The history of Japanese memoir literature began over a thousand years ago, its greatest practitioners being women of the “middle ranks” whose literary talents won many of them positions as ladies-in-waiting at the Heian imperial court. As female writers they both inhabited and helped create a discursive world obsessed with the arts of concealment and self-display, the perils and possibilities—erotic, political, and literary—of real and metaphorical peepholes. As memoirists they were virtuosos in the exacting art of feminine self-representation. Fictions of Femininity explores the Heian memoirists’ creations of themselves in four texts: Kagero nikki (The Kagero Memoir, after 974), Makura no soshi (The Pillow Book, after 994), Sarashina nikki (The Sarashina Memoir, after 1058), and Sanuki no suke nikki (The Memoir of the Sanuki Assistant Handmaid, after 1108). Essays on the individual memoirs pursue a dual interest, asking how each text works as a rhetorical construct and how it reflects the author’s negotiations with Heian fictions about women and writing. Letting the memoirs themselves set the terms for exploring gender constructions, Fictions of Femininity addresses a spectrum of related issues. The reading of The Kagero Memoir probes two traditional avenues of feminine expression: the writing of waka and the discourse of Buddhist nunhood. Two essays on The Sarashina Memoir reveal a fine weave of literary, religious, and autoerotic fantasies, highlighting the intellectual gifts of a memoirist long misread as naive and girlish. The essay on The Memoir of the Sanuki Assistant Handmaid examines the use of spirit possession as metaphor for commemorative writing, tracing the balancing act its author performed in the midst of political intrigues at court. The relationship between the memoir and voyeurism takes center stage in the closing essay on The Pillow Book, which compares its author’s treatment of the thematics of “seeing and being seen” with that of her chief rival, Murasaki Shikibu, creator of The Tale of Genji. Taken together, the essays in this book underscore the diversity of the Heian memoirists’ responses to their roles as women and as writers in one of the most unusual epochs of Japanese history.

Now in its second edition and with new chapters covering such texts as Elizabeth Gilbert's Eat, Pray, Love and 'yummy mummy' novels such as Allison Pearson's I Don't Know How She Does It, this is a wide-ranging survey of popular women's fiction from 1945 to the present. Examining key trends in popular writing for women in each decade, Women's Fiction offers case study readings of major British and American writers. Through these readings, the book explores how popular texts often neglected by feminist literary criticism have charted the shifting demands, aspirations and expectations of women in the 20th and 21st centuries.

Gender and the Fictions of the Public Sphere, 1690-1755, complicates our understanding of eighteenth-century English print culture by studying the journalistic work of women writers who have long been overlooked by scholars, and by re-interpreting texts by canonical male authors in the period as responses to these early feminist models of cultural authority.

An exploration of how espionage narratives give access to cultural conceptions of gender and sexuality before and following the Second World War, this book moves away from masculinist assumptions of the genre to offer an integrative survey of the sexualities on display from important characters across spy fiction. Topics covered include how authors mocked the traditional spy genre; James Bond as a symbol of pervasive British Superiority still anxious about masculinity; how older female spies act as queer figures that disturb the masculine mythology of the secret agent; and how the clandestine lives of agents described ways to encode queer communities under threat from fascism. Covering texts such as the Bond novels, John Le Carré's oeuvre (and their notable adaptations) and works by Helen MacInnes, Christopher Isherwood and Mick Herron, Sexuality and Gender in Fictions of Espionage takes stock of spy fiction written by women, female protagonists written by men, and probes the representations of masculinity generated by male authors. Offering a counterpoint to a genre traditionally viewed as male-centric, Sexuality and Gender in Fictions of Espionage proposes a revision of masculinity, femininity, queer identities and gendered concepts such as domesticity, and relates them to notions of nationality and the defence work conducted at crucial moments in history.

This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.

In her feminist intervention into the ways in which British women novelists explore and challenge the limitations of the mind-body binary historically linked to constructions of femininity, Andrea Adolph examines female characters in novels by Barbara Pym, Angela Carter, Helen Dunmore, Helen Fielding, and Rachel Cusk. Adolph focuses on how women's relationships to food (cooking, eating, serving) are used to locate women's embodiment within the everyday and also reveal the writers' commitment to portraying a unified female subject. For example, using food and food consumption as a lens highlights how women writers have used food as a trope that illustrates the interconnectedness of sex and gender with issues of sexuality, social class, and subjectivity-all aspects that fall along a continuum of experience in which the intellect and the physical body are mutually complicit. Historically grounded in representations of women in periodicals, housekeeping and cooking manuals, and health and beauty books, Adolph's theoretically informed study complicates our understanding of how women's social and cultural roles are intricately connected to issues of food and food consumption.

Long the standard teaching anthology, the landmark Norton Anthology of Literature by Women has introduced generations of readers to the rich variety of women's writing in English.

A much-needed introduction to the field of contemporary fiction studies. Introduces key areas of debate and offers in-depth discussions of the most significant texts. An ideal guide for those studying contemporary fiction for the first time.

This book visits the occult in literature from the 1880s to the 20th century, analyzing work by women occultists such as Alice Bailey, Dion Fortune, and Starhawk, and revisiting texts with occult motifs by canonical authors. It covers movements such as Theosophy, Spiritualism, Golden Dawn, Wicca, and Goddess spirituality, engaging with how literature creates occult worlds and identities, namely the female Lucifer, witch, priestess, and Goddess. The occult in literature incorporates topical discourses including psychoanalysis, feminism, pacifism, and ecology, hence this book will be of interest to scholars of literary and cultural studies, religious studies, sociology, and gender studies.

Given the rapidly growing presence of girls online, serious academic inquiry into the relationship between girls and the Internet is imperative. Girl Wide Web is an innovative collection of cutting-edge research exploring a wide sweep of issues related to the ways adolescent girls interact with the Internet. Employing a range of methodologies and theoretical perspectives primarily within cultural studies, the authors examine a variety of topics - from instant messaging and web-diaries to online fan communities and Internet advertising that targets young girls. Taken together, these essays provide a rich portrait of the complex relationship among girls, the Internet, and the negotiation of identity.