Fields in Motion: Ethnography in the Worlds of Dance examines the deeper meanings and resonances of artistic dance in contemporary culture. The book comprises four sections: methods and methodologies, autoethnography, pedagogies and creative processes, and choreographies as cultural and spiritual representations. The contributors bring an insiders insight to their accounts of the nature and function of these artistic practices, giving voice to dancers, dance teachers, creators, programmers, spectators, students, and scholars. International and intergenerational, this collection of groundbreaking scholarly research points to a new direction for both dance studies and dance anthropology. Traditionally the exclusive domain of aesthetic philosophers, the art of dance is here reframed as cultural practice, and its significance is revealed through a chorus of voices from practitioners and insider ethnographers.

This book constitutes the thoroughly refereed post-proceedings of the First International Workshop on Complex Motion, IWCM 2004, held in Schloss Reisensburg, Günzburg, Germany, in October 2004. The 17 full papers presented are fully revised to incorporate reviewers' comments and discussions at the workshop.

In six parts, this book considers the extent to which computational, neural, and ecological constraints have shaped the mechanisms underlying motion vision: - Early Motion Vision - Motion Signals for Local and Global Analysis - Optical Flow Patterns - Motion Vision in Action - Neural Coding of Motion - Motion in Natural Environments Each topic is introduced by a keynote chapter which is accompanied by several companion articles. Written by an international group of experts in neurobiology, psychophysics, animal behaviour, machine vision, and robotics, the book is designed to explore as comprehensively as possible the present state of knowledge concerning the principal factors that have guided the evolution of motion vision.