A comprehensive exploration of Dr. Faust, the man who sold his soul to the devil, and those who lived to tell his tale. Volume I includes: New insights into the life and times of the historical Dr. Faustus, the notorious occultist and charlatan who reputedly declared the devil was his brother-in-law. A detailed study of the first Faust books and the popular Faustian folk tales. Original discussions on Christopher Marlowes famous drama and his atheistic rendition of the Faustian myth, including a unique and controversial analysis of the A and B texts. The days of the Faust puppet plays. Gotthold Ephraim Lessings unfinished Faust drama. Volume II features: A unique, in-depth account of Johann Wolfgang von Goethes masterpiece, Faust, Parts One and Two. An examination of the early sketches of his classic drama. Includes detailed explanations of Goethes hidden symbolism in the text, his interest in history and science, the occult, alchemy, Freemasonry and his warnings to future generations.

One of the great classics of European literature, Faust is Goethe's most complex and profound work. To tell the dramatic and tragic story of one man’s pact with the Devil in exchange for knowledge and power, Goethe drew from an immense variety of cultural and historical material, and a wealth of poetic and theatrical traditions. What results is a tour de force illustrating Goethe’s own moral and artistic development, and a symbolic, cautionary tale of Western humanity striving restlessly and ruthlessly for progress. Capturing the sense, poetic variety, and tonal range of the German original in present-day English, Stuart Atkins’s translation presents the formal and rhythmic dexterity of Faust in all its richness and beauty, without recourse to archaisms or interpretive elaborations. Featuring a new introduction by David Wellbery, this Princeton Classics edition of Faust is the definitive English version of a timeless masterpiece.

Collects fiction, essays, and manga from prominent authors in Japan today.

Cutting-edge criticism on major aspects of Goethe's best-known work. Undisputedly a canonical work, Goethe's Faust is also the key to understanding its author, one of European civilization's most complex figures. Written over several decades, the work spans both Goethe's life and an age of enormous social, political, philosophical, and artistic change - even revolution. In this volume, Goethe scholars and experts from Europe and North America explore major aspects of this fascinating work, offering a cutting-edge guide to both reader and scholar. Contributors: Ritchie Robertson, Martin Swales, Alberto Destro, Osman Durrani, Ellis Dye, John R. Williams, Anthony Phelan, Franziska Schößler, Peter D. Smith, Cyrus Hamlin, R.H. Stephenson, David Luke, Robert David McDonald Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.

A 1994 scholarly edition of a major Renaissance text linked with Marlowe's Dr Faustus.

LIVING LEGEND More than a century after an eccentric scholar made an infamous deal with a devil, the story of Faust has passed into legend. However, the true Faust is not the stuffy, professorial man known in fairy tales, but a charismatic, bespectacled woman named Johanna Faust, who happens to still be alive. Searching for pieces of her long-lost demon, Johanna passes through a provincial town, where she saves a young boy named Marion from a criminal’s fate. In exchange, she asks a simple favor of Marion, but Marion soon finds himself intrigued by the peculiar Doctor Faust and joins her on her journey. Thus begins the strange and wonderful adventures of Frau Faust!

A showman's fate is in the hands of the devil in an enthralling novel inspired by the Faust legend from the bestselling author of the Hangman's Daughter series. Rome, 1518. The church is tarnished by greed. Peasants are rebelling. Tumultuous times demand drastic recourse--before the devil gets his due. Johann Faust is a renowned magician, astrologer, and chiromancer traveling through Germany with his successful troupe: the orphaned juggler Greta and his loyal companion Karl. The avaricious Pope Leo X now requires Johann's services to replenish the papacy's drained coffers through alchemy. But the devil, with whom a regretful Johann once agreed to an unholy trade for fame, wants something else. Racked with paralyzing seizures, Johann fears that his debt is nearer to being settled. In France, Johann hopes for answers from an eminent new friend who could hold the key to his torment, body, and soul. For the celebrated artist, inventor, and anatomist Leonard da Vinci is suffering from the same accursed malady. Time is not on his side either. Now they all must outrun the devil, and the more human threats of the papal henchmen, before Johann is dragged straight to hell--along with everyone he holds dear.

In this book Goethe gives a detailed description of the campaign of allied armies (Prussia, Royalists and Austrians) led by the Duke of Brunswick against the French Revolutionaries in 1792. The campaign culminated in the Battle of Valmy where the Allied army was defeated by the French led by Dumouriez and Kellermann. Also in this book, Goethe describes the Siege of Mainz in 1793. Goethe does not focus in military tactics or strategies, but in day to day life of the campaigns and its effects in towns affected. Goethe exposes several of his studies and thoughts like the color theory, theater, etc. This edition is based in 1849 edition of Chapman and Halls translated from the German by Robert Farie. It is illustrated with pictures of the main characters and antique city maps of the theater of operations.

This book by Dr. Stephen Wilkerson is about hope and optimism for the future. The recorded history of our world is largely one of a sometimes worthy patriarchal striving. There is another way, poignantly and persuasively outlined nearly two hundred years ago by Johann Wolfgang von Goethe, involving the Divine Feminine.

Written about the year 400. [Faustus was undoubtedly the acutest, most determined and most unscrupulous opponent of orthodox Christianity in the age of Augustin. The occasion of Augustin's great writing against him was the publication of Faustus' attack on the Old Testament Scriptures, and on the New Testament so far as it was at variance with Manichæan error. Faustus seems to have followed in the footsteps of Adimantus, against whom Augustin had written some years before, but to have gone considerably beyond Adimantus in the recklessness of his statements. The incarnation of Christ, involving his birth from a woman, is one of the main points of attack. He makes the variations in the genealogical records of the Gospels a ground for rejecting the whole as spurious. He supposed the Gospels, in their present form, to be not the works of the Apostles, but rather of later Judaizing falsifiers. The entire Old Testament system he treats with the utmost contempt, blaspheming the Patriarchs, Moses, the Prophets, etc., on the ground of their private lives and their teachings. Most of the objections to the morality of the Old Testament that are now current were already familiarly used in the time of Augustin. Augustin's answers are only partially satisfactory, owing to his imperfect view of the relation of the old dispensation to the new; but in the age in which they were written they were doubtless very effective. The writing is interesting from the point of view of Biblical criticism, as well as from that of polemics against Manichæism.--A.H.N.]