From USA Today bestselling author Beth Prentice comes the next killer beach read in Aloha Lagoon... Samantha Reynolds' life in Aloha Lagoon feels like it's finally smooth sailing. She’s settled into her job as the resorts' surf instructor for children, things are looking good with her boyfriend Casey, and she has an amazing BFF in the local surf shop owner, Alani. But when a storm hits Aloha Lagoon, Alani’s past comes back to haunt her, and Sam finds her bestie standing over the dead body of her wayward ex-boyfriend. While Sam knows Alani is innocent, the local police aren't so easily convinced, and Sam realizes it's up to her to clear Alani's name and find the real killer before her friend ends up behind bars. Why was Alani's ex back in town? What was he doing in Alani’s shop after hours? And who is the mysterious raven-haired woman in his life and what does she have to do with it all? Sam is determined to find out...only can she do it before the real killer catches her? Or will Sam’s time in Aloha Lagoon come to a sticky end? The Aloha Lagoon Mysteries: Ukulele Murder (book #1) Murder on the Aloha Express (book #2) Deadly Wipeout (book #3) Deadly Bubbles in the Wine (book #4) Mele Kalikimaka Murder (book #5) Death of the Big Kahuna (book #6) Ukulele Deadly (book #7) Bikinis & Bloodshed (book #8) Death of the Kona Man (book #9) Lethal Tide (book #10) Beachboy Murder (book #11) Handbags & Homicide (book #12) Tiaras & Terror (book #13) Photo Finished (book #14) Fatal Break (book #15) About Aloha Lagoon: There's trouble in paradise... Welcome to Aloha Lagoon, one of Hawaii's hidden treasures. A little bit of tropical paradise nestled along the coast of Kauai, this resort town boasts luxurious accommodation, friendly island atmosphere...and only a slightly higher than normal murder rate. While mysterious circumstances may be the norm on our corner of the island, we're certain that our staff and Lagoon natives will make your stay in Aloha Lagoon one you will never forget!

The dead man who had been dumped near the state line between northern Wisconsin and Michigan's Upper Peninsula had no clothing, no head, no hands. Unraveling the identity of the mystery victim and that of his killer took cooperation of dedicated police detectives in several states across the Midwest. This work reveals the heartbreaking and shocking details of this case of friendship, deception, identity theft, and murder.

Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.

'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'—Julie Carlson, University of California, Santa Barbara Describing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy. Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry.