Describes seventeen twentieth-century historic flights and their pilots, from the Wright brothers to those of the space shuttles.

Provides instructions for creating twenty-five paper airplanes using single sheets of paper.

Take a trip with Doc Bird, the Fantastic Flying Man, as he soars through the skies of New York City and becomes one of the biggest superstars ever. Although he lacks super powers other than flying, the Fantastic Flying Man can fly through the clouds and rescue people down below. Follow him as he becomes the star of his own television show and many commercials. Be amazed at all the women he loves and all the children he adopts and has with his wife, Leticia or JetLet. Yes, theres a whole lot of fun to be had reading about the Fantastic Flying Mans adventures and his life with 150 children. Recounted in multiple media reports of all kinds including passages in the Fantastic Flying Mans own point of view, youll have a grand time as he experiments with gay love and then runs for the United States Senate! This is a book you wont be able to put down until the very last page. So take a chance and take off into the blue skies of America, from New York City to Florida to California, as the Fantastic Flying Man teaches all of us how to fly without any mechanical assistance and become truly free.

In Afro-Atlantic Flight Michelle D. Commander traces how post-civil rights Black American artists, intellectuals, and travelers envision literal and figurative flight back to Africa as a means by which to heal the dispossession caused by the slave trade. Through ethnographic, historical, literary, and filmic analyses, Commander shows the ways that cultural producers such as Octavia Butler, Thomas Allen Harris, and Saidiya Hartman engage with speculative thought about slavery, the spiritual realm, and Africa, thereby structuring the imaginary that propels future return flights. She goes on to examine Black Americans’ cultural heritage tourism in and migration to Ghana; Bahia, Brazil; and various sites of slavery in the US South to interrogate the ways that a cadre of actors produces “Africa” and contests master narratives. Compellingly, these material flights do not always satisfy Black Americans’ individualistic desires for homecoming and liberation, leading Commander to focus on the revolutionary possibilities inherent in psychic speculative returns and to argue for the development of a Pan-Africanist stance that works to more effectively address the contemporary resonances of slavery that exist across the Afro-Atlantic.

A bestselling author and licensed wild bird rehabilitator has brought together original stories about fantastic flying creatures by such acclaimed writers as Mike Resnick, Diana Paxson, Lawrence Watt-Evans, and S.M. Sirling. Lackey also includes her never-before-published novella.

The story of the Wright brothers' first historic flight at Kitty Hawk, told through the eyes of a local boy, includes a script for readers' theater.

From the beautiful apsaras of Hindu myth to the swan maidens of European fairy tales, stories of flying women-some carried by wings, others by clouds, rainbows, floating scarves, and flying horses-reveal the perennial fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of the flying woman as it appears in a wide variety of cultures and historical periods, in legends, myths, rituals, sacred narratives, and artistic productions. She considers supernatural women like the Valkyries of Norse legend, who transport men to immortality; winged deities like the Greek goddesses Iris and Nike; figures of terror like the Furies, witches, and succubi; airborne Christian mystics; and wayward, dangerous women like Lilith and Morgan le Fay. Looking beyond the supernatural, Young examines the modern mythology surrounding twentieth-century female aviators like Amelia Earhart and Hanna Reitsch. Throughout, Young demonstrates that female power has always been inextricably linked with female sexuality and that the desire to control it is a pervasive theme in these stories. This is vividly depicted, for example, in the twelfth-century Niebelungenlied, in which the proud warrior-queen Brünnhilde loses her great physical strength when she is tricked into surrendering her virginity. Even in the twentieth-century the same idea is reflected in the exploits of the comic book and film character Wonder Woman who, Young suggests, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited. The first book to systematically chronicle the figure of the flying woman in myth, literature, art, and pop culture, Women Who Fly offers a fresh look at the ways in which women have both influenced and been understood by society and religious traditions throughout the ages and around the world.