A dangerous magic will be unleashed in the city unless Jayna embraces her dark power. To become a Sorcerer at the prestigious Academy was all Jayna ever wanted-until her parents died and her brother disappeared. To find him, she had to give it all up in exchange for greater power. Now she searches for him and chases down dark magic for her mysterious benefactor, a Sul'toral named Ceran. Her path has led her to the city of Nelar, where she struggles to understand the depths of the power granted to her. Here Jayna finds herself facing a new danger, one greater than any dark magic she's faced before. When Ceran doesn't answer her summons, she must stop the Festival of Mourn before it's too late. But how can a half-trained sorcerer stop a dark god? And can she do it without giving in to her own dark power? Packed full of action and adventure, Festival of Mourn is the beginning of a brand new epic fantasy adventure.

Anthropologists have long known that different cultures give expression to their symbol systems through external mediums such as food and clothing, but they have not recognized as readily that cultures also mold emotional life to fit particular patterns of meaning. This prejudice against the role of behaviors in shaping the emotional and cognitive life is especially strong in the study of religion. Gary Anderson's study reveals that, in the Israelite culture (and later, the Jewish culture), mourning and joy as emotional experiences have visible behavioral components for both the individual and the community at large. The best evidence of this can be found in rabbinical texts that prescribe behaviors appropriate to joy and determine when this ritual state supersedes that of mourning. For example, on religious feast days, mourning is forbidden and joy is prescribed. Mourning cannot resume until after the festival. The terms "mourning" and "joy" so employed do not refer to simple emotional states, but rather constitute a discrete set of ritual behaviors. In fact, the types of discrete behaviors that constitute joy (eating, drinking, festal song, anointing with oil, festive attire, sexual relations) all have exact anti-types in the ritual of mourning (fasting, dirges, putting ashes on the head, rending one's garments or putting on sackcloth, sexual continence). Anderson shows that it is not only the rabbinical texts that use the terms "mourning" and "joy" in this way; rabbinic tradition is simply heir to a much older tradition, as witnessed in biblical and other ancient Near Eastern narratives such as the Gilgamesh Epic.

Dark sorcery, powerful enchantments, and lost secrets are key to Jayna stopping a deadly attack. Having stopped two dark sorcerers and changing the power of her Toral ring with the dangerous bloodstone, Jayna has become a target. A dark power is coming for the city of Nelar, and Ceran has tasked her with remaining vigilant. What comes is something Jayna is completely unprepared to face. Attacks have pitted the Sorcerers' Society against the ruling dular, but there's an even greater danger-someone with magic like Eva. Jayna has to stop a war, but how can she when she doesn't know who's involved? Filled with action and adventure, Smoke and Memories continues the epic fantasy adventure of The Dark Sorcerer series!

A grieving widow discovers a most unexpected form of healing—hunting for mushrooms. “Moving . . . Long tells the story of finding hope after despair lightly and artfully, with self-effacement and so much gentle good nature.”—The New York Times Long Litt Woon met Eiolf a month after arriving in Norway from Malaysia as an exchange student. They fell in love, married, and settled into domestic bliss. Then Eiolf’s unexpected death at fifty-four left Woon struggling to imagine a life without the man who had been her partner and anchor for thirty-two years. Adrift in grief, she signed up for a beginner’s course on mushrooming—a course the two of them had planned to take together—and found, to her surprise, that the pursuit of mushrooms rekindled her zest for life. The Way Through the Woods tells the story of parallel journeys: an inner one, through the landscape of mourning, and an outer one, into the fascinating realm of mushrooms—resilient, adaptable, and essential to nature’s cycle of death and rebirth. From idyllic Norwegian forests and urban flower beds to the sandy beaches of Corsica and New York’s Central Park, Woon uncovers an abundance of surprises often hidden in plain sight: salmon-pink Bloody Milk Caps, which ooze red liquid when cut; delectable morels, prized for their earthy yet delicate flavor; and bioluminescent mushrooms that light up the forest at night. Along the way, she discovers the warm fellowship of other mushroom obsessives, and finds that giving her full attention to the natural world transforms her, opening a way for her to survive Eiolf’s death, to see herself anew, and to reengage with life. Praise for The Way Through the Woods “In her search for new meaning in life after the death of her husband, Long Litt Woon undertook the study of mushrooms. What she found in the woods, and expresses with such tender joy in this heartfelt memoir, was nothing less than salvation.”—Eugenia Bone, author of Mycophilia and Microbia

Talmud is the central text of Rabbinic Judaism and the primary source of Jewish religious law (halakha) and Jewish theology. The term "Talmud" normally refers to the collection of writings named specifically the Babylonian Talmud (Talmud Bavli). It may also traditionally be called Shas, a Hebrew abbreviation of shisha sedarim, or the "six orders" of the Mishnah. The Talmud consists of tractates and contains the teachings and opinions of thousands of rabbis (dating from before the Common Era through to the fifth century) on a variety of subjects, including halakha, Jewish ethics, philosophy, customs, history, and folklore, and many other topics. The Talmud is the basis for all codes of Jewish law and is widely quoted in rabbinic literature. This version is the new edition of the Babylonian Talmud with original text edited, corrected, formulated and translated into English by Michael L. Rodkinson. Table of Contents Book 1: Tract Sabbath Book 2: Tracts Erubin, Shekalim, Rosh Hashana Book 3: Tracts Pesachim, Yomah and Hagiga Book 4: Tracts Betzah, Succah, Moed Katan, Taanith, Megilla and Ebel Rabbathi or Semahoth Book 5: Tracts Aboth, Derech Eretz-Rabba, Derech Eretz-Zuta, and Baba Kama (First Gate) Book 6: Tract Baba Kama (First Gate), Part II and Tract Baba Metzia (Middle Gate) Book 7: Tract Baba Bathra (Last Gate) Book 8: Tract Sanhedrin: Section Jurisprudence (Damages) Book 9: Tracts Maccoth, Shebuoth, Eduyoth, Abuda Zara, and Horioth Book 10: History of the Talmud

WINNER OF THE NATIONAL BOOK AWARD FOR FICTION ONE OF THE NEW YORK TIMES’S 100 BEST BOOKS OF THE 21ST CENTURY NOW A MAJOR MOTION PICTURE STARRING NAOMI WATTS “A beautiful book . . . a world of insight into death, grief, art, and love.” —Wall Street Journal “A penetrating, moving meditation on loss, comfort, memory . . . Nunez has a wry, withering wit.” —NPR “Dry, allusive and charming . . . the comedy here writes itself.” —The New York Times The New York Times bestselling story of love, friendship, grief, healing, and the magical bond between a woman and her dog. When a woman unexpectedly loses her lifelong best friend and mentor, she finds herself burdened with the unwanted dog he has left behind. Her own battle against grief is intensified by the mute suffering of the dog, a huge Great Dane traumatized by the inexplicable disappearance of its master, and by the threat of eviction: dogs are prohibited in her apartment building. While others worry that grief has made her a victim of magical thinking, the woman refuses to be separated from the dog except for brief periods of time. Isolated from the rest of the world, increasingly obsessed with the dog's care, determined to read its mind and fathom its heart, she comes dangerously close to unraveling. But while troubles abound, rich and surprising rewards lie in store for both of them. Elegiac and searching, The Friend is both a meditation on loss and a celebration of human-canine devotion.

Death is something we all confront—it touches our families, our homes, our hearts. And yet we have grown used to denying its existence, treating it as an enemy to be beaten back with medical advances.We are living at a unique point in human history. People are living longer than ever, yet the longer we live, the more taboo and alien our mortality becomes. Yet we, and our loved ones, still remain mortal. People today still struggle with this fact, as we have done throughout our entire history. What led us to this point? What drove us to sanitize death and make it foreign and unfamiliar?Schillace shows how talking about death, and the rituals associated with it, can help provide answers. It also brings us closer together—conversation and community are just as important for living as for dying. Some of the stories are strikingly unfamiliar; others are far more familiar than you might suppose. But all reveal much about the present—and about ourselves.

National Book Critics Circle Award Winner National Bestseller Lambda Literary Award Finalist NAMED ONE OF THE BEST BOOKS OF THE YEAR BY TIME * NPR * The Washington Post * Kirkus Reviews * Washington Independent Review of Books * The Millions * Electric Literature * Ms Magazine * Entropy Magazine * Largehearted Boy * Passerbuys “Irreverent and original.” –New York Times “Magisterial.” –The New Yorker “An intoxicating writer.” –The Atlantic “A classic!” –Mary Karr “A true light in the dark.” –Stephanie Danler “An essential, heartbreaking project.” –Carmen Maria Machado A gripping set of stories about the forces that shape girls and the adults they become. A wise and brilliant guide to transforming the self and our society. In her powerful new book, critically acclaimed author Melissa Febos examines the narratives women are told about what it means to be female and what it takes to free oneself from them. When her body began to change at eleven years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she'd been told about herself and the habits and defenses she'd developed over years of trying to meet others' expectations. The values she and so many other women had learned in girlhood did not prioritize their personal safety, happiness, or freedom, and she set out to reframe those values and beliefs. Blending investigative reporting, memoir, and scholarship, Febos charts how she and others like her have reimagined relationships and made room for the anger, grief, power, and pleasure women have long been taught to deny. Written with Febos' characteristic precision, lyricism, and insight, Girlhood is a philosophical treatise, an anthem for women, and a searing study of the transitions into and away from girlhood, toward a chosen self.