Forget those sweet stories you read as a child and get ready for some furious fun--Angry Little Girls-style! The beloved Angry Little Girls are recast as heroines in this coffee-table worthy, collectible collection of fractured fairy tales. Kim, the angry little Asian girl, stars in "Snow Yellow and the Seven Short Men." Deborah, the disenchanted princess, stars in "The Princess Got the Third Degree." Maria, the crazy little Latina, stars in "He's No Beauty in the Least." Wanda, the fresh little soul sistah, stars in "RapPunsWell." And Xyla, the gloomy girl, stars in "Little Miss Wears a Hood."

Our girlfriends are the coolest people we know-but they can also be the angriest, craziest, gloomiest, and most disenchanted people we've ever encountered! Friendship between women can be complicated. But who else to expose both the light and dark side of this delicate relationship but the gang of Angry Little Girls-the spunky, mouthy, comic characters who speak out with humor and frankness about the issues girls care about. These edgy little dames tell it exactly how it is: that true friends enrich our lives in priceless ways (even when they are being annoying!).

The angry, disenchanted, crazy, fresh, and gloomy girls Kim, Deborah, Maria, Wanda, and Xyla have a hard time relating to others.

Heartfelt, fast-paced, and utterly absorbing, The Gilded Girl is Alyssa Colman’s sparkling debut novel about determination, spirit, and the magic of friendship. Any child can spark magic, but only the elite are allowed to kindle it. Those denied access to the secrets of the kindling ritual will see their magic snuffed out before their thirteenth birthday. Miss Posterity’s Academy for Practical Magic is the best kindling school in New York City—and wealthy twelve-year-old Emma Harris is accustomed to the best. But when her father dies, leaving her penniless, Emma is reduced to working off her debts to Miss Posterity alongside Izzy, a daring servant girl who refuses to let her magic be snuffed out, even if society dictates she must. Emma and Izzy reluctantly form a pact: If Izzy teaches Emma how to survive as a servant, Emma will reveal to Izzy what she knows about magic. Along the way, they encounter quizzes that literally pop, shy libraries, and talking cats (that is, house dragons). But when another student’s kindling goes horribly wrong, revealing the fiery dangers of magic, Emma and Izzy must set aside their differences or risk their magic being snuffed out forever.

Celebrate feelings in all their shapes and sizes in this New York Times bestselling picture book from the Growing Hearts series! Happiness, sadness, bravery, anger, shyness . . . our hearts can feel so many feelings! Some make us feel as light as a balloon, others as heavy as an elephant. In My Heart explores a full range of emotions, describing how they feel physically, inside, with language that is lyrical but also direct to empower readers to practice articulating and identifying their own emotions. With whimsical illustrations and an irresistible die-cut heart that extends through each spread, this gorgeously packaged and unique feelings book is sure to become a storytime favorite.

A rebel dreamer of a girl daydreams about her role in making the world a better place—and since dreams bleed into reality, maybe she really does. A Kirkus Reviews Best Beginning Reader of 2022! Shahrzad and the Angry King is a contemporary reimagining of the Scheherazade tale, starring scooter-riding, story-loving Shahrzad. Shahrzad loves stories and looks for them everywhere. When she meets a boy and asks him to tell her his story, he recounts fleeing a country that was peaceful and happy, until its grieving king grew angry and cruel. Shahrzad can't forget the boy and his story, and so, when she sees a toy airplane in a store, she imagines herself zooming off to the boy's home country, where she confronts the king, to make him reflect on the kind of leader he really wants to be. Like Scheherazade, she tells the king story after story, but this time not to save her own life, but those of the king's people and his own. Because Shahrzad knows the power of the creative imagination and that the stories we tell and the words we use shape our very existence. We live and die by the sword? Not exactly, says Shahrzad. We live or die by the stories we tell and how we see, frame, and word the world. Brought to life by Iranian artist Nahid Kazemi, this bold heroine reminds us of how powerfully intertwined reality is with the stories we tell.

In Grimm Legacies, esteemed literary scholar Jack Zipes explores the legacy of the Brothers Grimm in Europe and North America, from the nineteenth century to the present. Zipes reveals how the Grimms came to play a pivotal and unusual role in the evolution of Western folklore and in the history of the most significant cultural genre in the world—the fairy tale. Folklorists Jacob and Wilhelm Grimm sought to discover and preserve a rich abundance of stories emanating from an oral tradition, and encouraged friends, colleagues, and strangers to gather and share these tales. As a result, hundreds of thousands of wonderful folk and fairy tales poured into books throughout Europe and have kept coming. Zipes looks at the transformation of the Grimms' tales into children's literature, the Americanization of the tales, the "Grimm" aspects of contemporary tales, and the tales' utopian impulses. He shows that the Grimms were not the first scholars to turn their attention to folk tales, but were vital in expanding readership and setting the high standards for folk-tale collecting that continue through the current era. Zipes concludes with a look at contemporary adaptations of the tales and raises questions about authenticity, target audience, and consumerism. With erudition and verve, Grimm Legacies examines the lasting universal influence of two brothers and their collected tales on today's storytelling world.

Drawing on a dynamic set of "graphic texts of girlhood," Elizabeth Marshall identifies the locations, cultural practices, and representational strategies through which schoolgirls experience real and metaphorical violence. How is the schoolgirl made legible through violence in graphic texts of girlhood? What knowledge about girlhood and violence are under erasure within mainstream images and scripts about the schoolgirl? In what ways has the schoolgirl been pictured in graphic narratives to communicate feminist knowledge, represent trauma, and/or testify about social violence? Graphic Girlhoods focuses on these questions to make visible and ultimately question how sexism, racism and other forms of structural violence inform education and girlhood. From picture books about mean girls like The Recess Queen or graphic novels like Jane, The Fox and Me to Ronald Searle’s ghastly pupils in the St. Trinian’s cartoons to graphic memoirs about schooling by adult women, such as Ruby Bridges’s Through My Eyes and Lynda Barry’s One Hundred Demons texts for and about the schoolgirl stake a claim in ongoing debates about gender and education.

Cinderella; Or, The Little Glass Slipper, and Other Stories, attributed to the mysterious author Anonymous, is a timeless collection of fairy tales that captivate readers with its magical elements and moral lessons. Written in a straightforward and engaging style, these stories transport readers to a world filled with talking animals, magical transformations, and triumph over adversity. The use of vivid imagery and poetic language enhances the enchanting quality of the tales, making them a joy to read for audiences of all ages. This collection of stories, with Cinderella as the central tale, is a classic work of folklore that continues to resonate with readers today. The true identity of Anonymous remains unknown, adding an air of intrigue to the authorship of these beloved tales. Speculation abounds as to the motivations behind the creation of such timeless stories, with some suggesting that the author drew inspiration from oral traditions and folklore passed down through generations. Regardless of the author's origins, Cinderella; Or, The Little Glass Slipper, and Other Stories stands as a testament to the enduring power of storytelling. I highly recommend Cinderella; Or, The Little Glass Slipper, and Other Stories to anyone who appreciates classic fairy tales and timeless storytelling. This collection is sure to delight readers with its enchanting narratives and memorable characters, making it a must-read for lovers of folklore and fantasy.