The award-winning author of The Most Magnificent Thing introduces the value of science and inquiry to young readers with humor and heart. For fans of Ada Twist, Scientist and Hidden Figures. Esther the fairy doesn't believe in magic. But fairies are all about magic, despite Esther's best efforts to reveal the science of their world. No matter how she and her bird, Albert, explain that rainbows are refracted light rather than a path to gold, or that mist is water evaporating rather than an evil omen, or the importance of the scientific method, her fairymates would rather just do magic. So when the other fairies' solution to helping a dying tree is to do a mystical moonlight dance, Esther decides to take it upon herself to resuscitate the tree . . . with the scientific method, some hypothesizing, a few experiments and the heady conclusion that trees need sunlight to live! But while Esther manages to save the tree, she can't quite change the minds of her misguided fairymates . . . or can she? Fairy Science, the first in a hilarious new picture book series, introduces a charming, determined heroine as she learns about the world and celebrates the joys of curiosity and exploring science.

An enchanting STEM-and-fairy-filled picture book from the award-winning author-illustrator of The Most Magnificent Thing! All the fairies in Pixieville believe in magic--except Esther. She believes in science. When a forest tree stops growing, all the fairies are stumped--including Esther. But not for long! Esther knows that science can get to the root of the problem--and its solution! Whether you believe in fairy magic or the power of science, you will be charmed by Esther, the budding fairy scientist.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Presents a new perspective on Victorian scientific discoveries and inventions; includes a range of Victorian scientific fairy-tales and stories; looks at why fairies and their tales were chosen as an appropriate new form for capturing and presenting scientific and technological knowledge to young audiences; examines a range of scientific subjects, from palaeontology to entomology to astronomy.--Provided by publisher.

A fantastical collection of classic stories with a hands-on STEM twist.

Fairies are all around us--you just need to look carefully and you'll see signs of them everywhere. Written and compiled by the esteemed botanist Professor Arbour, prepare to be amazed as we discover everything there is to know about the natural history of fairies.

Fairy scientist Esther is experimenting with the water cycle in this enchanting STEM-and-magic-filled follow-up to Fairy Science, a picture book from the award-winning author-illustrator of The Most Magnificent Thing! When a pond dries up, fairy scientist Esther doesn't freeze under the pressure. She and her friends go full steam ahead for to make a scientific discovery! Bestselling author Ashley Spires (The Most Magnificent Thing) creates a charming primer to the water cycle. Includes an at-home water experiment for the budding scientist in your house!

Between 1550 and 1650, Europe was swept by a fascination with wondrous accounts of monsters and other marvels - of valiant men slaying dragons, women giving birth to animals, young girls growing penises, and all manner of fantastic phenomena. Known as 'fairy tales,' these stories had many guises and inhabited a variety of literary texts. The first two collections of such fairy tales published on the continent, Giovan Francesco Straparola's Le piacevoli notti and Giambattista Basile's Lo cunto de li cunti, were greeted with much enthusiasm at home and abroad and essentially established a new literary genre. Contrary to popular thought, Italy, not Germany or France, was the birthplace of the literary fairy tale. This fascination with the marvellous also extended to the worlds of science, medicine, philosophy, and religion, and many treatises from the period focused on discussions of monsters, demons, magic, and witchcraft. In Fairy-Tale Science Suzanne Magnanini looks at these 'science fictions' and explores the birth and evolution of the literary fairy tale in the context of early modern discourses on the monstrous. She demonstrates how both the normative literary theories of the Italian intellectual establishment and the emerging New Science limited the genre's success on its native soil. Natural philosophers, physicians, and clergymen positioned the fairy tale in opposition in opposition to science, fixing it as a negative pole in a binary system, one which came to define both a new type of scientific inquiry and the nascent literary genre. Magnanini also suggests that, by identifying their literary production with the monstrous and the feminine, Straparola and Basile contributed to the marginalization of the new genre. A wide-ranging yet carefully crafted study, Fairy-Tale Science investigates the complex interplay between scientific discourse and an emerging literary genre, and expands our understanding of the early modern European imagination.