A “timely and essential” (New York Times Book Review) reconsideration of William Faulkner’s life and legacy that vitally asks, “How should we read Faulkner today?” With this “rich, complex, and eloquent” (Drew Gilpin Faust, Atlantic) work, Pulitzer Prize finalist Michael Gorra charts the evolution of an author through his most cherished—and contested—novels. Given the undeniable echoes of “Lost Cause” romanticism in William Faulkner’s fiction, as well as his depiction of Black characters and Black speech, Gorra argues convincingly that Faulkner demands a sobering reevaluation. Upending previous critical traditions and interweaving biography, literary criticism, and rich travelogue, the widely acclaimed The Saddest Words recontextualizes Faulkner, revealing a civil war within him, while examining the most plangent cultural issues facing American literature today.

A critical exploration of the effects and influence of America's wars upon the works of the Nobel Prize laureate

In response to the devastating trauma of World War I, British and American authors wrote about grief. The need to articulate loss inspired moving novels by Virginia Woolf and William Faulkner. Woolf criticized the role of Britain in the "war to end all wars," and Faulkner recognized in postwar France a devastation of land and people he found familiar from his life in a Mississippi still recovering from the American Civil War. In Character and Mourning, Erin Penner shows how these two modernist novelists took on the challenge of rewriting the literature of mourning for a new and difficult era. Faulkner and Woolf address the massive war losses from the perspective of the noncombatant, thus reimagining modern mourning. By refusing to let war poets dominate the larger cultural portrait of the postwar period, these novelists negotiated a relationship between soldiers and civilians—a relationship that was crucial once the war had ended. Highlighting their sustained attention to elegiac reinvention over the course of their writing careers—from Jacob’s Room to The Waves, from The Sound and the Fury to Go Down, Moses—Penner moves beyond biographical and stylistic differences to recognize Faulkner and Woolf’s shared role in reshaping elegiac literature in the period following the First World War.

The Great War caught a generation of American soldiers at a turning point in the nation's history. At the moment of the Republic's emergence as a key player on the world stage, these were the first Americans to endure mass machine warfare, and the first to come into close contact with foreign peoples and cultures in large numbers. What was it like, Richard S. Faulkner asks, to be one of these foot soldiers at the dawn of the American century? How did the doughboy experience the rigors of training and military life, interact with different cultures, and endure the shock and chaos of combat? The answer can be found in Pershing's Crusaders, the most comprehensive, and intimate, account ever given of the day-to-day lives and attitudes of the nearly 4.2 million American soldiers mobilized for service in World War I. Pershing’s Crusaders offers a clear, close-up picture of the doughboys in all of their vibrant diversity, shared purpose, and unmistakably American character. It encompasses an array of subjects from the food they ate, the clothes they wore, their view of the Allied and German soldiers and civilians they encountered, their sexual and spiritual lives, their reasons for serving, and how they lived and fought, to what they thought about their service along every step of the way. Faulkner's vast yet finely detailed portrait draws upon a wealth of sources—thousands of soldiers' letters and diaries, surveys and memoirs, and a host of period documents and reports generated by various staff agencies of the American Expeditionary Forces. Animated by the voices of soldiers and civilians in the midst of unprecedented events, these primary sources afford an immediacy rarely found in historical records. Pershing's Crusaders is, finally, a work that uniquely and vividly captures the reality of the American soldier in WWI for all time.

A wealth of new research and thinking on Lawrence, the Arab Revolt, and World War One in the Middle East, providing essential background to today's violent conflicts Rarely is a book published that revises our understanding of an entire world region and the history that has defined it. This groundbreaking volume makes just such a contribution. Neil Faulkner draws on ten years of field research to offer the first truly multidisciplinary history of the conflicts that raged in Sinai, Arabia, Palestine, and Syria during the First World War. In Lawrence of Arabia's War, the author rewrites the history of T. E. Lawrence's legendary military campaigns in the context of the Arab Revolt. He explores the intersections among the declining Ottoman Empire, the Bedouin tribes, nascent Arab nationalism, and Western imperial ambition. The book provides a new analysis of Ottoman resilience in the face of modern industrialized warfare, and it assesses the relative weight of conventional operations in Palestine and irregular warfare in Syria. Faulkner thus reassesses the historic roots of today's divided, fractious, war-torn Middle East.

With a white mother and a Japanese father, Koji Miyamoto quickly realizes that his home in San Francisco is no longer a welcoming one after Pearl Harbor is attacked. And once he's sent to an internment camp, he learns that being half white at the camp is just as difficult as being half Japanese on the streets of an American city during WWII. Koji's story, based on true events, is brought to life by Matt Faulkner's cinematic illustrations that reveal Koji struggling to find his place in a tumultuous world-one where he is a prisoner of war in his own country.

This atlas shows the global war at sea, with 225 maps and detailed charts and visualizes the great campaigns and major battles as well as the the smaller operations, amphibious landings, convoys, sieges, skirmishes and sinkings.

A critical exploration of the effects and influence of Americaâ (TM)s wars upon the works of the Nobel Prize laureate

From the preserved remains of the mighty Przemyśl fortress to the underwater wreckage of German warship SMS Scharnhorst near the Falkland Islands, Abandoned Places of World War I features more than 150 striking photographs from around the world. An overgrown concrete bunker at Ypres; a rusting gun carriage in a field in Flanders; perfectly preserved trenchworks at Vimy, northern France; a rocky mountaintop observation post high in the Tyrolean mountains. More than 100 years after the end of World War I, the conflict's legacy can still be seen from Europe to the South Atlantic. Abandoned Places of World War I explores more than 100 bunkers, trench systems, tunnels, fortifications, and gun emplacements from North America to the Pacific. Included are defensive structures, such as Fort Douaumont at Verdun, the site of the Western Front's bloodiest battle; the elaborately constructed tunnels of the Wellington Quarry, near Arras, designed to provide a safe working hospital for wounded British soldiers; and crumbling concrete pill boxes in Anzac Cove, Turkey.

Faulkner, Aviation, and Modern War frames William Faulkner's airplane narratives against major scenes of the early 20th century: the Great War, the rise of European fascism in the 1920s and 30s, the Second World War, and the aviation arms race extending from the Wright Flyer in 1903 into the Cold War era. Placing biographical accounts of Faulkner's time in the Royal Air Force Canada against analysis of such works as Soldiers' Pay (1926), "All the Dead Pilots" (1931), Pylon (1935), and A Fable (1954), this book situates Faulkner's aviation writing within transatlantic historical contexts that have not been sufficiently appreciated in Faulkner's work. Michael Zeitlin unpacks a broad selection of Faulkner's novels, stories, film treatments, essays, book reviews, and letters to outline Faulkner's complex and ambivalent relationship to the ideologies of masculine performance and martial heroism in an age dominated by industrialism and military technology.