"This is a marvelous and sustained discussion of 'faithful vision' and its significant influence on African American literature." -- American Literature In Faithful Vision, James W. Coleman places under his critical lens a wide array of African American novels written during the last half of the twentieth century. In doing so, he demonstrates that religious vision not only informs black literature but also serves as a foundation for black culture generally. The Judeo-Christian tradition, according to Coleman, is the primary component of the African American spiritual perspective, though its syncretism with voodoo/hoodoo -- a religion transported from West Africa through the West Indies and New Orleans to the rest of black America -- also figures largely. Reviewing novels written mainly since 1950 by writers including James Baldwin, Randall Kenan, Toni Morrison, John Edgar Wideman, Alice Walker, Gloria Naylor, Erna Brodber, and Ishmael Reed, among others, Coleman explores how black authors have addressed the relevance of faith, especially as it relates to an oppressive Christian tradition. He shows that their novels -- no matter how critical of the sacred or supernatural, or how skeptical the characters' viewpoints -- ultimately never reject the vision of faith. With its focus on religious experience and tradition and its wider discussion of history, philosophy, gender, and postmodernism, Faithful Vision brings a bold critical dimension to African American literary studies. "An insightful interrogation of the complexities of religious discourse in the African American literary tradition. Because it superbly translates complex spiritual ethos into literary tradition, this remarkable book is a must for anyone interested in intersections of the sacred and the secular in black cultural productions." -- Southern Literary Journal "Faithful Vision both looks intently into faith and shows us how to look." -- Christianity and Literature

Faithful Vision examines African American novels written during the last half of the twentieth century, demonstrating that religious vision not only informs black literature but also serves as a foundation for black culture in general. Reviewing novels written James Baldwin, Toni Morrison, John Edgar Wideman, Gloria Naylor, Erna Brodber, Ishmael Reed, and others, the author explores how black authors have addressed the relevance of faith, especially as it relates to an oppressive Christian tradition; and shows that ultimately, their novels never reject the vision of faith. Faithful Vision contributes a bold critical dimension to African American literary studies.

Drawing upon his experiences as both a Christian and an artist, Cameron J. Anderson traces the relationship between the evangelical church and modern art in postwar America. While acknowledging the tensions between faith and visual art, he casts a vision for how Christian artists can faithfully pursue their vocational calling in contemporary culture.

With the decline of traditional Sunday school and education programs in recent years, many Christians have not learned the fundamental doctrinal content of the faith. In this text Gary Parrett and Steve Kang set forth a thoroughly biblical vision for intentional teaching of the Christian faith that attends to both the content and process of educational and formational ministries.

The cliché is that those who do not learn from the mistakes of the past are doomed to repeat them. But Thabiti Anyabwile contends that it is not the mistakes we must study; it is the people who have overcome them. So he presents three of the most influential African-American pastors in American history who can teach us what faithful ministry entails. Lemuel Haynes (1753-1833) reminds pastors that eternity must shape our ministry. Daniel A. Payne (1811-1893) stresses the importance of character and preparation to faithful shepherding. And Francis J. Grimké (1850-1937) provides a vision for engaging the world with the gospel. While they are from the African-American tradition, they, like all true saints, belong to all Christians of every background and era. Distinctive for its use of rare and out-of-print messages, Anaybwile's work is valuable as a reference as well as a devotional resource.

Quakers exist neither for themselves nor by themselves alone. Therefore, they ought not to construct Quaker theologies but rather quaker (verb) theology-to add their fingerprints to the larger conversation. David Johns contributes to a Quaker way of thinking theologically but also invites others to think through their denominational identities into a more expansive and ecumenical space. Placing contemporary Quaker thought in conversation with the wider theological tradition, Johns shows that Quakers have something important to contribute to the wider Christian family and he demonstrates how other groups may enter this conversation as well. Some themes explored may not spring immediately to mind as ’Quaker themes’-the saints, C.S. Lewis, sacraments, ritual, and Shakespeare-but Johns argues these are precisely the kind of issues that require Quaker fingerprints-that require quakering.

In one series, the original writings of the universally acknowledged teachers of the Catholic, Protestant, Eastern Orthodox, Jewish, and Islamic traditions have been critically selected, translated, and introduced by internationally recognized scholars and spiritual leaders. Until now, the mainstream historiography of Wycliffism has largely ignored the positive spirituality that Wycliffite dissenters associated with their faith. Even anthologies of Wycliffite writings have focused on their key polemical tenets rather than their spirituality. Wycliffite Spirituality offers a new, refreshing approach with a collection of texts showing that Wycliffites were as keenly interested in the spiritual life as many of their contemporaries and that Wycliffites reflected at length on such questions as how best to live a virtuous active life in the world, how most appropriately to approach God in prayer, how to understand traditional prayers such as the Our Father and Ave Maria, and how to live up to Christ's expectations for ministers and others in the church. WyclifÆs writings on spirituality, the English texts composed by his followers, and records from heresy trials that disclose information about suspects' spiritual practices and devotional lives reveal that late medieval dissenters practiced a vibrant Christianity deserving of further study. Book jacket.

A groundbreaking account of perception and art, from one of the twentieth century’s most important art historians E. H. Gombrich is widely considered to be one of the most influential art historians of the twentieth century, and Art and Illusion is generally agreed to be his most important book. Bridging science and the humanities, this classic work examines the history and psychology of pictorial representation in light of modern theories of information and learning in visual perception. Searching for a rational explanation of the changing styles of art, Gombrich reexamines ideas about the imitation of nature and the function of tradition. In testing his arguments, he ranges over the history of art, from the ancient Greeks, Leonardo, and Rembrandt to the impressionists and the cubists. But the triumphant originality of Art and Illusion is that Gombrich is less concerned with the artists than with the psychological experience of the viewers of their work. Please note: All images in this ebook are presented in black and white and have been reduced in size.

New World Maker reappraises Langston Hughes's political poetry, reading the writer's leftist works in the context of his practice of translation to reveal an important meditation on diaspora.