Informed by film theory and a broad historical approach, Fatal Desire examines the theatrical representation of women in England, from the Restoration to the early eighteenth century—a period when for the first time female actors could perform in public. Jean I. Marsden maintains that the feminization of serious drama during this period is tied to the cultural function of theater. Women served as symbols of both domestic and imperial propriety, and so Marsden links the representation of women on the stage to the social context in which the plays appeared and to the moral and often political lessons they offered the audience. The witty heroines of comedies were usually absorbed into the social fabric by marrying similarly lighthearted gentlemen, but the heroines of tragedy suffered for their sins, real or perceived. That suffering served the dual purpose of titillating and educating the theater audience. Marsden discusses such plays as William Wycherley's Plain Dealer (1676), John Vanbrugh's Provoked Wife (1697), Thomas Otway's Orphan (1680), Thomas Southerne's Fatal Marriage (1694), and William Congreve's Mourning Bride (1697). The author also addresses tragedies written by three female playwrights, Mary Pix, Catharine Trotter, and Delarivier Manley, and sketches developments in tragedy during the period.

The poems in this collection were written in order to indicate my disgust in the things that troubles my people, especially to let the world into the sufferings of HIV/AIDS victims, infidelity, the abuse of women, religious intolerance, the restriction of expression in Nigeria, corruption, neo-colonialism and the unjust exploitation of the poor through the process of brainwashing and the falsifying of religious teachings in order to instigate riots, destruction, and killings. These and other vices are presented in this collection.

DIVDon’t let your attraction to self turn fatal! /div

In a culture overridden and drowned out by a smorgasbord of sexual ambiguity and mistaken identity, Fatal Attraction: A Story of Pain, Healing and Deliverance is a journey on a road deem less traveled. This book will take you on a journey to find peace.

Since its famed introduction of the “boiled bunny,” Fatal Attraction (1987) established itself as one of American cinema’s most controversial films. This insightful new book surveys the film's formal features and its ideological impact, paying special attention to the film’s signature mix of sexuality, fear, and family values. Features detailed breakdowns of the formal techniques the film employs to create suspense, such as turning ordinary household objects into agents of terror Considers the film’s mixed-genre status as a thriller, melodrama, horror picture, and film noir Offers an explanation and analysis of the cultural storm ignited by the film, especially due to its treatment of single career women Investigates the film’s handling of extramarital sexuality, pregnancy, birth control, and AIDS Discusses the film’s lasting role in shaping American gender politics

In "The Fatal Attraction: A Journey of Obsession and Redemption," follow the gripping tale of Sarah as she navigates the treacherous waters of love, lust, and lethal obsession in the heart of New York City. When Sarah encounters the enigmatic Mark, she is drawn into a whirlwind romance that quickly descends into a dangerous game of deception and betrayal. As secrets are unearthed and pasts collide, Sarah must confront her own demons and fight for her freedom from the fatal attraction that threatens to consume her whole.

The time is turn-of-the-century New York City. Society's elite host glittering balls inside sprawling mansions while outside, the teeming street harbor secrets of their own. New York City's Police Commissioner Rick Bragg has been called upon to investigate a shocking crime. Reluctant to pull Francesca into a case that could be very dangerous, Rick also knows the beautiful and brilliant heiress has a natural ability for sleuthing that could aid him--even it if means working side by side with a woman who tempts him like no other. And so Franscesca and Rick begin a harrowing journey through the squalid underworld of the city that plunges them deeper and deeper in a peril neither could have imagined--and a desire that only continues to grow...

The shocking true story--featured on "Dateline" and "Inside Edition"--of Michigan housewife Sharee Miller, a pathological liar, schemer, and sociopath who manipulated a man she met in an Internet chat room into murdering her innocent husband. of photos. Original.

***Please note: This ebook edition does not contain the photos found in the print edition.*** Early one November morning, Kara Borden, a pretty fourteen year old, was caught by her parents as she snuck into their Lancaster County, Pennsylvania home. She confessed to spending the night with eighteen-year-old David Ludwig, and her parents—evangelicals who had home-schooled their daughter—were beside themselves with anger. They summoned David to talk immediately. But David arrived to the house with another plan in mind... Two hours later, police arrived at the Borden residence to find that Mr. and Mrs. Borden had been shot dead—and David and Kara were nowhere to be found. Was Kara a hostage? Or an accomplice? A manhunt began that would end hundreds of miles away in a highly televised speed chase. The two lovers were eventually captured... and one would spend a life behind bars. This is the true story of a crime set in a closely-guarded world of fundamentalist belief, and the tale of a God-fearing teenager whose DESIRE TURNED DEADLY.

So many attractive distractions and unrealistic expectations and false models of 'perfection' surround us, all of which can prove fatal to one's spiritual life. We are inundated with temptations and if we're not prudent, every ounce of the desire we once had to live a holy and righteous life could be choked out of our spirits. Fatal Attraction 2: Intimate Distractions takes the reader into places where the first book dared not go, directly into the battle ground, the mind of a believer who loves the Lord but is often pulled away by an attraction. Who will win? Will there be fatalities?