Beginning with the early interactions between Native Americans and European explorers and settlers, this history traces three and a half centuries of change in Fauquier County, Virginia. Commissioned by the Fauquier Historical Society to commemorate the county's 250th anniversary, this engrossing narrative tells the story of the men and women, black and white, who built the region's farms, plantations, schools, and churches. Individual biographies are interwoven with a social, political, and military history of the American Revolution and Civil War, allowing crucial events in the county's history to come alive. This book also explores Fauquier's depressed economy after the Civil War and shows how the area's location and natural beauty drew wealthy outsiders to purchase estates in the early part of the twentieth century. After midcentury, the enormous expansion of the Washington suburbs ignited a heated and ongoing debate over the county's position on growth and development. Related here is the fascinating story of a historically significant county. The volume has more than two hundred illustrations, some displaying the county's stunning beauty, which enhance the book throughout.

Fauquier County, in Northern Virginia, was established in 1759. It was formed from Prince William County and was named for Virginia lieutenant governor Francis Fauquier. In 1790, there were 6,642 slaves in Fauquier County. By the eve of the Civil War, there were 10,455. From 1817 to 1865, the county was home to 845 free black people. The African American population declined at the end of Reconstruction, and by 1910, the white population was double that of blacks. The population imbalance continues today. Through centuries of slavery and segregation, Fauquier County's African American population survived, excelled, and prospered. This minority community established and supported numerous churches, schools, and businesses, as well as literary, political, and fraternal organizations that enhanced the quality of life for the entire county.

A Pride of Place, the result of a quarter-century’s worth of painstaking research and collection, presents the first comprehensive architectural and historic inventory of the widely diverse and irreplaceable rural residences of Fauquier County, Virginia. Hundreds of photographs and illustrations, each accompanied by informative text, provide a fascinating and helpful overview of the county’s rich architectural heritage.

Fauquier County, officially established in 1759, was named after Francis Fauquier and has long been known for its Civil War history, large farms, country estates, small towns including Warrenton and Marshall, and quaint villages including Upperville, Delaplane, and The Plains. Today its rural historic beauty and preserved open spaces lure Washingtonians away for day-trips and weekend retreats. Well-known industry baron Walter Chrysler, philanthropist Paul Mellon, and movie and television stars Robert Duvall and Willard Scott have all called Fauquier home.

The Revolution as seen through the eyes of individual soldiers, with essential biographical information. R0060HB - $37.00

This book was written with two purposes in mind. First, to make Fauquier's hitherto unpublished colonial tithable lists available to the research public; secondly, to provide an explanation for the tax and fiscal laws that brought the tithable lists into being. The tax lists cover the colonial Virginia time period into the Revolutionary War. Designed to meet the needs of researchers--family historians, professional genealogists, historians, African-American family researchers as well as those interested in colonial Virginia history. The book is organized into three parts--includes a historical introduction and transcripts of Fauquier's nineteen never before published colonial tax lists of 1759-1782. Four different indexes are included: 1759-1778 list, 1759-1778 tithables, slave holders and slaves, 1782 tithables, 1782 slave holders and slaves. Officials mentioned in this work include Thomas Marshall, George Lamkin, John Marshall, Gilson Foote, John Kirk, Armistead Churchill, John Kirk, William Grant, John Moffet, Thomas Keith, William Pickett, William Blackwell, Charles Chilton, John Blackwell, and William Heale. These tax lists were discovered in a 1994 preservation and repair project funded by the Library of Virginia. The Tax and Fiscal records were done by the Justices who took the lists of Tithables from Fauquier's residents and by the Sheriff and other officials who took the tax and were responsible for their transmission to the colonial capital. The colonial tax lists, those taken before 1782 were loosely termed Tithable Lists--included both property and land. During and after 1782, these lists were divided into two distinct tax lists which included personal property tax lists and land tax lists.

Given by Nancy McCraw Ross.

“As finely worked as a Swiss watch and as funny as the human condition permits ... the zigzag brilliance of the text as the clunky lines of the farce-within-a-farce rub against the sharp dialogue of reality.” The Guardian A play-within-a-play following a touring theatre company who are rehearsing and performing a comedy called Nothing On, results in a riotous double-bill of comedic craft and dramatic skill. Hurtling along at breakneck speed it shows the backstage antics as they stumble through the dress-rehearsal at Weston-super-Mare, then on to a disastrous matinee at Ashton-under-Lyne, followed by a total meltdown in Stockton-on-Tees. Michael Frayn's irresistible, multi-award-winning backstage farce has been enjoyed by millions of people worldwide since it premiered in 1982 and has been hailed as one of the greatest British comedies ever written. Winner of both Olivier and Evening Standard Awards for Best Comedy. This edition features a new introduction by Michael Blakemore.

THE STORY: In a remote estate in the countryside of Connecticut, Jack Brooks, one of the most accomplished and eccentric painters of his generation, awaits the imminent arrival of his art dealer. But the visit is not a standard one, for Jack feels