The fantastic reality that is modern physics is open for your exploration, guided by one of its primary architects and interpreters, Nobel Prize winner Frank Wilczek. Some jokes, some poems, and extracts from wife Betsy Devine's sparkling chronicle of what it's like to live through a Nobel Prize provide easy entertainment. There's also some history, some philosophy, some exposition of frontier science, and some frontier science, for your lasting edification. 49 pieces, including many from Wilczek's award-winning Reference Frame columns in Physics Today, and some never before published, are gathered by style and subject into a dozen chapters, each with a revealing, witty introduction. Profound ideas, presented with style: What could be better? Enjoy.

A critical study of Louise Bourgeois's art from the 1940s to the 1980s: its departure from surrealism and its dialogue with psychoanalysis.

What exactly is the fantastic? In the twentieth-century world, our notions of what is impossible are assaulted every day. To define the nature of fantasy and the fantastic, Eric S. Rabkin considers its role in fairy tales, science fiction, detective stories, and religious allegory, as well as in traditional literature. The examples he studies range from Grimm's fairy tales to Agatha Christie, from Childhood's End to the novels of Henry James, from Voltaire to Robbe-Grillet to A Canticle for Leiboivitz. By analyzing different works of literature, the author shows that the fantastic depends on a reversal of the ground rules of a narrative world. This reversal signals most commonly a psychological escape, often from boredom, to an unknown world secretly yearned for, whose order, although reversed, bears a precise relation to reality. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Religion, as defined by Marxism, is fantastic reality. Fantastic, not in the trite sense that the claims religion makes about existence are verifiably untrue, unreal or baseless, but in the sense that nature and society are reflected in exaggerated form, as leaping shadows, as symbols or inversions. So religion should not be dismissed as mere false consciousness. Religion reflects something of the real; but, as Jack Conrad's book shows, there is even more to it than that. Religious ideas are not only determined by reality; they can themselves become materially effective. The ideas people have in their heads - especially when mediated through institutions such as churches, mosques and temples - no matter how wrapped up in the godly and seemingly unrelated to the corporeal world, impact on their surroundings.

Fantastic Tales: Sometimes imagination transposes into reality is a collection of fictional mini-stories involving mystery, drama, fiction, romance, other dimensions, time travel, aliens, familiar conflicts, various situations although fictitious, are inserted in a real world. The world we live in is the one we perceive, create, and reinvent. We are always changing, observing and learning. After all reality is relative! All names, characters, incidents, as well as places portrayed in here are fictitious. Therefore, no identification with actual persons, places and incidents is intended.

96 brilliant photographs -- 11 in full color -- by outstanding contemporary master: an eroding claybank, sand-scrubbed driftwood, the spine of a skate, a barnacle colony, a pebble polished by the sea, the jaw of an anglerfish, and much more. "The author works at his art with zest and a poet's perception". -- Publishers Weekly.

Challenging literary histories that locate the emergence of fantastic literature in the Romantic period, David Sandner shows that tales of wonder and imagination were extremely popular throughout the eighteenth century. Sandner engages contemporary critical definitions and defenses of eighteenth- and early nineteenth-century fantastic literature, demonstrating that a century of debate and experimentation preceded the Romantic's interest in the creative imagination. In 'The Fairy Way of Writing,' Joseph Addison first defines the literary use of the supernatural in a 'modern' and 'rational' age. Other writers like Richard Hurd, James Beattie, Samuel Johnson, James Percy, and Walter Scott influence the shape of the fantastic by defining and describing the modern fantastic in relation to a fabulous and primitive past. As the genre of the 'purely imaginary,' Sandner argues, the fantastic functions as a discourse of the sublime imagination, albeit a contested discourse that threatens to disrupt any attempt to ground the sublime in the realistic or sympathetic imagination. His readings of works by authors such as Ann Radcliffe, William Beckford, Horace Walpole, Mary Shelley, Walter Scott, and James Hogg not only redefine the antecedents of the fantastic but also offer a convincing account of how and why the fantastic came to be marginalized in the wake of the Enlightenment.

This argues that most people learn about politics from information imparted by mass media and that our opinions are shaped by the sources of that information. The authors also contend that political reality is transformed, or mediated, into fantasy, and reality disappears.