Leonardo DiCaprio, alongside the legendary presence of Elizabeth Taylor and Steven Spielberg, the magazine became known as "The Crystal Ball of Pop." Now, fifty years since its inception, dive into the extraordinary archives of Interview and rediscover the columns, photography and voices that collectively tell the history of American culture decade by decade.

"Cy Twombly's work realizes its most personal expression in his intimately sized drawings and paintings on paper. Finding inspiration as much in the forces of nature as in ancient epics and legend, and using the simplest of media - pencils, ballpoint pens, crayons, wall paint - he creates poetic and archaic worlds, usually in series and often as collages." "The eighty-four works in this retrospective, organized by the State Hermitage Museum, St. Petersburg, in 2003 to mark Twombly's seventy-fifth birthday, were collected from the artist's studio, and many have not been previously exhibited. Dating from between 1953 and 2002, the drawings embrace the entire career of one of the most important American artists alive today, from his early monotypes to the major mythological cycles of later years, revealing the many nuances of his aesthetic approach."--BOOK JACKET.