Annual collection of essays on diverse aspects of the fifteenth century, this year emphasizing topics in medieval literature. The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Fifteenth-Century Studiesoffers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Volume 38 addresses a broad spectrum of topics: monastic reformation of domestic space in Richard Whitford's Werke for Housholders; Margery Kempe and spectatorship in medieval drama; The Book of Margery Kempe and the trial of Joan of Arc; a new edition and interpretations of The Book of the Duke and Emperor in the context of MS Manchester, Chetham's Library 8009 (Mun. A.6.31); two cultural perspectives on the Battle of Lippa, Transylvania (1551); translation and manipulation of audience expectations in Sir Gawain and the Green Knight; the dry tree legend in medieval literature; and Wessel Gansfort, John Mombaer, and medieval technologies of the self. Book reviews conclude the volume. Contributors: Brandon Alakas, Maria Dobozy, Andrew Eichel, Rosanne Gasse, Kate McLean, Jesse Njus, Sarah Ritchey, P. R. Robins. Barbara I. Gusick is Professor Emerita of English at Troy University, Dothan, Alabama. Review editor Rosanne Gasse is Associate Professor of English at Brandon University.

Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that is the stepchild of research. The period defies consensus on fundamental issues: some dispute, in fact, whether the fifteenth century belonged at all to the middle ages, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the very tenor of an age that stood under the tripartite influence of Gutenberg, the Turks, and Columbus. Volume 26 contains the customary survey of research on late-medieval drama. There are six articles on French literature, four on German topics, two on Italian art, one on Spanish medieval predication, and three on English literary matters. Six of the articles focus on women and misogyny. Further topics include: popular approaches to problems of daily living; the crusades and mysticism; an early warning against excess in travel and exploration; the conduct of princes as described in chronicles; the so-called Pope Joan; theater, including farces, passion pageants, and triumphant entries of princes; critique of the estates; the function of authors, and their rights, duties, and privileges. There are 17 book reviews and two obituary dedications. The volume has been assembled with special care for style, excellence of research, and variety of approaches. Edelgard DuBruck is professor emerita of Modern Languages at Marygrove College, Detroit, Michigan. Barbara Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

15th-c. adaptations of Chrétien de Troyes, the use of motifs, and standard features including current state of research and book review section. Setting the tone for volume 24 is a trio of articles on 15th-century French adaptations of Chrétien de Troyes's Arthurian romances. Norris Lacy examines adaptation and reception in Cligés, Jane Taylor writes on the importance of cultural details to reception studies of both Erec and Cligés, and Maria Timelli on structural aspects of Erec. Other studies of romance include MaryLynn Saul's article on courtly love and patriarchal marriage institutions in Malory, and Anne Caillaud's piece on gender conventions of courtly love as a vehicle for misogyny in Antoine de la Sale's Petit Jehan de Saintre. Hans-Joachim Behr deals with an adaptation of the 12th-century historical figure of Heinrich von der Löwe in his article on the poetic workof Michel Wyssenherre. Roxana Recio's article on Spanish "amplifications and glosses" draws connections between translation, reception, and interpretation.Moving from romance to legend, Peter De Wilde, in his article on the legendary matter of St. Patrick's journeys to Purgatory, relates a 15th-century account of one Englishman's "visionary pilgrimage" to that destination.A second area of concentration in the volume is the thematic and structural use of motifs. Rainer Goetz discusses archery in Spanish poetry of love and death; Georg Roellenbleck courtly pastimes and the term passe temps inFrench poetry. James Wilkins focuses on the "body as currency" in French passion plays. Kristine Patz moves into art history, examining the importance of the Pythagorean ypsilonin the work of the Italian painter Mantegna.Dealing with the turn to Renaissance humanism are articles by Grady Smith on the short literary career and Latin dramas of Titus Livius Frulovisi, and by Christiane Raynaudon humanism and good government in the Latin Romuleon. Franco Mormando investigates a darker moment: the 1426 witch trial in Rome and the role of Bernardino of Siena as its instigator and chronicler. Rouben Choulakian writes on the poetry of Charles d'Orlean

Includes a selection of papers presented at the Fifteenth-Century Symposia, 1977-

Articles on drama, letter-writing, Arthurian romances, translation, mythology and folklore, print media, and Pizan, Sachs, Schedel, Chartier, and Henryson. The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that this period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, Fifteenth-Century Studies offers essays on diverse aspects of the fifteenth century, including liberal and fine arts, historiography, medicine, and religion. Following the standard opening article on the current state of fifteenth-century drama research, volume 33 offers essays investigating authors such as Christine de Pizan, Hans Sachs, Hartmann Schedel, Alain Chartier, and Robert Henryson. Genres and themes treated include drama, epistles of persuasion, late Arthurian romances, translations, mythology and folklore, print media, and art appreciation. Alternative interpretations are afforded by Franco Mormando's study of male nakedness and the Franciscans. Twelve book reviews round out the volume. Contributors: Edelgard E. DuBruck, Tracy Adams, Lidia Amor, Roció del Río Fernández, Leonardas Vytautas Gerulaitis, Jonathan Green, Christiane J. Hessler, Ashby Kinch, Franco Mormondo, Alessandra Petrina. Edelgard E. DuBruck is Professor Emerita of French and Humanities at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is Professor Emerita of English atTroy University, Dothan, Alabama.

New essays on topics from love and sexuality to physical handicaps, old age, good and bad fortune, women's virtues, art and literature, and the writing of manuscripts. Fifteenth-Century Studies has appeared annually since 1977. It publishes essays on all aspects of life in the 15th century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that defies consensus on fundamental issues. In this volume the standard synopsis of research on 15th-c. theater is followed by essays on reflection/meditation on love and sexuality, physical handicaps, old age, betrayal, and false accusations. Contributors investigate good and bad fortune and human reactions to it, as well as women's virtues. Essays deal with poetry, prose, and drama, while others explore art, looking at illuminations, fresco, and tapestry from the vantage point of hagiography and romance. Finally, there is an essay on scribes, codices, and manuscripts from the perspective of New Philology. Contributors: E. DuBruck, C. Azuela, D.E. Booton, L.V. Gerulaitis, R. Hyatte, S. Jefferis, V. Minet-Mahy, C. Politis, M.J. Seaman, E. I. Wade. Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College, and Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

The current volume, designed as a tribute to Edelgard E. DuBruck, focuses on the importance and praise of late-medieval women. Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, Fifteenth-Century Studies offers essays on diverse aspects of the 15th century, including liberal and fine arts, historiography, medicine, and religion. Designed as a Festschrift honoring Edelgard E. DuBruck, the current volume focuses on the importance and praise of late-medieval women. Topics include Christine de Pizan's response to Boccaccio's De Mulieribus Claris, the figures of Melibea and Celestina in La Celestina, Catalan love poetry, the Nine Muses in Le Franc's Champion des Dames, and artistic praise of the Virgin Mary. Other topics include a wellness guide for late-medieval seniors, women's sins of the tongue and Villon's Testament, the stoic tradition seen in a farewell letter, medicine and magic, and book-burning. An article demonstrates Bertrand Du Guesclin's extraordinary valor, and two essays on Chaucer explore chivalry and violence in The Knight's Tale and Troilus's withdrawal at the end of Troilus and Criseyde. Contributors: Melitta Weiss Adamson, Gery B. Blumenshine, KarenCasebier, Edelgard E. Dubruck, Olga Anna Duhl, Barbara I. Gusick, Jamie Leanos, Ilan Mitchell-Smith, Christiane Raynaud, Roxana Recio, Barbara N. Sargent-Baur, Karen Elaine Smyth, Steven Millen Taylor, Arjo Vanderjagt, Elizabeth I. Wade-Sirabian, Karl A. Zaenker Edelgard E. DuBruck is Professor Emerita at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is Professor at Troy University-Dothan, Dothan, Alabama.

The focus of the volume, in addition to standard features such as the bibliographical update on 15th-c. theater, is on late-medieval authors as literary critics. Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, Fifteenth-Century Studies has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that has long been the stepchild of research. The fifteenthcentury defies consensus on fundamental issues: some scholars dispute, in fact, whether it belonged to the middle ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the verytenor of an age that stood under the influence of Gutenberg, Columbus, the Devotio Moderna, and Humanism. Along with the standard updating of bibliography on 15th-c. theater, this volume is devoted to research on late-medieval authors as literary critics. Thus, for the historian as well as the writer of fiction, the tenuous limits between truth and fantasy (and the role of doubt) are investigated. If there are several eyewitness accounts of an event, which one can be trusted? Medieval memorialists sometimes became advisors to princes and used a rhetoric of careful persuasion. Values such as chivalry, courtly love, and kingly self-representation come up for discussion here.Several essays ponder the structure of poetic forms and popular genres, and others consider more factual topics such as incunabula on medications, religious literature in the vernacular for everyday use, a student's notebook on magic, and late medieval merchants, money, and trade. Contributors: Edelgard DuBruck, Karen Casebier, Emma J. Cayley, Albrecht Classen, Michael G. Cornelius, Jean Dufornet, Catherine Emerson, Leonardas V. Gerulaitis, Kenneth Hodges, Sharon M. Loewald, Luca Pierdominici, Michel J. Raby, Elizabeth I. Wade. Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College in Detroit; Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

The emergence of music printing and publishing in the early 16th century radically changed how music was circulated, and how the musical source (printed or manuscript) was perceived, and used in performance. This series of close studies of the structure and content of 16th-century and early 17th-century editions (and some manuscripts) of music draws conclusions in a number of areas - printing techniques for music; the habits of different type-setters and scribes, and their view of performing practice; publishers' approaches to the musical market and its abilities and interests; apparent changes of plan in preparing editions; questions of authorship; evidence in editions and manuscripts for interpreting different levels of notation; ways in which scribes could influence performers' decisions, and others by which composers could exploit unusual sonorities.

The book surveys medieval literature from both a critical and an historical standpoint. Medieval literature is increasingly seen as an area of intense specialism which is to be treated differently from other areas of English Studies. The essays collected here try to overturn this perception in two ways. Firstly, there is a demonstration of the ways in which modern critical approaches and perspectives work with the medieval text. Secondly, the idea of the medieval is shown, historically, to be a discourse which has been given different symbolic values and served different social purposes.