In Falling Out of Time, David Grossman has created a genre-defying drama - part play, part prose, pure poetry - to tell the story of bereaved parents setting out to reach their lost children. It begins in a small village, in a kitchen, where a man announces to his wife that he is leaving, embarking on a journey in search of their dead son.The man - called simply the 'Walking Man' - paces in ever-widening circles around the town. One after another, all manner of townsfolk fall into step with him (the Net Mender, the Midwife, the Elderly Maths Teacher, even the Duke), each enduring his or her own loss. The walkers raise questions of grief and bereavement: Can death be overcome by an intensity of speech or memory? Is it possible, even for a fleeting moment, to call to the dead and free them from their death? Grossman's answer to such questions is a hymn to these characters, who ultimately find solace and hope in their communal act of breaching deathâe(tm)s hermetic separateness. For the reader, the solace is in their clamorous vitality, and in the gift of Grossmanâe(tm)s storytelling âe" a realm where loss is not merely an absence, but a life force of its own.

When a diphtheria epidemic hits her 1840 village, thirteen-year-old Jessie discovers it is actually a 1996 tourist site under unseen observation by heartless scientists, and it's up to Jessie to escape the village and save the lives of the dying children.

In this compassionate and genre-defying drama the internationally acclaimed author of To the End of the Land weaves an incandescent tale of parental grief. A powerful distillation of the experience of understanding and acceptance, and of art’s triumph over death, Falling Out of Time is part play, part prose, and pure poetry. As Grossman’s characters ultimately find solace and hope through their communal acts of mourning, readers will find comfort in their clamorous vitality, and in the gift of storytelling—a realm where loss is not an absence, but a life force in its own right.

Return to the world of the bestselling Running Out of Time with this middle grade thriller from Margaret Peterson Haddix, where Zola discovers she’s related to Jessie Keyser and her seemingly perfect utopian world is covering up a dark reality. Twelve-year-old Zola thinks she has the perfect life. She thinks everyone does, now that it’s 2193, and humanity has solved all its problems. Insta-Closets deliver new clothes every morning, Insta-Ovens deliver gourmet meals on demand, and virtual reality goggles let her have any adventure she wants, with friends from all over the world. Then one day Zola finds a handwritten note in her Insta-Closet: If you want to see things as they really are, come find me. What if Zola’s wrong about everything—even the year? As she struggles to figure out who wrote the note, she discovers a printed book in her Insta-Closet called The Jessie Keyser Story: How One Girl Escaped from Clifton Village. Zola wonders: Who is Jessie Keyser, and why does she look like her . . . and what else do they have in common? In this sequel to the classic novel Running Out of Time, Margaret Peterson Haddix has crafted a riveting page-turner that captures the terrors of a world where nothing seems real—but finding out who really loves you still matters.

Sometimes we find ourselves on a gravel road, not sure of how we got there or where the road leads. Low-level teen fiction tackling tough and gritty topics like foster care, rape, teen pregnancy and more. Series contains a silver medal winner for the Independent Publishers Book Award. Each eBook is approximately 200-pages. Lexile Levels: 390 to 400. Gabby Herrera is not like her perfect sister, Celia--straight-A student, obedient, responsible. Her parents don't get it. They don't get her C-average report card. Her love for basketball. "The three of them think anything is possible if you just try hard enough. Well, I've tried. It's not possible." She can't be who she is unless she is just like them. And if she's not like them, she's not a real person. She's a broken person. A broken Herrera. And that is unacceptable.

Today the classics of the western canon, written by the proverbial ''dead white men,'' are cannon fodder in the culture wars. But in the 1950s and 1960s, they were a pop culture phenomenon. The Great Books of Western Civilization, fifty-four volumes chosen by intellectuals at the University of Chicago, began as an educational movement, and evolved into a successful marketing idea. Why did a million American households buy books by Hippocrates and Nicomachus from door-to-door salesmen? And how and why did the great books fall out of fashion? In A Great Idea at the Time Alex Beam explores the Great Books mania, in an entertaining and strangely poignant portrait of American popular culture on the threshold of the television age. Populated with memorable characters, A Great Idea at the Time will leave readers asking themselves: Have I read Lucretius's De Rerum Natura lately? If not, why not?

Hauntingly told and emotionally charged, this is an immense story of consuming addiction and the betrayal of trust.

#1 NATIONAL BESTSELLER * NEW YORK TIMES BESTSELLER “Terrifying…buckle up for a chilling summer read.” —People (Best Books of the Week) “The perfect thriller! A must-read.” —Gillian Flynn “Stunning and relentless. This is Jaws at 35,000 feet.” —Don Winslow You just boarded a flight to New York. There are one hundred and forty-three other passengers onboard. What you don’t know is that thirty minutes before the flight your pilot’s family was kidnapped. For his family to live, everyone on your plane must die. The only way the family will survive is if the pilot follows his orders and crashes the plane. Enjoy the flight.

The gripping first-person account of one woman's survival in Joshua Tree National Park against the odds. "A vibrantly physical book"—The Guardian • "Uplifting and brave"—Stylist • "A riveting account of loneliness, anxiety and survival"—Cosmopolitan In 2018, writer Claire Nelson made international headlines when she fell over 25 feet after wandering off the trail in a deserted corner of Joshua Tree. The fall shattered her pelvis, rendering her completely immobile. There Claire lay for the next four days, surrounded by boulders that muffled her cries for help, but exposed her to the relentless California sun above. Her rescuers had not expected to find her alive. In THINGS I LEARNED FROM FALLING Claire tells not only her story of surviving, but also her story of falling. What led this successful thirty-something to a desert trail on the other side of the globe from her home where no one knew she would be that day? At once the unbelievable story of an impossible event, and the human journey of a young woman wrestling with the agitation of past and anxiety of future.