"Over the Brazier" is a great work by Robert graves. The book entails numerous wonderful poems with great insight interested personnel in war poetry will give high regard to many of them for the perspective they give of the first world war.

Robert Graves's War Poems is a significant publishing event, the first book to collect all of Graves's poems from and about World War One, including for the first time the whole of 'The Patchwork Flag', and a number of poems never previously in print. It includes poems written while Graves was on active service on the Western Front, and many from the years that followed, revealing his changing perspectives on the First World War and other contemporary and historical conflicts. Graves's is an authentic voice, and his experience of fighting at both the Battle of Loos and the Battle of the Somme produces poetry revealing an extraordinary combination of fantastical and realistic nightmare. War Poems collects Graves's first two major published volumes: Over the Brazier (1916) and Fairies and Fusiliers (1917), which incorporates poems from the privately-printed pamphlet Goliath and David. In 1918 Graves completed a third major collection of poems, to be called 'The Patchwork Flag', but which was never published as a whole. For many years the typescript lay in the Henry W. and Albert A. Berg Collection at the New York Public Library, and now appears, excitingly, almost a century after composition, as an unexpected addition to the canon of First World War poetry. Graves's poems are accompanied by an informative Introduction, which explores Graves's personal and professional relationships with other writers including Siegfried Sassoon and Wilfred Owen, drawing on many unpublished letters in the process. Explanatory notes explore specific biographical, cultural, military and historical contexts. The poems are published in their first edition, first impression form, a return to first principles also recently adopted in the new edition (2014) of Good-bye to All That, Graves's 1929 classic war memoir, a companion text to the War Poems. -- from dust jacket.

The White Goddess is perhaps the finest of Robert Graves's works on the psychological and mythological sources of poetry. In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Robert Graves: From Great War Poet to Good-bye to All That casts new light on the life, prose and poetry of Graves, without which the story of Great War poetry is incomplete. The writer and poet Robert Graves suppressed virtually all of the poems he had published during and just after the First World War. Until his son, William Graves, reprinted almost all the Poems About War in 1988, Graves's status as a 'war poet' seems to have depended mainly on his prose memoir (and bestseller), Good-bye to All That. None of the previous biographies written on Graves, however excellent, attempt to deal with this paradox in any depth. Robert Graves the war poet and the suppressed poems themselves have been largely neglected – until now. Jean Moorcroft Wilson, celebrated biographer of poets Siegfried Sassoon, Isaac Rosenberg and Edward Thomas, relates Graves's fascinating life during this period, his experiences in the war, his being left for dead at the Battle of the Somme, his leap from a third-storey window after his lover Laura Riding's even more dramatic jump from the fourth storey, his move to Spain and his final 'goodbye' to 'all that'. In this deeply-researched new book, containing startling material never before brought to light, Dr Moorcroft Wilson traces not only Graves's compelling life, but also the development of his poetry during the First World War, his thinking about the conflict and his shifting attitude towards it.

The renowned poet and literateur discusses many aspects of twentieth-century life in these collected essays.