Explores the livelihood of the regional antebellum economy surrounding the Apalachicola/Chattahoochee River valley and the resulting global impact of this industry This study focuses on the port of Apalachicola, Florida and the business men who lived the trade, flourishing amongst the poor conditions of transportation, communication, money, and banking. Cotton businessmen located along the waterway and on the coast neatly divided the labour necessary to market the region's major source of income. Early regional economics revolved around and grew from the rivers that served as the primary form of transportation, and each patchwork of economy in the antebellum South relied on a different river system and its major transportation artery. Few people truly understand and realize how important cotton was to the world's economy, and no other American export came close to the importance of cotton. This power and success allowed the South to function self-sufficiently, eliminating the need to rely on other regions for goods. It was not until the introduction of the railroad system that these individual river economies blurred and faded into one another, gradually uniting to one integrated national economy.

He was the "Man in Black," a country music legend, and the quintessential American troubadour. He was an icon of rugged individualism who had been to hell and back, telling the tale as never before. In his unforgettable autobiography, Johnny Cash tells the truth about the highs and lows, the struggles and hard-won triumphs, and the people who shaped him. In his own words, Cash set the record straight -- and dispelled a few myths -- as he looked unsparingly at his remarkable life: from the joys of his boyhood in Dyess, Arkansas to superstardom in Nashville, Tennessee, the road of Cash's life has been anything but smooth. Cash writes of the thrill of playing with Elvis, the comfort of praying with Billy Graham; of his battles with addiction and of the devotion of his wife, June; of his gratitude for life, and of his thoughts on what the afterlife may bring. Here, too, are the friends of a lifetime, including Willie Nelson, Roy Orbison, Bob Dylan, and Kris Kristofferson. As powerful and memorable as one of his classic songs, Cash is filled with the candor, wit, and wisdom of a man who truly "walked the line."

Katrina "Sis" Fletcher along with her brother, Jonah, and friend Sooey, embark on a dangerous mission to deliver a warning by their uncle, Harlan Fletcher, to a cruel land-grabber and murderer in the unsettled Northern High Plains, the wild Dakota Territory in the mid-1870s. Sis is an eighteen-year-old wearing a Colt .45 on her hip and determined to complete her mission. Jonah is two years her junior and an expert with his deceased father's .44 Winchester, having been trained to speed and accuracy since early childhood. Sooey, a six-foot-six four hundred pounds of brute force provides the muscle needed to see them through the battles forced on them by cruel and brutal men. With grit and wit, the three narrowly escape death on the perilous journey and when finally reaching Bitter Root, the town and valley controlled by ruthless killers, they face the toughest fight of their lives. Added to their woes, they must rescue two half-breed sisters having inclinations and designs of their own where Jonah is concerned. They struggle to hang on until their uncle and his seven sons arrive from Kansas. And arrive they do! In the fashion of the fighting Fletchers-Winchesters cocked and fingers set to trigger, stepping aside for no man or group and dishing out justice western style!

America's favorite outdoor humorist is back with an outrageously fresh collection of stories. He introduces a variety of friends old and new, and takes readers to many exotic locales outdoors and indoors.

Chris is on his way to California to train with his Navy buddy to run the Boston Marathon. A bazaar accident causes him to lose his memory. This story is about Chris making his way to California, and of the many people ́s lives he touches along the way; from homeless to fabulously wealthy. Threaded throughout the five-hundred plus pages is his ethic; ´nobody is nobody´. He certainly proves that he is More Than A Runner.

"Andrea Bobotis is a new, original voice as Southern as they come! In The Last List of Miss Judith Kratt, she unravels a complicated web of dirty Southern secrets. Using masterful writing and a perfectly calculated reveal of damaged history, she ends up weaving a tapestry that is so much more."—LEAH WEISS, bestselling author of If the Creek Don't Rise In the hard-luck cotton town of Bound, South Carolina, some bury their secrets close to home. Others scatter them to the wind and hope they land somewhere far away. Judith Kratt inherited everything her family had to offer—the pie safe, the copper clock, the murder no one talks about. She's presided over the Carolina house quite well, thank you very much, with a little help from her companion, Olva. When her wayward sister suddenly returns, Judith must make an inventory of all that belongs to them—and her sister is determined to include the skeletons the Kratt family had hoped to take to their graves. Interweaving the present with chilling flashbacks from one fateful evening in 1929, Judith pieces together the devastating influence of the Kratt family on their small South Carolina cotton town, learning that the effects of dark family secrets can last a lifetime and beyond. Perfect for fans of Kim Michele Richardson, Hannah Pittard, and Sue Monk Kidd—Andrea Bobotis presents a book of small-town, Southern charm and dark family drama.

This is a collection of 35 short stories all by Glanville and all set in early 19th nineteenth-century South Africa. Many of the stories feature 'Abe' and/or are recounted through his perception of the natural world around him. Glanville grew up in this environment, so the stories have an authentic voice.

Canadian nurse Kick Cavendish has always wanted to make a difference, and she's hoping her new post as Paisley • Corners’ new public health nurse will help her do just that. The rural Ontario hamlet instantly enamored Kick, who had also dreamed of living on an animal rescue farm. She soon discovers Paisley • Corners is as curious of a place as it is special. A community where the dot in its name is explicitly intentional, and its citizens are meddlesome and sometimes misunderstood but deeply caring despite their quirks and foibles. In The Chronicles of Paisley • Corners, the author draws from her expertise as a public health nurse, a role she compares to the wind: rarely seen, yet a presence that’s felt. With gentle nods to social issues and research around real historical events, an array of stories that focus on the wants, wounds, and secrets of the village residents will have readers rooting out loud for their favorite character. Much of the book is seen through Kick’s observant eyes, from witnessing the trauma associated with being an outcast to discovering the lengths people will go to shroud a secret. The links she sees between her rescue barn and her nursing practice – like beauty from ugliness or hope from neglect – gives us pause to contemplate the true meaning of belonging. The comings and goings of this friendly and compassionate public health nurse provide a window into endearing rural characters who just want to matter.

There have been many books written about Johnny Cash, but The Man in Song is the first to examine Cash’s incredible life through the lens of the songs he wrote and recorded. Music journalist and historian John Alexander has drawn on decades of studying Cash’s music and life, from his difficult depression-era Arkansas childhood through his death in 2003, to tell a life story through songs familiar and obscure. In discovering why Cash wrote a given song or chose to record it, Alexander introduces readers anew to a man whose primary consideration of any song was the difference music makes in people’s lives, and not whether the song would become a hit. The hits came, of course. Johnny Cash sold more than fifty million albums in forty years, and he holds the distinction of being the only performer inducted into the Rock and Roll Hall of Fame, the Country Music Hall of Fame, the Songwriters Hall of Fame, and the Gospel Music Hall of Fame. The Man in Song connects treasured songs to an incredible life. It explores the intertwined experience and creativity of childhood trauma. It rifles through the discography of a life: Cash’s work with the Tennessee Two at Sam Phillips’s Sun Studios, the unique concept albums Cash recorded for Columbia Records, the spiritual songs, the albums recorded live at prisons, songs about the love of his life, June Carter Cash, songs about murder and death and addiction, songs about ramblers, and even silly songs. Appropriate for both serious country and folk music enthusiasts and those just learning about this musical legend, The Man in Song will appeal to a fan base spanning generations. Here is a biography for those who first heard “I Walk the Line” in 1956, a younger generation who discovered Cash through songs like his cover of Trent Reznor’s “Hurt,” and everyone in between.