'Ukraine is not a brothel!' This was the first cry of rage uttered by Femen during Euro 2012. Bare-breasted and crowned with flowers, perched on their high heels, Femen transform their bodies into instruments of political expression through slogans and drawings flaunted on their skin. Humour, drama, courage and shock tactics are their weapons. Since 2008, this 'gang of four' – Inna, Sasha, Oksana and Anna – has been developing a spectacular, radical, new feminism. First in Ukraine and then around the world, they are struggling to obtain better conditions for women, but they also fight poverty, discrimination, dictatorships and the dictates of religion. These women scale church steeples and climb into embassies, burst into television studios and invade polling stations. Some of them have served time in jail, been prosecuted for ‘hooliganism’ in their home country and are banned from living in other states. But thanks to extraordinary media coverage, the movement is gaining imitators and supporters in France, Germany, Brazil and elsewhere. Inna, Sasha, Oksana and Anna have an extraordinary story and here they tell it in their own words, and at the same time express their hopes and ambitions for women throughout the world.

The FEMEN movement began in Ukraine in 2008. It has since spread throughout the world, as far as Spain, Sweden and Belgium. In France it really began to catch on when Inna Shevchenko arrived in Paris, where she sought asylum after she was deported from Ukraine. She took refuge in the "Lavoir Moderne Parisien" theatre, which has now become the training ground of FEMEN activists in France. This project is a fictional story based on real events and witness testimonies collected by the author, who has been in personal contact with FEMEN France for over 4 years. The aim is to study this social phenomenon and open up debate on the subject without taking sides or pronouncing judgment. The journal follows the story of a young French girl who, after a number of negative experiences connected to her social status as a woman in contemporary society, decides to join the movement. It's not easy, and there will be consequences in her personal and professional life. She soon begins to question herself. A fascinating album that helps us understand the inner workings of the controversial feminist organization.

The relative rise or decline of feminist movements across the globe has been debated by feminist scholars and activists for a long time. In recent years, however, these debates have gained renewed momentum. Rapid technological change and increased use of digital media have raised questions about how digital technologies change, influence, and shape feminist politics. This book interrogates the digital interface of transnational protest movements and local activism in feminist politics. Examining how global feminist politics is articulated at the nexus of the transnational/national, we take contemporary German protest culture as a case study for the manner in which transnational feminist activism intersects with the national configuration of feminist political work. The book explores how movements and actions from outside Germany’s borders circulate digitally and resonate differently in new local contexts, and further, how these border-crossings transform grass-roots activism as it goes digital. This book was originally published as a special issue of Feminist Media Studies.

Superfluous Women tells the unique story of a generation of artists, feminists, and queer activists who emerged in Ukraine after the collapse of the Soviet Union. With a focus on new media, Zychowicz demonstrates how contemporary artist collectives in Ukraine have contested Soviet and Western connotations of feminism to draw attention to a range of human rights issues with global impact. In the book, Zychowicz summarizes and engages with more recent critical scholarship on the role of digital media and virtual environments in concepts of the public sphere. Mapping out several key changes in newly independent Ukraine, she traces the discursive links between distinct eras, marked by mass gatherings on Kyiv’s main square, in order to investigate the deeper shifts driving feminist protest and politics today.

This book addresses the current resurgence of interest in feminism–notably within popular culture and media–that has led some to announce the arrival of the fourth wave. Research explores where fourth-wave feminism sits in relation to those that preceded it, and in particular, how fourth-wave feminism intersects with differing understandings of postfeminism(s). Through accessible and highly topical examples such as; the controversial actions of activist group, Femen; the rising phenomenon of ‘celebrity feminism;’ or the assumed outdated views of feminists’ associated with previous waves, the relationship between differing concepts of postfeminism(s) is illustrated. By pressing the need for an intergenerational approach to fourth-wave feminism, this book encourages engaging past debates and theorists allowing readers with an interest in the relationship between feminism and popular culture a fuller understanding of feminist theory and providing the opportunity to take stock before diving headfirst into another wave.

In early modern times, religious affiliation was often communicated through bodily practices. Despite various attempts at definition, these practices remained extremely fluid and lent themselves to individual appropriation and to evasion of church and state control. Because bodily practices prompted much debate, they serve as a useful starting point for examining denominational divisions, allowing scholars to explore the actions of smaller and more radical divergent groups. The focus on bodies and conflicts over bodily practices are the starting point for the contributors to this volume who depart from established national and denominational historiographies to probe the often-ambiguous phenomena occurring at the interstices of confessional boundaries. In this way, the authors examine a variety of religious living conditions, socio-cultural groups, and spiritual networks of early modern Europe and the Americas. The cases gathered here skillfully demonstrate the diverse ways in which regional and local differences affected the interpretation of bodily signs. This book will appeal to scholars and students of early modern Europe and the Americas, as well as those interested in religious and gender history, and the history of dissent.

A collection of hagiology, legend, Ossianic lore, and fiction.

A collection of hagiology, legend, Ossianic lore, and fiction.