Life Becomes Stranger than Fiction when Charlee's Latest Novel Inspires a Real Murder Mystery author Charlemagne "Charlee" Russo thinks the twisty plots and peculiar murders in her books are only the product of her imagination—until her agent is found dead exactly as described in Charlee's new, unpublished manuscript. Suspicion now swirls around her and her critique group, making her confidence drop as severely and unexpectedly as her royalty payments. The police care more about Charlee's feeble alibi and financial problems than they do her panicky claims of innocence. To clear her name and revive her career, she must figure out which of her friends is a murderer. Easier said than done, even for an author who's skilled at creating tidy endings for her mysteries. And as her sleuthing grows dangerous, Charlee's imagination starts working overtime. Is she being targeted, too? Praise: "The charming heroine and the supporting cast shine in Clark's fun and funny solo mystery debut...which doesn't take anyone too seriously in the best way possible."—Kirkus Reviews "Cozy fans should enjoy this funny and affecting view into a mystery writer's life."—Publishers Weekly "Charlee Russo is my new favorite amateur sleuth! Wickedly witty author Charlee takes us along on her wild ride to prove her innocence in the murder of her literary agent, a murder based on the plot of one of her own books! Giving readers an inside look at the writer's life, Becky Clark pens a funny, clever page turner of a mystery and I can't wait for the next one in this terrific new series!"—Jenn McKinlay, bestselling author of the Library Lover's Mysteries "Becky Clark wields a witty pen, writing about an author who is plunged into her own mystery."—Marty Wingate, author of the Potting Shed and Birds of a Feather series "Becky Clark is a hilarious new talent in mystery fiction. With a mixture of humor and plot, Fiction Can Be Murder pulls back the curtain on the creative writing process and exposes the homicidal thoughts that take place while writing a book."—Diane Vallere, national bestselling author of the Costume Shop mysteries "In Fiction Can Be Murder, Becky Clark gives us a fun and funny peek into the writers' life. Although in the case of her protagonist, the smart, likeable, and feisty Charlee Russo, that life includes the real murder of her agent. This clever mystery, first in a new series, is perfect for book lovers."—Vicki Delany, national bestselling author of the Sherlock Holmes Bookshop mysteries "Fresh, fast, and furiously fun, Fiction Can Be Murder packs one surprise after the next. Becky Clark writes with wry wit, a keen eye, and no shortage of authority on this particular subject. Charlee Russo is like a lot of authors I know—except most of them only dream of killing their agents."—Brad Parks, Shamus-, Nero-, and Lefty-award-winning author of Closer Than You Know "This killer plot will take you on the literary ride of your life. In this new series, Clark has crafted an intriguing mystery that opens the door into the crazy world of literary agents, publishers, royalties, critique groups, and murder."—Cheryl Hollon, author of the Webb's Glass Shop Mysteries "A promising series debut."—Booklist

PEPPERONI PIZZA CAN BE MURDER by Chris Cavender (Pizza Lover’s Mystery Book 2) From the Pizza Lover’s Mystery Series, first published by Kensington. Praise for The Pizza Lover’s Mysteries “Pizza lovers will relish Cavender’s delightful first in a new cozy series.” Publisher’s Weekly “Cavender introduces a promising cast of characters.” Booklist “A delightful mystery—as filling as a big slice of warm pizza.” Armchair Detective “Saucy debut…with all the ingredients needed for an enjoyable treat” Lesa’s Book Critiques “Cavender is an ace at writing cozies.” Library Journal When deliveryman Greg Hatcher's brother is found murdered in the kitchen of A Slice of Delight, crime-solving sisters Suzanne and Maddy dig in to save their favorite employee!

“[A] lighthearted mystery . . . Kids who like mystery and fantasy and fans of television’s Sabrina, about a teenage witch, will like this” (Booklist). Nola’s not much of a witch—she can work only a few useless spells, like the one that lets her spy on people. But there’s no spell for keeping her crazy mother—who hears voices and is a magnet for witch-hunters—out of trouble. The two flee from town to town until the day Nola witnesses a murder. Which is bad enough, but worse is that the murderer may frame Nola and her mother for the crime. And then no amount of magic will save her. And you think your teenage years are tough . . . “Dialogue is fast and funny, the characters evincing a certain human desperation that makes them (the good guys, anyway) unfailingly sympathetic. Introduce Rowling fans to Vande Velde, and watch them make magic.” —The Bulletin of the Center for Children’s Books “Vande Velde has produced a winner in this fantasy mystery . . . [Fans] will not be disappointed in this funny and charming story, which will attract mystery and romance lovers as well.” —VOYA “Vande Velde’s offering throws murder, witchcraft, and romance into the brew . . . The well-developed characters provide entertaining reading.” —School Library Journal “Fun and suspense for readers . . . Entertaining.” —Publishers Weekly “The story moves from a witch’s tale of many spells, to a murder mystery, and finally, a love story . . . Amusing, light reading.” —Kliatt “An entertaining fantasy for any reader.” —SF Site

Forensic scientist Theresa MacLean takes on the worst kind of murder case--one without clues--in this follow-up to "Takeover."

How can you solve a murder when the clues are so dumb? Private investigator Trike Augustine may be a brainiac with deductive skills to rival Sherlock Holmes, but they’re not doing him any good at solving the case of a missing gazzilionaire because the clues are so stupefyingly—well, stupid. Meanwhile, his sidekicks—Max the former FBI agent and Lola the artist—don’t quite rise to the level of Dr. Watson, either. For example, when a large, dead pig turns up on Trike’s floor in the middle of the night, none of them can figure out what it means. Meanwhile, the clock is ticking as the astronomical reward being offered diminishes drastically every day. That, plus the increasing reality that their own lives are in danger, lift this astonishing debut beyond its hilarious premise—a smart man befuddled by the idiotic—and turns it into something more than just a smart homage to Sherlock (with maybe a touch of early Jonathan Lethem thrown in). It becomes a compelling and compulsive thriller . . . with the added bonus that the prose is often as breathtaking as the tale.

"From the prize-winning biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: can a novel kill? In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. And the missing clue lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Courvoisier finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines the thrilling true-crime story with a illuminating account of the rise of the novel form and the battle for its early soul between the most famous writers of the time. It is a superbly researched, vividly written, fascinating read from first to last"--

**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.

“It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore.”—The New York Times Book Review Introduction by David Handler It wasn’t Leonard Dykes’s writing style that offended. But something in his unpublished tome seemed to lead everyone who read it to a very unhappy ending. Now four people are dead, including the unfortunate author himself, and the police think Nero Wolfe is the only man who can close the book on this novel killer. So the genius sleuth directs his sidekick to set a trap . . . and discovers that the truth is far stranger—and far bloodier—than fiction. A grand master of the form, Rex Stout is one of America’s greatest mystery writers, and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together, Stout and Wolfe have entertained—and puzzled—millions of mystery fans around the world. Now, with his perambulatory man-about-town, Archie Goodwin, the arrogant, gourmandizing, sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable master himself, Rex Stout.

The Blue Ridge Mountains, fun historical tidbits, a hint of the supernatural, and a taste of romance—this bookish cozy mystery series debut about a crime-solving librarian is “one of the best” (New York Journal of Books). Librarian Amy Webber must archive overdue crimes and deadly rumors before a killer strikes again in small-town Virginia . . . Fleeing a disastrous love affair, university librarian Amy Webber moves in with her aunt in a quiet, historic mountain town in Virginia. She quickly busies herself with managing a charming public library that requires all her attention with its severe lack of funds and overabundance of eccentric patrons. The last thing she needs is a new, available neighbor whose charm lures her into trouble. Dancer-turned-teacher and choreographer Richard Muir inherited the farmhouse next door from his great-uncle, Paul Dassin. But town folklore claims the house’s original owner was poisoned by his wife, who was an outsider. It quickly became water under the bridge, until she vanished after her sensational 1925 murder trial. Determined to clear the name of the woman his great-uncle loved, Richard implores Amy to help him investigate the case. Amy is skeptical until their research raises questions about the culpability of the town’s leading families . . . including her own. When inexplicable murders plunge the quiet town into chaos, Amy and Richard must crack open the books to reveal a cruel conspiracy and lay a turbulent past to rest in A Murder for the Books, the first installment of Victoria Gilbert’s Blue Ridge Library mysteries.

A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?