This study places Djuna Barnes's early work in the context of symbolist ideas and practices. It presents Barnes not only as a woman writer, but also as an American writer, especially in her attention to the search for identity and to the conflict between individual values and those of society.

"Patchwork quilting meets the celestial sky and the result ... clean, elegant style with a cosmic touch. Join Fancy Tiger Crafts Founders, Amber Corcoran and Jamie Jennings for an astrological exploration though the beauty of modern design. Each of the twelve blocks in Constellations (plus a bonus Orion block never released!) finishes at 20 square and brings the sparse beauty of the celestial into your home with minimalist patchwork. Each blocks sparkles with an accurate representation of the stars found in the night sky. Personalize, create and appreciate a unique, yet simple approach to piecing and create your own personalized tribute to suit your astrological favorites."--Publisher's description.

The Joys of Soap Crafting Melt & Pour book provides around sixty soap projects. Most soap projects are easy to craft with natural additives such as foliage, essential oils, extracts and fragrances. It is all the more fun to craft challenging soaps such as jelly roll soap, soap with chunks, pipe soap, Deep sea and Blue lagoon soap. Once you master the art of soap crafting you have prospects to become an entrepreneur and start production of fancy soaps commercially. It can be rightly said, "small opportunities are often the beginning of great enterprises".

This sewing guide reveals a breakthrough method to simplify learning stitches of all kinds, with more than 100 stitches from the simple to the fanciful. As makers, we tend to learn different stitches over time without thinking much about how they relate to one another. But when Natalie Chanin and her teams at Alabama Chanin and The School of Making began to look at needlework closely, they realized all stitches are based on geometric grid systems. They also discovered that learning new stitches—even elaborate ones—became simple and easy when using grids as guides. In The Geometry of Hand-Sewing Chanin presents their breakthrough method, featuring illustrated instructions (for both right- and left-handed stitchers) for more than 100 stitches—from the basic straight and chain to complex feather and herringbone. Photos of both right and wrong sides are included, as well as guidelines for modifying stitches to increase one’s repertoire further. The book also offers downloads for two stitching cards with the grids on which every stitch in the book is based. These printable cards can be used as stencils for transferring grids to fabric.

One may have lost his powers, but he hasn't given up yet! Liegan and his Revs are up to something big, and an ancient machine known as the Raenqal may be the key to their plans. With Mikaen temporarily out of reach, One must brave sky pirates, ancient Glyche facilities, a floating island full of xenophobic sentients, and a wild race in a prototype plane to get to the bottom of Liegan's plans before the secrets of the Raenqal spell doom for Vinta ... and Earth.

A captivating chronicle of building in modern-day Charleston, making a case for architecture based on historical precedent, local context, and the ability to delight Charleston, South Carolina, which boasts America’s first historic district, is known for its palmetto-lined streets and picturesque houses. The Holy City, named for its profusion of churches, exudes an irresistible charm. Award-winning author and cultural critic Witold Rybczynski unfolds a series of stories about a group of youthful architects, builders, and developers based in Charleston: a self-taught home builder, an Air Force pilot, a fledgling architect, and a bluegrass mandolin player. Beginning in the 1980s, this cast of characters, exercising a kind of amateur mastery, produced an eclectic array of buildings inspired by the past—including a domed Byzantine drawing room, a fanciful medieval castle, a restored freedman’s cottage, a miniature Palladian villa, and a contemporary Mediterranean street. In his careful profiles of these protagonists and the challenges they have overcome in realizing their dreams, Rybczynski compellingly emphasizes the importance of architecture and urban design on a local level, how an old city can remake itself by invention as well as replication, and the role that individuals still play in transforming the urban landscapes around them.

We Speak a Different Tongue: Maverick Voices and Modernity 1890-1939 challenges the critical practice of privileging modernism. In so doing, the volume makes a significant contribution to contemporary debates about re-visioning literary modernism, questioning its canon, and challenging its aesthetic parameters. By utilizing the term "modernity" rather than "modernism", the 16 essays housed in this volume foreground the writers who have been marginalised by both their contemporary modernist writers and literary scholars, while exploring the way in which these authors responded to the tensions,

Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.

The first study of the role of the newspaperwoman in American literary culture at the turn of the twentieth century, this book recaptures the imaginative exchange between real-life reporters like Nellie Bly and Ida B. Wells and fictional characters like Henrietta Stackpole, the lady-correspondent in Henry James's Portrait of a Lady. It chronicles the exploits of a neglected group of American women writers and uncovers an alternative reporter-novelist tradition that runs counter to the more familiar story of gritty realism generated in male-dominated newsrooms. Taking up actual newspaper accounts written by women, fictional portrayals of female journalists, and the work of reporters-turned-novelists such as Willa Cather and Djuna Barnes, Jean Marie Lutes finds in women's journalism a rich and complex source for modern American fiction. Female journalists, cast as both standard-bearers and scapegoats of an emergent mass culture, created fictions of themselves that far outlasted the fleeting news value of the stories they covered. Front-Page Girls revives the spectacular stories of now-forgotten newspaperwomen who were not afraid of becoming the news themselves—the defiant few who wrote for the city desks of mainstream newspapers and resisted the growing demand to fill women's columns with fashion news and household hints. It also examines, for the first time, how women's journalism shaped the path from news to novels for women writers.