There is a growing awareness that we are doomed as a species and planet unless we have a radical shift in consciousness and the re-emergence of the Goddess is becoming the symbol and metaphor for this transformation. Feminine Mysticism in Art fills the void of Goddess imagery and wisdom in the West by providing images and writings by 70 contemporary visionary artists and writers (male and female) who have committed their life's work to the re-birth of the Divine Feminine in the West. Some of the visionary artists are: AfraShe Asungi, Yasmin Hernandez, Martina Hoffmann, Penny Slinger, Autumn Skye Morrison, Heather Taylor, Mark Henson, Abba Yahudah, David Joaquin, Andrew Annenberg, Paul Heussenstamm, etc. Some of the visionary writers are: Anne Baring, Margaret Starbird, Arisika Razak, Vicki Noble, Sandra Ingerman, Hank Wesselman, Llewellyn Vaughn Lee, Lotus Linton, and so many more. It is an epic co-creative effort by powerful voices in the Women's Spirituality movement, Inter-Spirituality movement, and Transcendental Art movement. The mission of the book is to not only document a genre of art referred to as feminine mysticism or Goddess art, but also to reveal powerful images of the Divine in his/her myriad forms. The ultimate mission of the book is to assist humanity in evolving our conceptualization of the Divine, transcending out of antagonistic, dualistic, and hierarchical gender associations and into a new mode of consciousness that is more inclusive of all of God's creation. In order for this to occur, however, it is essential that the sacred feminine be firmly rooted in human consciousness. Since the masculine side of God has been so heavily portrayed in Western culture, a large number of people are yearning for images of the Goddess in order to provide alternatives to the conventional dominance of men in religion and society. In contrast, the Goddesses show us that the female can also be symbolic of all the is creative and powerful in the universe as well as provide us with an orientation that can help us save the planet from ecological destruction. Feminine mysticism is a spiritual movement devoted to the re-enchantment of the feminine principle or feminine side of God. Feminine mysticism is a spiritual journey for women, as well as for men, which has been lost to many Westerners, but is beginning to resurface in various ways. In the past thirty years, scholars from various disciplines have documented the ancient cultures and religions of the Goddess and the ways in which they had been intentionally subjugated by the patriarchal religions of Judaism, Christianity, and Islam. Archeological and historical evidence all reveal that for thousands of years, matriarchal religions and patriarchal societies existed simultaneously, and that over time, matriarchal or "pagan" religions suffered under centuries of persecution and suppression by the patriarchal societies, which held male deities as supreme. As a result, the feminine side of God has been hidden from view, leading to a deconstructed perception of humanity and disrespect towards many attributes associated with the feminine. Although the reign of matriarchal societies is long gone, the time of union between the masculine and feminine principles are close at hand. The Goddess is revealing herself to the human psyche in an assortment of ways, from the arts to the sciences. Her re-emergence is crucial to our society's shift into a new paradigm, a symbiotic union between the masculine and feminine aspects within the human psyche, society, and the world of spirit. However, before this shift in consciousness can occur, the awakening of the Divine Mother needs to occur on a worldwide level, which is why is is crucial to get as many images of HER as possible into the public's view at this time. See book's website: www.mysticspiritart.com

An exploration of the role that dreaming, psychedelic experiences, and mystical visions play in visionary art • Includes discussions with 18 well-known female artists, including Josephine Wall, Allyson Grey, Amanda Sage, Martina Hoffmann, Penny Slinger, and Carolyn Mary Kleefeld • Reveals how they have all been inspired by deep inner experiences and seek to express non-ordinary visions of reality, reminiscent of shamanic trance states, lucid dreams, and spiritually transcendent experiences • Shows how visionary art often contains an abundance of feminine energy, helping us to heal ourselves and see that we are all connected Since early humans first painted from their mystic eye onto cave walls, artists have sought to share their sacred visions with the world. Created in every medium, from oil painting and sculpture to contemporary digital modeling, these visionary works of art give those who experience them a chance to “see the unseen,” realize wider modes of perception, and discover spiritual and mystical realms. In this full-color illustrated book, David Jay Brown and Rebecca Ann Hill examine the work and inspirations of eighteen of today’s leading female visionary artists, including Josephine Wall, Allyson Grey, Amanda Sage, Martina Hoffmann, Penny Slinger, and Carolyn Mary Kleefeld. They explore the creative process and the role that dreaming, psychedelic experiences, sexuality, and divine guidance play in the work of these women, alongside full-color examples of their art. They discuss the future of visionary art and reveal how these artists have all been informed and inspired by deep inner experiences and seek to express non-ordinary visions of reality, often reminiscent of those encountered in shamanic trance, lucid dreams, psychedelic states, spiritually transcendent experiences, and other altered states. Showing how visionary art often contains an abundance of feminine energy, helping us to heal ourselves and see that we are all connected, the authors explore with each artist what it is about being a woman that has most influenced their artwork. They also examine the connection between visionary art and spirituality, the influence of Nature and sacred geometry, and how this creative form is simultaneously ancient, futuristic, and timeless, providing an accessible doorway into the visionary realm.

These essays by the famous analytical psychologist and student of creativity Erich Neumann belong in the context of the depth psychology of culture and reveal a prescient concern about the one-sidedness of patriarchal Western civilization. Neumann recommended a "cultural therapy" that he thought would redress a "fundamental ignorance" about feminine and masculine psychology, and he looked for societal healing to a "matriarchal consciousness" that forms the bridge between the feminine and the creative. Brought together here for the first time, the essays in the book discuss the psychological stages of woman's development, the moon and matriarchal consciousness, Mozart's Magic Flute, the meaning of the earth archetype for modern times, and the fear of the feminine. In Mozart's fantastic world, Neumann saw a true Auseinandersetzung--the conflict and coming-to-terms with each other of the matriarchal and the patriarchal worlds. Developing such a synthesis of the feminine and the masculine in the psychic reality of the individual and of the collective was, he argued, one of the fundamental, future-oriented tasks of both the society and the individual.

"Whereas the art of most Buddhist countries features a preponderance of male images, the art of Tibet has traditionally emphasized what the authors call 'the strong role of the feminine.' This book, one of the first Western titles ever to analyze this unique artistic tradition, is the companion volume to a touring art exhibit about female buddhas."--"Publishers Weekly."

Analyzing the artistic patronage of famous and lesser known women of Renaissance Mantua, and introducing new patronage paradigms that existed among those women, this study sheds new light the social, cultural and religious impact of the cult of female mystics of that city in the late fifteenth and early sixteenth century. Author Sally Hickson combines primary archival research, contextual analysis of the climate of female mysticism, and a re-examination of a number of visual objects (particularly altarpieces devoted to local beatae, saints and female founders of religious orders) to delineate ties between women both outside and inside the convent walls. The study contests the accepted perception of Isabella d'Este as a purely secular patron, exposing her role as a religious patron as well. Hickson introduces the figure of Margherita Cantelma and documents concerning the building and decoration of her monastery on the part of Isabella d'Este; and draws attention to the cultural and political activities of nuns of the Gonzaga family, particularly Isabella's daughter Livia Gonzaga who became a powerful agent in Mantuan civic life. Women, Art and Architectural Patronage in Renaissance Mantua provides insight into a complex and fluid world of sacred patronage, devotional practices and religious roles of secular women as well as nuns in Renaissance Mantua.

A 20th anniversary edition of the art classic that celebrates the intersection of creative expression and spirituality—from one of the greatest living artists of our time Twenty years after the original publication of The Mission of Art, Alex Grey’s inspirational message affirming art’s power for personal catharsis and spiritual awakening is stronger than ever. In this special anniversary edition, Grey—visionary painter, spiritual leader, and best-selling author—combines his extensive knowledge of art history with his own experiences in creating art at the boundaries of consciousness. Grey examines the roles of conscience and intention in the creative process, including practical techniques and exercises useful in exploring the spiritual dimensions of art. Challenging and thought-provoking, The Mission of Art will be appreciated by everyone who has ever contemplated the deeper purpose of creative expression.

An exciting, wide-ranging exploration of the power and diversity of female figures of worship in world cultures and belief systems, from the ancient world to today.

Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.

You are invited to the joyous realm of the Goddess where your female body is sacred ground and your soul is a mirror of the cosmos. Here your spirit will feast on ways to integrate the Divine Feminine into sacred space, spiritual and psychic arts, beauty and self-care, and sexuality. For women of all ages and walks of life, Goddess Consciousness is deeply meaningful, fun and informative- ancient mysticism formatted for a new millennium. Richly illustrated with the author's art and photography.

A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.