Nobel Prize–winning physicist Roger Penrose questions some of the most fashionable ideas in physics today, including string theory What can fashionable ideas, blind faith, or pure fantasy possibly have to do with the scientific quest to understand the universe? Surely, theoretical physicists are immune to mere trends, dogmatic beliefs, or flights of fancy? In fact, acclaimed physicist and bestselling author Roger Penrose argues that researchers working at the extreme frontiers of physics are just as susceptible to these forces as anyone else. In this provocative book, he argues that fashion, faith, and fantasy, while sometimes productive and even essential in physics, may be leading today's researchers astray in three of the field's most important areas—string theory, quantum mechanics, and cosmology. Arguing that string theory has veered away from physical reality by positing six extra hidden dimensions, Penrose cautions that the fashionable nature of a theory can cloud our judgment of its plausibility. In the case of quantum mechanics, its stunning success in explaining the atomic universe has led to an uncritical faith that it must also apply to reasonably massive objects, and Penrose responds by suggesting possible changes in quantum theory. Turning to cosmology, he argues that most of the current fantastical ideas about the origins of the universe cannot be true, but that an even wilder reality may lie behind them. Finally, Penrose describes how fashion, faith, and fantasy have ironically also shaped his own work, from twistor theory, a possible alternative to string theory that is beginning to acquire a fashionable status, to "conformal cyclic cosmology," an idea so fantastic that it could be called "conformal crazy cosmology." The result is an important critique of some of the most significant developments in physics today from one of its most eminent figures.

The House of Faith and Fashion is a collection of essays and conversations that fuse together two subjects that should be opposed to each other, yet are lovingly living harmoniously within these pages. The goal of this book is to reveal G-d's presence in fashion, jewelry, art, beauty and style through the lens of Jewish teachings therefore elevating each creative process to divine proportions.

From clothing to the painted and scarified nude body, through overt, public display or esoteric symbols known only to the initiated, dress can convey information about beliefs, faith, identity, power, agency, resistance, and fashion. Taking a 'senses' approach, Hume's engaging account takes into consideration the look, smell, feel, touch and sound of religious apparel, the 'smells and bells' of dress and its accoutrements, as well as the emotions evoked by donning religious garb. The book's global perspective provides wide-ranging, yet detailed, coverage of religious dress, from the history and meaning of the simple 'no-frills' attire of the Anabaptists to the power structure displayed in the elaborate fabrics and colours of the Roman Catholic Church; Hume examines the 2,500 year-old tradition of Buddhist robes, the nudity of India's holy men, and much more. With chapters on Sufism, Vodou, modern Pagans, as well as painted and tattooed indigenous and modern Western bodies, the reader is swept along on a sensual journey of the sight, sound, smell and feel of wearing religion. Unique in its field, this intriguing and informative anthropological approach to the body and dress is an essential read for students of Anthropology, Anthropology of Dress, Sociology, Fashion and Textiles, Culture and Dress, Body and Culture and Cultural Studies.

Everyone knows that we live in a “skin-is-in” society, heavily driven by media and immodesty. So how does a young Christian woman reconcile a fashionable wardrobe with maintaining her integrity? Written by international professional model Rachel Lee Carter, Fashioned by Faith offers a cutting-edge approach to the concept of beauty with a Biblical foundation that will attract moms and daughters alike. Readers will love hearing about Carter’s exciting story as she leads them on an engaging study that touches on a huge felt need for young women: real beauty has nothing to do with looks. Offering three valuable perspectives—teen boys, a professional model, and God’s Word—Carter explains her standards of modesty in a way that will make readers acquire a specific understanding of the author’s wardrobe choices and the impact those choices can make on others. Readers will also learn to season their self-image with daily quiet time with God. A tour of Scripture will reveal the value of heart issues like modesty and why they’re important to God. Never compromising her sense of style or her faith, every young lady can discover what it means to be Fashioned by Faith. Moms and girls will love this book!

Have you ever felt that you were stuck in between two seasons? You came out of one season and you are transitioning to the next one. These in between seasons are moments where God is pulling out all of the impurities. He is making sure you don't carry over any leftovers from your past season. He is refining and purifying you. However, even though you are "in between seasons," it's still indeed a season that you are in. It is called "The Purification Season." Welcome! Brooklyn Native, Natasha Lambkin is the CEO and Founder of the Faith-Based Lifestyle Brand, Tashee Inc. Following her Undergrad at Fashion Institute of Technology in New York, she pursued a professional modeling career. During the peak of her career, Natasha developed a closer relationship to Jesus. At the ending of the year 2012, Natasha was experiencing a personal conviction of immodesty. She felt a need to adapt more of a Christ-like way of living. As a result, she left the Modeling industry and pursued a career in Fashion. While working corporately for a major fashion company, she had an epiphany from God to pursue her own clothing line-as a faith-based company that promotes modesty in fashion. With her professional experience as a Model, Fashion Buyer, and Merchandiser; she was led to pursue her business full-time. Tashee Inc., is now a lifestyle brand that encompasses faith, fashion, media, and philanthropy. Under the parent brand are two sub-segmented businesses, N A T A S H A (the luxury clothing brand) and A FILM by NATASHA LAMBKIN. Now Natasha, has become a published author. She has created the first Faith-Based Fashion Story book in history, "The Purification Season." Her collections always told a story, now one of her stories has been birthed within this book.

What is fashion? Where does it come from? Why has it come to permeate modern life? In the last half century, questions like these have drawn serious academic reflection, resulting in a new field of research--fashion studies--and generating a rich multidisciplinary discussion. Yet theology's voice has been conspicuously absent in this conversation. The time has finally come for theology to break her silence and join this decades-long conversation. Fashion Theology is the first of its kind: a serious and long-overdue account of the dynamic relationship between theology and fashion. Chronicling the epic journey from ancient Christian sources to current developments in fashion studies, cultural theologian Robert Covolo navigates the rich history of Christian thought as well as recent political, social, aesthetic, literary, and performance theory. Far from mere disparity or quick resolution, Covolo demonstrates that fashion and theology inhabit a mutual terrain that has, until recently, scarcely been imagined. Covolo retraces the way theologians have taken up fashion across history, unveiling how Christian thinkers have been fascinated with fashion well before the academy's current focus, and bringing these insights into the conversation with fashion itself: the logic by which fashion operates, how fashion shapes our world, and the way fashion imperceptibly molds our personal lives. Within fashion's realms reside some of life's greatest challenges: the foundations of political power, the basis for social order, the nature of aesthetics, how we inhabit time, and the means by which we tell stories about our lives--challenges, it turns out, that theologians also explore. Fashion favors the bold; theology demands humility. Holding the two together, Fashion Theology trailblazes an interdisciplinary path informed by a thoughtful engagement with the Christian witness. For those traversing this spectacle of unexpected crossroads and hotly contested terrain, the promise of fashion theology awaits with its myriad unexplored vistas. --Malcolm Barnard, Senior Lecturer in Visual Culture, Loughborough University

The subject of religion and dress in Turkey has been debated at great length both in academia and the media. Through in-depth ethnographic research into the Turkish fashion market and the work of a category of new comers, namely headscarf-wearing fashion professionals, Islam, Faith, and Fashion examines entrepreneurship in this market and the aesthetic desirability, religious suitability, and ethical credibility of fashionable Islamic dress. What makes a fashionable outfit Islamically appropriate? What makes an Islamically appropriate outfit fashionable? What are the conditions, challenges and constraints an entrepreneur faces in this market, and how do they market their products? Is the presumed oxymoronic nature of Islamic fashion a challenge or a burden? Through case studies and ethnographic portraits, Craciun questions the commercialization of Islamic dress and tackles the delicate and often incompatible relationship between clothing worn in recognition of religious belief and clothing worn purely because it is fashionable. This timely analysis of fashion, religion, ethics, and aesthetics presents dress as a disputed and a contested locus of modernity. Islam, Faith, and Fashion will be essential reading for students of fashion, anthropology, and material and visual culture.

We all wear clothes. But are you concerned that your fashion choices are mere vanity or wasteful or environmentally harmful? The question is how to look our best in a responsible and wise way that avoids guilt, vanity, and immodesty. Jules and Graham Cole bring their expertise to bear on this question in this unique collaboration: Jules as a fashion designer and Graham as a theologian. This book pays attention to differences in body type and the challenge of best fit and does so in an environmentally sustainable way. In this work, you will find hints on how to dress and how to coordinate a wardrobe that is economically responsible and minimizes landfill. The book seeks to honor the God of the Bible who values beauty. The discussion culminates in considering the ultimate wardrobe change. Fashions come and go, but to be clothed with Christ is never out of date.

Meeting House Essays in a series of papers reflecting on the mystery, beauty and practicalities of the place of worship. This popular series was begun in 1991, and each resource focuses on a particular aspect of space, design or materials and how they relate to the liturgy.

Turkey has witnessed remarkable sociocultural change under the regime of Recep Tayyip Erdogan and his Justice and Development Party (AKP), particularly regarding its religious communities. As individuals with pious identities have increasingly gained access to state power and accumulated economic influence, so religious appearances and practices have become more visible in Turkey's `secular' public spaces. More than this, consumption practices have changed and new Islamic and Islamist identities have emerged. This book investigates three of the most widespread faith-inspired communities in Turkey: the Gulen, Suleymanli and the Menzil. Nazli Alimen compares these communities, looking at their diverse interpretations of Islamic rules related to the body and dress, and how these different groups compete for power and control in Turkey. In tracing what motivates consumption practices, the book adds to the growing interest in the commercial aspects of modest and Islamic fashion. It also highlights the importance of clothing and bodily rituals (such as veiling, grooming and food choices) for the formation of community identities. Based on ethnographic research, Alimen analyses the relationship between the marketplace and religion, and shows how different communities interact with each other and state institutions. Of particular note are the varied expressions of Islamic masculinities and femininities at play. Appealing to a cross-disciplinary readership, the book will be relevant for scholars within Turkish Studies, Gender Studies, Islamic Studies, Fashion, Consumption Studies, Sociology of Religion and Middle Eastern Studies.