Traces the complicated development of Frank Lloyd Wright's Fallingwater, including planning, site selection, and construction

The story of the Gettysburg Campaign, both before and after the July 1-3, 1863, battle, has recently received increased attention from historians. The movement of the Army of Northern Virginia from Gettysburg and its pursuit by the Army of the Potomac are every bit as important to the study of the American Civil War as the events in and around the small crossroads town in Pennsylvania. Many historians agree the Gettysburg Campaign concluded with the Battle of Falling Waters, Maryland, on July 14, 1863. Although not the climactic battle of the war desired by President Abraham Lincoln, it remains a story of miscalculation, bravery, larger-than-life personalities, tragedy and a cover-up. This new book tells the story of that final battle. The story does not end with the battle. Included is an intriguing tale about veterans of the Battle of Falling Waters, Maryland decades after Gen. Robert E. Lee's rear guard clashed with Maj. Gen. George G. Meade's cavalry. The book concludes with a detailed description of the battlefield today and efforts to preserve portions of the land for future generations. George Franks has made extensive use of first-hand accounts, detailed maps, period drawings and photographs to breathe life into the crucial yet little remembered end of the Gettysburg Campaign.

Julie finished taping the battery on my side. I buttoned my shirt and tucked it back in. I had an electronic belt securing my waist. It looked like any other belt, but it felt different psychologically. I put a jacket on over my shirt, even though I didn't need one. I wanted to cover any faint outline that someone might have spotted. With the jacket, the wire was completely invisible. I was now a bona fide informant.Anthony Mowl was the first Deaf informant in the history of the FBI. After graduating from Gallaudet University, a leading school for Deaf and hard of hearing students, Anthony was offered a chance to change the world. John Yeh, one of the most respected businessmen in the Deaf community, offered Anthony a job with his new company-Viable Video Relay Services-a company dedicated to providing state-of-the-art videophones to Deaf individuals worldwide.As Viable grew, its executives, including Anthony, rose to prominence in the Deaf community. They were seen as leaders and innovators who would not rest until every Deaf person could communicate with the same ease and convenience as a hearing person. But innovation takes money, money Viable didn't have.Falling Waters is Anthony's firsthand account of the rise and fall of Viable. Anthony offers a powerful glimpse into his struggles with his own identity as he goes from a leader in the Deaf community to a public enemy. Desperate to compete with larger, better-funded companies, Viable's founders develop a scheme to defraud the FCC. When Anthony gets caught in the middle, his only way out is to cooperate with the FBI, launching a series of events that will test his loyalty, integrity, and courage.

In Bear Run, Pennsylvania, a home unlike any other perches atop a waterfall. The water's tune plays differently in each of its sunlight-dappled rooms; the structure itself blends effortlessly into the rock and forest behind it. This is Fallingwater, a masterpiece equally informed by meticulous research and unbounded imagination, designed by the lauded American architect Frank Lloyd Wright. This book guides young readers through Wright's process designing Fallingwater, from his initial inspirations to the home's breathtaking culmination. It is a exploration of a man, of dreams, and of the creative process; a celebration of potential. Graceful prose and rich, dynamic illustrations breathe life into the story of Frank and Fallingwater, a man and home utterly unlike any other. A Bulletin of the Center for Children's Books 2017 Blue Ribbon Book A National Council for the Social Studies Notable Social Studies Trade Book for Young People

Preston Rhodes was an extraordinary writer. However his actress wife, Carly, didn't want him to over-shadow her talents so she set out to squash every opportunity that came his way. His father died and left Preston an extraordinary gift. It was his memoirs and Preston immediately saw that the book was literary genius. He set out to write a script and it was immediately touted as the next Gone With the Wind. He set out to sell the movie around the country until an errant bullet to his head sent him to a magical town where all the old Hollywood actors dwelled long after their starlight had been extinguished. Falling Waters was the town where spirits thrived and he was sure it was real. He was accepted and spent a lifetime amid the old stars of Hollywood. He met and interacted with all the greats. When he came out of his coma he tried to convince everyone that the town existed but nothing he could do would convince his friends. That is until they understood that miracles do happen.

This “very satisfying blow-by-blow account of the final stages of the Gettysburg Campaign” fills an important gap in Civil War history (Civil War Books and Authors). Winner of the Gettysburg Civil War Round Table Book Award This fascinating book exposes what has been hiding in plain sight for 150 years: The Gettysburg Campaign did not end at the banks of the Potomac on July 14, but deep in central Virginia two weeks later along the line of the Rappahannock. Contrary to popular belief, once Lee’s Army of Northern Virginia slipped across the Potomac back to Virginia, the Lincoln administration pressed George Meade to cross quickly in pursuit—and he did. Rather than follow in Lee’s wake, however, Meade moved south on the east side of the Blue Ridge Mountains in a cat-and-mouse game to outthink his enemy and capture the strategic gaps penetrating the high wooded terrain. Doing so would trap Lee in the northern reaches of the Shenandoah Valley and potentially bring about the decisive victory that had eluded Union arms north of the Potomac. The two weeks that followed resembled a grand chess match with everything at stake—high drama filled with hard marching, cavalry charges, heavy skirmishing, and set-piece fighting that threatened to escalate into a major engagement with the potential to end the war in the Eastern Theater. Throughout, one thing remains clear: Union soldiers from private to general continued to fear the lethality of Lee’s army. Meade and Lee After Gettysburg, the first of three volumes on the campaigns waged between the two adversaries from July 14 through the end of July, 1863, relies on the official records, regimental histories, letters, newspapers, and other sources to provide a day-by-day account of this fascinating high-stakes affair. The vivid prose, coupled with original maps and outstanding photographs, offers a significant contribution to Civil War literature. Named Eastern Theater Book of the Year byCivil War Books and Authors

Fallingwater Rising is a biography not of a person but of the most famous house of the twentieth century. Scholars and the public have long extolled the house that Frank Lloyd Wright perched over a Pennsylvania waterfall in 1937, but the full story has never been told. When he got the commission to design the house, Wright was nearing seventy, his youth and his early fame long gone. It was the Depression, and Wright had no work in sight. Into his orbit stepped Edgar J. Kaufmann, a Pittsburgh department-store mogul–“the smartest retailer in America”–and a philanthropist with the burning ambition to build a world-famous work of architecture. It was an unlikely collaboration: the Jewish merchant who had little concern for modern architecture and the brilliant modernist who was leery of Jews. But the two men collaborated to produce an extraordinary building of lasting architectural significance that brought international fame to them both and confirmed Wright’s position as the greatest architect of the twentieth century. Fallingwater Rising is also an enthralling family drama, involving Kaufmann, his beautiful cousin/wife, Liliane, and their son, Edgar Jr., whose own role in the creation of Fallingwater and its ongoing reputation is central to the story. Involving such key figures of the l930s as Frida Kahlo, Albert Einstein, Henry R. Luce, William Randolph Hearst, Ayn Rand, and Franklin Roosevelt, Fallingwater Rising shows us how E. J. Kaufmann’s house became not just Wright’s masterpiece but a fundamental icon of American life. One of the pleasures of the book is its rich evocation of the upper-crust society of Pittsburgh–Carnegie, Frick, the Mellons–a society that was socially reactionary but luxury-loving and baronial in its tastes, hobbies, and sexual attitudes (Kaufmann had so many mistresses that his store issued them distinctive charge plates they could use without paying). Franklin Toker has been studying Fallingwater for eighteen years. No one but he could have given us this compelling saga of the most famous private house in the world and the dramatic personal story of the fascinating people who made and used it. A major contribution to both architectural and social history.

The most pivotal and yet least understood event of Frank Lloyd Wright’s celebrated life involves the brutal murders in 1914 of seven adults and children dear to the architect and the destruction by fire of Taliesin, his landmark residence, near Spring Green, Wisconsin. Unaccountably, the details of that shocking crime have been largely ignored by Wright’s legion of biographers—a historical and cultural gap that is finally addressed in William Drennan’s exhaustively researched Death in a Prairie House: Frank Lloyd Wright and the Taliesin Murders. In response to the scandal generated by his open affair with the proto-feminist and free love advocate Mamah Borthwick Cheney, Wright had begun to build Taliesin as a refuge and "love cottage" for himself and his mistress (both married at the time to others). Conceived as the apotheosis of Wright’s prairie house style, the original Taliesin would stand in all its isolated glory for only a few months before the bloody slayings that rocked the nation and reduced the structure itself to a smoking hull. Supplying both a gripping mystery story and an authoritative portrait of the artist as a young man, Drennan wades through the myths surrounding Wright and the massacre, casting fresh light on the formulation of Wright’s architectural ideology and the cataclysmic effects that the Taliesin murders exerted on the fabled architect and on his subsequent designs. Best Books for General Audiences, selected by the American Association of School Librarians, and Outstanding Book, selected by the Public Library Association

WINNER OF THE COSTA FIRST NOVEL AWARD A NATIONAL BOOK FOUNDATION 5 UNDER 35 WINNER OF THE BRITISH BOOK AWARD FOR DEBUT FICTION “Open Water is tender poetry, a love song to Black art and thought, an exploration of intimacy and vulnerability between two young artists learning to be soft with each other in a world that hardens against Black people.”—Yaa Gyasi, author of Homegoing In a crowded London pub, two young people meet. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—and both are trying to make their mark in a world that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence, and over the course of a year they find their relationship tested by forces beyond their control. Narrated with deep intimacy, Open Water is at once an achingly beautiful love story and a potent insight into race and masculinity that asks what it means to be a person in a world that sees you only as a Black body; to be vulnerable when you are only respected for strength; to find safety in love, only to lose it. With gorgeous, soulful intensity, and blistering emotional intelligence, Caleb Azumah Nelson gives a profoundly sensitive portrait of romantic love in all its feverish waves and comforting beauty. This is one of the most essential debut novels of recent years, heralding the arrival of a stellar and prodigious young talent.

“Beautiful. ... A lyrical companion to his father’s classic, A River Runs through It, chronicling their family’s history and bond with Montana’s Blackfoot River.” —Washington Post A "poetic" and "captivating" (Publishers Weekly) memoir about the power of place to shape generations, Home Waters is John N. Maclean's remarkable chronicle of his family's century-long love affair with Montana's majestic Blackfoot River, the setting for his father's classic novella, A River Runs through It. Maclean returns annually to the simple family cabin that his grandfather built by hand, still in search of the trout of a lifetime. When he hooks it at last, decades of longing promise to be fulfilled, inspiring John, reporter and author, to finally write the story he was born to tell. A book that will resonate with everyone who feels deeply rooted to a landscape, Home Waters is a portrait of a family who claimed a river, from one generation to the next, of how this family came of age in the 20th century and later as they scattered across the country, faced tragedy and success, yet were always drawn back to the waters that bound them together. Here are the true stories behind the beloved characters fictionalized in A River Runs through It, including the Reverend Maclean, the patriarch who introduced the family to fishing; Norman, who balanced a life divided between literature and the tug of the rugged West; and tragic yet luminous Paul (played by Brad Pitt in Robert Redford’s film adaptation), whose mysterious death has haunted the family and led John to investigate his uncle’s murder and reveal new details in these pages. A universal story about nature, family, and the art of fly fishing, Maclean’s memoir beautifully captures the inextricable ways our personal histories are linked to the places we come from—our home waters. Featuring twelve wood engravings by Wesley W. Bates and a map of the Blackfoot River region.