The history of the Russian fascist movement in Harbin, Manchuria during the 1930s has become increasingly relevant to our understanding of modern Russia. As a railway junction and an important centre of the Jewish Diaspora, the city of Harbin became a focus of Russian emigration to Manchuria in the early 1930s, partly because of its proximity to the resource-rich Manchurian plains. In this multicultural and cosmopolitan setting the first Russian fascist groups were established. Based on an analysis of Russian civil society, Fascism in Manchuria sheds light on the impact of the newly-founded All-Russian Fascist Party on the Russian emigre community, employing the concept of 'dark' civil society. Suzanne Hohler demonstrates how fascist involvement in local civil society increasingly determined public opinion, examining the power of the military organizations, the symbols and style of the fascist organizations, the cult of the leader as well as the 'public-relations' activities of the fascist organizations and of the so-called Russian Club. In this context the book provides not only insights into the history and ideology of the far eastern branch of Russian fascism and its transnational connections, but also touches upon a variety of issues of daily life in the city, issues such as education, drug addiction and hooliganism among Russian youth, the local YMCA, the famous Kaspe kidnapping and the rise of anti-Semitism. Fascist literature from Harbin is being republished in today's Russia, and Fascism in Manchuria provides an important historical context for the thinking and motives which drive the Russian right."

This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context and situates them in relation to previous scholarly inquiries into the existence of fascism in Japan. Several contributors examine how fascism was understood in the 1930s by, for example, influential theorists, an antifascist literary group, and leading intellectuals responding to capitalist modernization. Others explore the idea that fascism’s solution to alienation and exploitation lay in efforts to beautify work, the workplace, and everyday life. Still others analyze the realization of and limits to fascist aesthetics in film, memorial design, architecture, animal imagery, a military museum, and a national exposition. Contributors also assess both manifestations of and resistance to fascist ideology in the work of renowned authors including the Nobel-prize-winning novelist and short-story writer Kawabata Yasunari and the mystery writers Edogawa Ranpo and Hamao Shirō. In the work of these final two, the tropes of sexual perversity and paranoia open a new perspective on fascist culture. This volume makes Japanese fascism available as a critical point of comparison for scholars of fascism worldwide. The concluding essay models such work by comparing Spanish and Japanese fascisms. Contributors. Noriko Aso, Michael Baskett, Kim Brandt, Nina Cornyetz, Kevin M. Doak, James Dorsey, Aaron Gerow, Harry Harootunian, Marilyn Ivy, Angus Lockyer, Jim Reichert, Jonathan Reynolds, Ellen Schattschneider, Aaron Skabelund, Akiko Takenaka, Alan Tansman, Richard Torrance, Keith Vincent, Alejandro Yarza

The history of the Russian fascist movement in Harbin, Manchuria during the 1930s has become increasingly relevant to our understanding of modern Russia. As a railway junction and an important centre of the Jewish Diaspora, the city of Harbin became a focus of Russian emigration to Manchuria in the early 1930s, partly because of its proximity to the resource-rich Manchurian plains. In this multicultural and cosmopolitan setting the first Russian fascist groups were established. Based on an analysis of Russian civil society, Fascism in Manchuria sheds light on the impact of the newly-founded All-Russian Fascist Party on the Russian emigre community, employing the concept of 'dark' civil society. Suzanne Hohler demonstrates how fascist involvement in local civil society increasingly determined public opinion, examining the power of the military organizations, the symbols and style of the fascist organizations, the cult of the leader as well as the 'public-relations' activities of the fascist organizations and of the so-called Russian Club. In this context the book provides not only insights into the history and ideology of the far eastern branch of Russian fascism and its transnational connections, but also touches upon a variety of issues of daily life in the city, issues such as education, drug addiction and hooliganism among Russian youth, the local YMCA, the famous Kaspe kidnapping and the rise of anti-Semitism. Fascist literature from Harbin is being republished in today's Russia, and Fascism in Manchuria provides an important historical context for the thinking and motives which drive the Russian right."

Japan's invasion of Manchuria in September of 1931 initiated a new phase of brutal occupation and warfare in Asia and the Pacific. It forwarded the project of remaking the Japanese state along technocratic and fascistic lines and creating a self-sufficient Asian bloc centered on Japan and its puppet state of Manchukuo. In Planning for Empire, Janis Mimura traces the origins and evolution of this new order and the ideas and policies of its chief architects, the reform bureaucrats. The reform bureaucrats pursued a radical, authoritarian vision of modern Japan in which public and private spheres were fused, ownership and control of capital were separated, and society was ruled by technocrats. Mimura shifts our attention away from reactionary young officers to state planners—reform bureaucrats, total war officers, new zaibatsu leaders, economists, political scientists, engineers, and labor party leaders. She shows how empire building and war mobilization raised the stature and influence of these middle-class professionals by calling forth new government planning agencies, research bureaus, and think tanks to draft Five Year industrial plans, rationalize industry, mobilize the masses, streamline the bureaucracy, and manage big business. Deftly examining the political battles and compromises of Japanese technocrats in their bid for political power and Asian hegemony, Planning for Empire offers a new perspective on Japanese fascism by revealing its modern roots in the close interaction of technology and right-wing ideology.

This groundbreaking volume critically examines how writers in Japanese-occupied northeast China negotiated political and artistic freedom while engaging their craft amidst an increasing atmosphere of violent conflict and foreign control. The allegedly multiethnic utopian new state of Manchukuo (1932–1945) created by supporters of imperial Japan was intended to corral the creative energies of Chinese, Japanese, Koreans, Russians, and Mongols. Yet, the twin poles of utopian promise and resistance to a contested state pulled these intellectuals into competing loyalties, selective engagement, or even exile and death—surpassing neat paradigms of collaboration or resistance. In a semicolony wrapped in the utopian vision of racial inclusion, their literary works articulating national ideals and even the norms of everyday life subtly reflected the complexities and contradictions of the era. Scholars from China, Korea, Japan, and North America investigate cultural production under imperial Japan’s occupation of Manchukuo. They reveal how literature and literary production more generally can serve as a penetrating lens into forgotten histories and the lives of ordinary people confronted with difficult political exigencies. Highlights of the text include transnational perspectives by leading researchers in the field and a memoir by one of Manchukuo’s last living writers. “This first-rate collection offers the most comprehensive overview of Manchukuo literature in any language. Containing an abundance of very original research and analysis, with relevant references to diverse sources in Chinese, English, Japanese, Korean, and Russian, the essays will be welcomed by scholars dealing with literary, historical, political, and colonization issues in Manchukuo and its neighbors.” —Ronald Suleski, Suffolk University, Boston “Manchukuo Perspectives is an excellent contribution to the field. Manchukuo was a fascinating and fraught experiment. Colonialism, imperialism, modernism, and nationalism were just some of the many different forces at play there. With an impressive set of contributors bringing both breadth and depth to the study of these issues, this collection fills a void in our understanding of the cultural and literary production of Manchukuo wonderfully.” —James Carter, Saint Joseph’s University

In Revolutionary Nativism Maggie Clinton traces the history and cultural politics of fascist organizations that operated under the umbrella of the Chinese Nationalist Party (GMD) during the 1920s and 1930s. Clinton argues that fascism was not imported to China from Europe or Japan; rather it emerged from the charged social conditions that prevailed in the country's southern and coastal regions during the interwar period. These fascist groups were led by young militants who believed that reviving China's Confucian "national spirit" could foster the discipline and social cohesion necessary to defend China against imperialism and Communism and to develop formidable industrial and military capacities, thereby securing national strength in a competitive international arena. Fascists within the GMD deployed modernist aesthetics in their literature and art while justifying their anti-Communist violence with nativist discourse. Showing how the GMD's fascist factions popularized a virulently nationalist rhetoric that linked Confucianism with a specific path of industrial development, Clinton sheds new light on the complex dynamics of Chinese nationalism and modernity.

In the first decades of the 20th century, almost half of the Chinese Americans born in the United States moved to China—a relocation they assumed would be permanent. At a time when people from around the world flocked to the United States, this little-noticed emigration belied America’s image as a magnet for immigrants and a land of upward mobility for all. Fleeing racism, Chinese Americans who sought greater opportunities saw China, a tottering empire and then a struggling republic, as their promised land. American Exodus is the first book to explore this extraordinary migration of Chinese Americans. Their exodus shaped Sino-American relations, the development of key economic sectors in China, the character of social life in its coastal cities, debates about the meaning of culture and “modernity” there, and the U.S. government’s approach to citizenship and expatriation in the interwar years. Spanning multiple fields, exploring numerous cities, and crisscrossing the Pacific Ocean, this book will appeal to anyone interested in Chinese history, international relations, immigration history, and Asian American studies.

Beskrivelse af fascistiske bevægelser blandt russiske emigranter, som efter revolutionen i 1917 i deres eksil søgte at kompensere for deres magtesløshed ved at hengive sig til desperate fantasier.

The authors of this book focus on transcultural entanglements in Manchuria during the first half of the twentieth century. Manchuria, as Western historiography commonly designates the three northeastern provinces of China, was a politically, culturally and economically contested region. In the late nineteenth century, the region became the centre of competing Russian, Chinese and Japanese interests, thereby also attracting global attention. The coexistence of people with different nationalities, ethnicities and cultures in Manchuria was rarely if ever harmoniously balanced or static. On the contrary, interactions were both dynamic and complex. Semi-colonial experiences affected the people’s living conditions, status and power relations. The transcultural negotiations between all population groups across borders of all kinds are the subject of this book. The chapters of this volume shed light on various entangled histories in areas such as administration, the economy, ideas, ideologies, culture, media and daily life.

"The range of Alan Tansman's coverage is truly prodigious and diverse--from the most obscurantist cultural analysis through mawkish sentimentality and orchestrated nostalgia for the medium past. His scholarship is impeccable: he knows the relevant secondary literature and has absorbed an impressively wide-ranging metacritical literature, which he has used with great originality and authority to untangle the knotted relationship between aesthetic modernism and fascism. He reads difficult texts brilliantly, with seeming and enviable effortlessness and his translations are a joy to read."--Harry Harootunian, University of Chicago "Alan Tansman opens up a new apprehension of the fantastic possibilities of these works through his attention to the senses. He is as much attuned to the specifically rhythmic and tonal dimensions of writing as he is to its visual possibilities. And he has the capacity to evoke these varied sensorial domains in his own (re) writings, which, in their refusal to give up on beauty, critically recapitulate the very dilemma that his object texts stage: the dilemma of beauty within capitalist modernity and its complicity with an aesthetics of unification that often presages violence."--Marilyn Ivy, Columbia University