No other era in automotive history is as revered as the 1950s, when Detroit was the center of the auto world and the American V-8 was king of the road. With hundreds of color photos of beautiful restorations and a collection of rare archival photos, Dennis Adler has compiled a detailed history of the emerging postwar American auto industry.

The flashback is a crucial moment in a film narrative, one that captures the cinematic expression of memory, and history. This author’s wide-ranging account of this single device reveals it to be an important way of creating cinematic meaning. Taking as her subject all of film history, the author traces out the history of the flashback, illuminating that history through structuralist narrative theory, psychoanalytic theories of subjectivity, and theories of ideology. From the American silent film era and the European and Japanese avant-garde of the twenties, from film noir and the psychological melodrama of the forties and fifties to 1980s art and Third World cinema, the flashback has interrogated time and memory, making it a nexus for ideology, representations of the psyche, and shifting cultural attitudes.

This anthology offers an account of German cinema in the fifties, focusing on popular genres, famous stars and dominant practices, taking into account the complicated relationships between East and West Germany, and by paying attention to the economic and political conditions of film production and reception during this period.

Outreach Services in Academic and Special Libraries examines the creation and delivery of outreach programs designed to promote awareness of the library by meeting the information needs of underserved or uninformed patrons. This book contains the experiences of academic and special librarians who describe a wide array of successful outreach programs that are in place throughout the country. This valuable tool introduces professional librarians and library science students and faculty to current and highly innovative models of outreach services implemented in a variety of academic and special library settings.

In the post-war era, American urban fiction was dominated by the imagery of containment. This book offers a critique of this familiar story, evident in the noir narratives of James M. Cain and in work by Ellison, Roth, Salinger, Percy, Capote and others.

Just the '50s, man! Whether you were sporting bobby socks, a flat-top, or a ducktail, the 1950s were just "boss" man, especially if you were digging cars. C'mon Daddy-O, has there ever been anything cooler than the ultra-high-rise fins on a 1959 Cadillac, the "port hole" windows on a '57 T-Bird, or the blinding chrome on an early-'50s Buick Skylark? There may never be another time that rivals the 1950s when it comes to automotive excellence, and the cars from that glorious decade seem as popular today as they were then, when sales records seemed to fall every seasons. In Just the '50s, we salute the magical machines that seemed to come from every automaker of the day. With more than 30 feature stories and in-depth profiles, the publishers of Old Cars Weekly, Old Cars Report Price Guide and the website oldcarsreport take a trip back in time to revisit the great machines of the 1950s, and the people that love them.

Until now, writings on the celebrated movements in literature and film that emerged in France in the mid-1950s - the New Novel and New Wave - have concentrated on their formal innovations, not on their engagement with history or politics. New Novel, New Wave, New Politics overturns this traditional approach. Lynn A. Higgins argues that the New Novelists (e.g., Alain Robbe-Grillet, Claude Simon, Marguerite Duras) and New Wave filmmakers (e.g., Claude Chabrol, Francois Truffaut, Jean-Luc Godard, Alain Resnais) "engage in a kind of historiography.... They enact the conflicts, the double binds of postwar history and representation." Higgins claims that what art historian Serge Guilbaut has said of American Abstract Expressionism is equally true of the New Novel and New Wavethat its aesthetic innovations "provided a way for avant-garde artists to preserve their sense of social 'commitment'... while eschewing the art of propaganda and illustration. It was in a sense a political apoliticism." Higgins shows how the New Novel and New Wave are related developments. "While their individual styles and themes remain distinctive, " she writes, "they share an ecriture that can be described as alternately, or interconnectedly, filmic and novelistic." New Wave filmmakers borrowed novelistic devices and made frequent literary allusions, while the "vision of the novelists is distinctly cinematic." A lively account that takes us to the crossroads where culture and politics meet, New Novel, New Wave, New Politics dramatically revises our view of a whole generation of important, influential artists.

The playing and post-playing careers of all 1,560 players who appeared in a major league box score between 1950 and 1959--the "golden age," many say--are profiled in this exhaustive work. From Aaron to Zuverink: this treasure-trove of anecdotes, many gathered from personal interviews, is full of historical facts, controversy, and trivia. Readers will be reminded, that Milwaukee Braves pitcher Humberto Robinson was asked by a gambler to fix a game against the Phillies (he refused), Joe Adcock chased Giants pitcher Ruben Gomez around the field with a bat, Bob Turley reached the top of the corporate ladder after his playing days, Casey Wise became an orthodontist, Bobby Brown became a heart surgeon and president of the AL, and that Chuck Conners became an actor. All of this and much more can be found here.

In recent years, Chrysler has made waves with a series of dramatic new show cars, exciting production vehicles like the Prowler and Viper, and its mega-merger with German juggernaut Daimler-Benz. It is generally accepted that Chrysler is the most forward-thinking of the Big Three American automakers, yet the company also has a wonderfully compelling past. Just in time to mark Chrysler's 75th anniversary, this beautifully illustrated history takes readers on a journey that spans the company's genesis in the 1920s to present. Marvelous archival black-and-white photography is accompanied by nostalgic period color imagery, print ads, and new color photography of classics. The story includes model from Doge, Plymouth, Imperial, and DeSoto, while sidebars highlight key figures and stunning feats of engineering and styling.