Traces the history of Berlin from its birth in pre-Roman times through its pivotal position in many of the twentieth century's turning points, including the painful division that resulted from the Cold War

History.

The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.

Dr. Faustus is a great Elizabethan tragedy by Christopher Marlow originally published in 1600. The story is based on an earlier anonymous classic German legend involving worldly ambition, black magic and surrender to the devil. It remains one of the most famous plays of the English Renaissance. Dr. John Faustus, a brilliant, well-respected German doctor grows dissatisfied with the limits of human knowledge - logic, medicine, law, and religion, and decides that he has learned all that can be learned by conventional means. What is left for him, he thinks, but magic. His friends instruct him in the black arts, and he begins his new career as a magician by summoning up Mephastophilis, a devil. Despite Mephastophilis’s warnings about the horrors of hell, Faustus tells the devil to return to his master, Lucifer, with an offer of Faustus’s soul in exchange for twenty-four years of service from Mephastophilis. On the final night before the expiration of the twenty-four years, Faustus is overcome by fear and remorse. He begs for mercy, but it is too late. At midnight, a host of devils appears and carries his soul off to hell. Marlowe’s dramatic interpretation of the Faust legend is a theatrical masterpiece. With immense poetic skill, and psychological insight that greatly influenced the works of William Shakespeare and other dramatists, Dr. Faustus combines soaring poetry, psychological depth, and grand stage spectacle. Marlowe created powerful scenes that invest the work with tragic dignity, among them the doomed man’s calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.

A sweeping history of American cities and towns, and the utopian aspirations that shaped them, by one of America’s leading urban planners and scholars. The first European settlers saw America as a paradise regained. The continent seemed to offer a God-given opportunity to start again and build the perfect community. Those messianic days are gone. But as Alex Krieger argues in City on a Hill, any attempt at deep understanding of how the country has developed must recognize the persistent and dramatic consequences of utopian dreaming. Even as ideals have changed, idealism itself has for better and worse shaped our world of bricks and mortar, macadam, parks, and farmland. As he traces this uniquely American story from the Pilgrims to the “smart city,” Krieger delivers a striking new history of our built environment. The Puritans were the first utopians, seeking a New Jerusalem in the New England villages that still stand as models of small-town life. In the Age of Revolution, Thomas Jefferson dreamed of citizen farmers tending plots laid out across the continent in a grid of enlightened rationality. As industrialization brought urbanization, reformers answered emerging slums with a zealous crusade of grand civic architecture and designed the vast urban parks vital to so many cities today. The twentieth century brought cycles of suburban dreaming and urban renewal—one generation’s utopia forming the next one’s nightmare—and experiments as diverse as Walt Disney’s EPCOT, hippie communes, and Las Vegas. Krieger’s compelling and richly illustrated narrative reminds us, as we formulate new ideals today, that we chase our visions surrounded by the glories and failures of dreams gone by.

How can we understand the infinite variety of cities? Darran Anderson seems to exhaust all possibilities in this work of creative nonfiction. Drawing inspiration from Marco Polo and Italo Calvino, Anderson shows that we have much to learn about ourselves by looking not only at the cities we have built, but also at the cities we have imagined. Anderson draws on literature (Gustav Meyrink, Franz Kafka, Jaroslav Hasek, and James Joyce), but he also looks at architectural writings and works by the likes of Bruno Taut and Walter Gropius, Medieval travel memoirs from the Middle East, mid-twentieth-century comic books, Star Trek, mythical lands such as Cockaigne, and the works of Claude Debussy. Anderson sees the visionary architecture dreamed up by architects, artists, philosophers, writers, and citizens as wedded to the egalitarian sense that cities are for everyone. He proves that we must not be locked into the structures that exclude ordinary citizens--that cities evolve and that we can have input. As he says: "If a city can be imagined into being, it can be re-imagined as well.”

From Metropolis to the pre-technicolor Oz, this fantastical retrospective takes readers through the wildest frontiers of silent films. Glorious landscapes are explored from Tarzan’s jungle and Dr. Frankenstein’s laboratory to the Adventures of Prince Achmed and 20,000 Leagues under the Sea. Highlighting the earliest and cheesiest special effects, Kage Baker reviews 49 cinematic odysseys with acerbic wit and historical acumen. Contrasting the tour de forces with the utter train wrecks of the silver screen, these sci-fi movies are affectionately viewed, giving special recognition to the flimsy plots, terrifying fiends, and the best and worst directors that inspired generations of fans and filmmakers alike.

This book explores how social fragmentation led to pluralistic public policies in Chicago, Moscow, and Osaka.

Seven years after the death of his mother, Malka, Stanley A. Goldman traveled to Israel to visit her best friend during the Holocaust. The best friend’s daughter showed Goldman a pamphlet she had acquired from the Israeli Holocaust Museum that documented activities of one man’s negotiations with the Nazi’s interior minister and SS head, Heinrich Himmler, for the release of the Jewish women from the concentration camp at Ravensbrück. While looking through the pamphlet, the two discovered a picture that could have been their mothers being released from the camp. Wanting to know the details of how they were saved, Goldman set out on a long and difficult path to unravel the mystery. After years of researching the pamphlet, Goldman learned that a German Jew named Norbert Masur made a treacherous journey from the safety of Sweden back into the war zone in order to secure the release of the Jewish women imprisoned at the Ravensbrück concentration camp. Masur not only succeeded in his mission against all odds but he contributed to the downfall of the Nazi hierarchy itself. This amazing, little-known story uncovers a piece of history about the undermining of the Nazi regime, the women of the Holocaust, and the strained but loving relationship between a survivor and her son.

Having coined a new term modern epic, the author analyses the phenomenon, & attempts to situate the works of e.g. Joyce, Proust & Musil within our literary tradition.