A morning visit to the chicken coop is supposed to be a delight, not a fright. On the day when Paisley Sutton goes to salvage barn board from an old chicken coop on her neighbor’s land, she thinks the worst thing she may find is rotten eggs. Little does she know, she’s about to unearth a mystery that has lingered for decades. She can’t help but research the story, but when she does, she finds far more than she hoped. Does she really want to know the whole story, or would she rather bury it again?

Examining a wide range of representations of physical, metaphorical, and dream landscapes in Charlotte Brontë, George Eliot, and Thomas Hardy, Eithne Henson explores the way in which gender attitudes are expressed, both in descriptions of landscape as the human body and in ideas of nature. Henson discusses the influence of eighteenth-century aesthetic theory, particularly on Brontë and Eliot, and argues that Ruskinian aesthetics, Darwinism, and other scientific preoccupations of an industrializing economy, changed constructions of landscape in the later nineteenth century. Henson examines the conventions of reading landscape, including the implied expectations of the reader, the question of the gendered narrator, how place defines the kind of action and characters in the novels, the importance of landscape in creating mood, the pastoral as a moral marker for readers, and the influence of changing aesthetic theory on the implied painterly models that the three authors reproduce in their work. She also considers how each writer defines the concept of Englishness against an internal or colonial Other. Alongside these concerns, Henson interrogates the ancient trope that equates woman with nature, and the effect of comparing women to natural objects or offering them as objects of the male gaze, typically to diminish or control them. Informed by close readings, Henson's study offers an original approach to the significances of landscape in the 'realist' nineteenth-century novel.

This anthology of literary criticism by Victorian women of letters brings together a wealth of difficult-to-find writings. Originally published from the 1830s through the 1890s, the essays concern a range of topics including poetry, fiction, non-fiction prose, the roles of literature and of criticism, topical reviews of major works, and retrospectives of major authors. Together, they demonstrate the impressive depth and breadth of Victorian women’s literary criticism. This Broadview anthology also includes an introduction, textual and explanatory notes, author biographies, and suggestions for further reading.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects. The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

Log cabins are supposed to be full of inspiring stories, not bloody bones. When Paisley Sutton gets the chance to salvage from her first antique log cabin, she is ecstatic, until she finds the body of a murdered man in the back room. When she and her friends begin to look into who he is and why he’s dead, they uncover a heap of stories no one in town wants them to know. Will the truth set them free or get them killed?

Salvaging from historic buildings isn’t supposed to require reporting a murder. When salvage expert and historian Paisley Sutton crawls into an abandoned store with a house attached, she certainly isn’t expecting to find a body on site. But soon, her discovery sends Paisley on an expedition through history that links this murder to the one that led the previous owners to abandon the building in the first place. And someone doesn’t want her to salvage this story from the wreckage. Can Paisley preserve herself and her young son while also uncovering the stories that matter most?

Change is hard in a small Southern town, especially when it brings a side of murder. All Harvey Beckett wants to do is help the residents of St. Marin's find the perfect book for that moment, snuggle with her hound dog Mayhem, and be ignored by her cat Aslan. But when the small, waterside town's newest resident discovers the body of the community's persnickety reporter in her bookshop storeroom just before her grand opening, Harvey can't help trying to solve the crime, even when it might cost her business and her life. The more questions Harvey asks, the more secrets she uncovers. Will Harvey and her friends be able to solve the murder of the town reporter without her becoming a victim herself?

The murders in St. Marin’s Library’s mystery section just got very real. When the local librarian is found dead among the stacks, the rumors about his reputation reach a fever pitch. Harvey Beckett can’t let a fellow book-lover’s name be sullied, but when she drags her friends and her dogs into the investigation, she finds that it’s more than just rumors she has to contend with. Will Harvey’s curiosity be the end of her this time?