Faya the Nameless, I will bring down your cruel master. To do this, I need your help. For many years, the master of the assassins' guild has been spinning his intrigues in the city of Eterna and the kingdoms of the continent. His forcibly enslaved apprentices and assassins suffer his unprecedented sadism from which not even death offers an escape. In the darkness of their existence, only the unconditional friendship they secretly cultivate among themselves keeps a spark of light aglow. All of a sudden, Faya—the only girl the master ever stole—receives a tempting offer. But is it a trap? Or the once in a lifetime chance to save her beloved friends? __ The novella Faya the Nameless offers the introduction to Isa Day's touching time travel fantasy series The Stairs of Eternity, in which seemingly lost (adult) protagonists are given a second chance. To do so, they have to travel to long gone times and forgotten worlds and overcome great danger. Their courage is rewarded with love and a community that takes them in. The suspenseful yet heart-warming stories invite you to dream. They offer intelligent, fairytale-like and magical high fantasy for adults with multi-faceted protagonists and carefully crafted worlds. Other ingredients include time travel, a mysterious guild of murderers with a sinister master, romance, humor and -- as always in Isa Day's books -- lovable (magical) animals. All books of the series The Stairs of Eternity are self-contained in one or two volumes, have different protagonists and can be read on their own. Readers who remain faithful to the series will discover larger contexts over the course of the books and meet beloved characters again.

Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.

Energized, irreverent, and deliciously inventive stories from Pulitzer-nominated, bestselling author of What We Talk About When We Talk About Anne Frank. In the collection's hilarious title story, a Hasidic man gets a special dispensation from his rabbi to see a prostitute. "The Wig" takes an aging wigmaker and makes her, for a single moment, beautiful. In "The Tumblers," Englander envisions a group of Polish Jews herded toward a train bound for the death camps and, in a deft, imaginative twist, turns them into acrobats tumbling out of harm's way. For the Relief of Unbearable Urges is a work of startling authority and imagination--a book that is as wondrous and joyful as it is wrenchingly sad. It hearalds the arrival of a remarkable new storyteller.

Fredric Jameson's survey of Structuralism and Russian Formalism is, at the same time, a critique of their basic methodology. He lays bare the presuppositions of the two movements, clarifying the relationship between the synchronic methods of Saussurean linguistics and the realities of time and history.

‘A rare and remarkable book.' Times Literary Supplement Gilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key figure in poststructuralism, and one of the most influential philosophers of the twentieth century. Félix Guattari (1930-1992) was a psychoanalyst at the la Borde Clinic, as well as being a major social theorist and radical activist. A Thousand Plateaus is part of Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia - a project that still sets the terms of contemporary philosophical debate. A Thousand Plateaus provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for ‘nomadic thought' and has had a galvanizing influence on today's anti-capitalist movement. Translated by Brian Massumi>

“Messy Roots is a laugh-out-loud, heartfelt, and deeply engaging story of their journey to find themself--as an American, as the daughter of Chinese immigrants, as a queer person, and as a Wuhanese American in the middle of a pandemic.”—Malaka Gharib, author of I Was Their American Dream After spending her early years in Wuhan, China, riding water buffalos and devouring stinky tofu, Laura immigrates to Texas, where her hometown is as foreign as Mars—at least until 2020, when COVID-19 makes Wuhan a household name. In Messy Roots, Laura illustrates her coming-of-age as the girl who simply wants to make the basketball team, escape Chinese school, and figure out why girls make her heart flutter. Insightful, original, and hilarious, toggling seamlessly between past and present, China and America, Gao’s debut is a tour de force of graphic storytelling.

In Kafka Deleuze and Guattari free their subject from his (mis)intrepreters. In contrast to traditional readings that see in Kafka's work a case of Oedipalized neurosis or a flight into transcendence, guilt, and subjectivity, Deleuze and Guattari make a case for Kafka as a man of joy, a promoter of radical politics who resisted at every turn submission to frozen hierarchies.

With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.

Provides an introduction to American pulp fiction during the twentieth century with brief author biographies and lists of their works.

Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Gennet's work in contemporary literary theory.