This book presents a detailed account of Ficinoa (TM)s "De Christiana religione" and of Picoa (TM)s "Apologia," in the context of the evolution of a humanist theology. Focusing on the relations between humanism, theology, and politics, it concludes with the Savonarola affair.

An account of the astrological controversies that arose in Renaissance Italy in the wake of Giovanni Pico della Mirandola’s Disputationes adversus astrologiam divinatricem, published in 1496.

This is the 2016 paperback printing of the 2008 edition of the popular text, translation, and commentary by S. A. Farmer. (The 2008 edition was a revised edition of the 1998 original publication). Published by ACMRS (Arizona Center for Medieval and Renaissance Studies) in Tempe, Arizona as part of the MRTS (Medieval and Renaissance Texts and Studies) Series, this book -- previously available only in hardcover and otherwise out-of-print since 2014 -- is now available in its entirety in paperback format.

An ardent treatise for the Dignity of Man, which elevates Humanism to a truly Christian level. This translation of Pico della Mirandola's famed "Oration," hitherto hidden away in anthologies, was prepared especially for Gateway Editions, making it available for the first time in a stand-alone volume. The youngest son of the Prince of Mirandola, Pico lived during the Renaissance, an era of change and philosophical ferment. The tenacity with which he clung to fundamental Christian teachings while crying out against his brilliant though half-pagan contemporaries made him exceptional in a time of exceptional men. While Pico, as Russell Kirk observes in his introduction, was an ardent spokesman for the "dignity of man," his devout nature elevated humanism to a truly Christian level, which makes his writing as pertinent today as it was in the fifteenth century.

This book offers a re-evaluation of Giovanni Pico della Mirandola, the prominent Italian Renaissance philosopher and prince of Concord. It argues that Pico is part of a history of attempted concordance between philosophy and theology, reason and faith. His contribution is a syncretist theological philosophy based on Christianity, Platonism, Aristotelianism and Jewish Kabbalism. After an introduction, Chapter 2 discusses Pico’s career, his power-relations and his work, Chapters 3 and 4 place his three pillars of Platonism, Aristotelianism and Kabbalism in their historical context, examines shared histories, and introduces the scholars around Pico who contributed so much in each of these traditions (introducing, for example, Christian Kabbalism), including exploring Pico's complex relationship with Marsilio Ficino. Chapter 5 examines the problems of concordance within Pico’s cosmology and metaphysics, including the question of God and the role of the Intellect. Chapter 6 describes Pico’s ‘exceptionalist’ version of the mystical ascent as an individualized ascetic experience. Pico eschews the contemporary desire to use a renewed christian thinking or christian-classical metaphysics to change the world (towards a Golden Age or a 'second coming') to present a personal path to God, with no return to the world.

Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.

Presented to modern readers in English for the first time in 500 years, The Life of Pico is a biography of one of the Renaissance¿s most famous figures: Giovanni Pico de la Mirandola (1463-94). Given More¿s demanding personal spiritual life, one would assume that More wishes to praise a famous and virtuous man. But what emerges from this book is quite different. Pico turns out to be an extraordinarily virtuous, talented, and wealthy man, but a man nonetheless, who is missing something essential. And so More calls Pico "a very spectacle" of virtue.More sees Pico as very much like himself, as the two turn out to have very similar life experiences. Both carry some scars from difficult or missing relationships with their fathers, both are extremely talented and powerful in their time, and both had been steered toward a religious vocation which they did not embrace. The book is as much a riddle about More as it is an explanation of Pico. More's great-grandson and biographer, Cresacre More, claims that Thomas More as a young man sought to emulate Pico once he decided that his path in life was marriage and not the cloth. The book's first half contains the abridged account of Pico's life. The second half is More's rhymed verse on the 12 rules of spiritual battle, the 12 weapons of spiritual battle, and the 12 properties of a lover, followed by Pico's prayer to God. In the last analysis, this biography of Pico becomes an exercise in the discernment of true virtue, in the contradictions and difficulties one encounters in the immersion into the world, and at the same time, in the life of God.

Peter Adamson presents an engaging and wide-ranging introduction to two great intellectual cultures: Byzantium and the Italian Renaissance. First he tells the story of philosophy in the Eastern Christian world, from the 8th century to the 15th century, then he explores the rebirth of philosophy in Italy in the era of Machiavelli and Galileo.

From Hugo, Nebula, and World Fantasy Award-winning Jo Walton comes Lent, a magical re-imagining of the man who remade fifteenth-century Florence—in all its astonishing strangeness Young Girolamo’s life is a series of miracles. It’s a miracle that he can see demons, plain as day, and that he can cast them out with the force of his will. It’s a miracle that he’s friends with Pico della Mirandola, the Count of Concordia. It’s a miracle that when Girolamo visits the deathbed of Lorenzo “the Magnificent,” the dying Medici is wreathed in celestial light, a surprise to everyone, Lorenzo included. It’s a miracle that when Charles VIII of France invades northern Italy, Girolamo meets him in the field, and convinces him to not only spare Florence but also protect it. It’s a miracle than whenever Girolamo preaches, crowds swoon. It’s a miracle that, despite the Pope’s determination to bring young Girolamo to heel, he’s still on the loose...and, now, running Florence in all but name. That’s only the beginning. Because Girolamo Savanarola is not who—or what—he thinks he is. He will discover the truth about himself at the most startling possible time. And this will be only the beginning of his many lives. "Rendered with Walton's usual power and beauty...It's this haunting character complexity that ultimately holds the reader captive to the tale." —N. K. Jemisin, New York Times, on My Real Children At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.