Inexpensive compilation includes great title piece ? one of the most frequently performed and recorded works in the modern orchestral repertoire ? along with "Norfolk" Rhapsody No. 1, Overture to "The Wasps," and the Fantasia on Christmas Carols. Reproduced from authoritative early editions.

Includes hymnody from medieval plain chant to the early twentieth-century classics. This work includes hymns that are grouped according to theme and contains material suitable for any festival or occasion in the life of a church.

Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music.

A comprehensive reassessment of this towering figure of twentieth-century music, examining works, cultural context and reception in Britain and beyond.

A guide to music provides recommendations on one thousand recordings that represent the best in such genres as classical, jazz, rock, pop, blues, country, folk, musicals, hip-hop, and opera, with listening notes, commentary, and anecdotes about performers.

The first detailed study of the working relationship and productive friendship between Ralph Vaughan Williams (1872-1958) and Adrian Boult (1889-1983).

Stravinsky's ballet score for The Firebird launched his career as a composer after its Paris premiere in 1910. Although he extracted an orchestral suite the following year, the large orchestra required limited performances in the concert hall. World War I, the Russian Revolution and a move to Switzerland intervened before he was able to arrange a suitable concert suite for a normal-sized orchestra, which was given its premiere by Ernest Ansermet and the newly founded Orchestre de la Suisse Romande in April of 1919. Offered here is the first definitive newly engraved publication of the concert-hall staple in the near-century since its first publication by Chester in 1920 - in a notoriously error-heavy edition. Thoroughly researched and edited by Clark McAlister and Clinton F. Nieweg, this new study score will be a most welcome addition to the libraries of conductors, music students and fans of the great Russian master's music everywhere.

It's 1990, and New York soloist April Manning is trying to rebalance her world in the aftermath of her parents' deaths. An offer to join the struggling West Coast Ballet Theatre as a principal dancer seems like the perfect opportunity for a fresh start-a new life in San Francisco, an exciting step up in her career, and the hope of a redefined sense of family. But the other dancers are wary, clannish and tight-lipped, particularly about an incident that hastened the departure of their beloved artistic director, leading to the arrival of his replacement, the young, inexperienced Anders Gunst. And no one wants to talk about Jana, a former company member who defiantly walked out rather than work under Anders. It is Jana herself who offers April hints, and even friendship, where she reveals a loneliness and hunger to belong that newly orphaned April well understands. But there is something troubling about Jana, and what April doesn't know could prove deadly. A prequel to the Ballet Theatre Chronicles, BALLET ORPHANS explores the work and sacrifices required to arrive at the highest tiers of the professional ballet world, coupled with the primal, universal desire to belong, to love and be loved, and the lengths we'll go to protect those we call family.