The fading advertisements on the walls of Birmingham's buildings paint an illuminating picture of the men and women who built an industrial boomtown in the first half of the twentieth century. Advertising expert, artist and writer Charles Buchanan unravels the mysteries behind Birmingham's ghost signs to reveal glimpses of the past now hidden in plain sight. Featuring stunning color photography by Birmingham native Jonathan Purvis.

This is the first scholarly collection to examine the social and cultural aspects on the worldwide interest in the faded remains of advertising signage (popularly known as ‘ghost signs’). Contributors to this volume examine the complex relationships between the signs and those who commissioned them, painted them, viewed them and view them today. Topics covered include cultural memory, urban change, modernity and belonging, local history and place-making, the crowd-sourced use of online mobile and social media to document and share digital artefacts, ‘retro’ design and the resurgence in interest in the handmade. The book is international and interdisciplinary, combining academic analysis and critical input from practitioners and researchers in areas such as cultural studies, destination marketing, heritage advertising, design, social history and commercial archaeology.

Some of Birmingham Alabama's history has been lost. This book takes a look at this lost history and brings it back to life. Birmingham has many notable historic landmarks today, but so many more are all but forgotten. The Bangor Cave Casino was once a world-renowned speakeasy. The Thomas Jefferson Hotel featured a zeppelin mooring station, drawing lots of attention from tourists. Other significant sites from the past, such as Hillman Hospital and the buildings on the "Heaviest Corner on Earth," are unknown even to natives now. Local author Beverly Crider presents an intriguing and educational tour through these and more hidden treasures.

The chronicle of the legendary Alabama studio brings to life decades of rock, blues, and R&B history from The Rolling Stones to The Black Keys. An estimated four hundred gold records have been recorded in the Muscle Shoals area. Many of those are thanks to Muscle Shoals Sound Studio and the session musicians known as the Muscle Shoals Rhythm Section—also dubbed “the Swampers.” Some of the greatest names in rock, R&B and blues laid tracks in the original, iconic concrete-block building, including Cher, Lynyrd Skynyrd, and scores of others. The National Register of Historic Places now recognizes that building, where Lynyrd Skynyrd recorded the original version of “Free Bird” and the Rolling Stones wrote “Brown Sugar” and “Wild Horses.” By combing through decades of articles and music reviews related to Muscle Shoals Sound, music writer Carla Jean Whitley reconstructs the fascinating history of how the Alabama studio created a sound that reverberates across generations.

New York City is eternally evolving. From its iconic skyline to its side alleys, the new is perpetually being built on the debris of the past. But a movement to preserve the citys vanishing landscapes has emerged. For nearly twenty years, Frank Jump has been documenting the fading ads that are visible, but less often seen, all over New York. Disappearing from the sides of buildings or hidden by new construction, these signs are remnants of lost eras of New Yorks life. They weave together the citys unique history, culture, environment and society and tell the stories of the businesses, places and people whose lives transpired among them the story of New York itself. This photo-documentary is also a study of time and space, of mortality and living, as Jumps campaign to capture the ads mirrors his own struggle with HIV. Experience the ads shot with vintage Kodachrome film and the meaning they carry through acclaimed photographer and urban documentarian Frank Jumps lens.

The story of Willie Mays's rookie year with the Negro American League's Birmingham Black Barons, the Last Negro World Series, and the making of a baseball legend Baseball Hall of Famer Willie Mays is one of baseball's endearing greats, a tremendously talented and charismatic center fielder who hit 660 career homeruns, collected 3,283 hits, knocked in 1,903 runs, won 12 Gold Glove Awards and appeared in 24 All-Star games. But before Mays was the "Say Hey Kid", he was just a boy. Willie's Boys is the story of his remarkable 1948 rookie season with the Negro American League's Birmingham Black Barons, who took a risk on a raw but gifted 16-year-old and gave him the experience, confidence, and connections to escape Birmingham's segregation, navigate baseball's institutional racism, and sign with the New York Giants. Willie's Boys offers a character-rich narrative of the apprenticeship Mays had at the hands of a diverse group of savvy veterans who taught him the ways of the game and the world. Sheds new light on the virtually unknown beginnings of a baseball great, not available in other books Captures the first incredible steps of a baseball superstar in his first season with the Negro League's Birmingham Black Barons Introduces the veteran group of Negro League players, including Piper Davis, who gave Mays an incredible apprenticeship season Illuminates the Negro League's last days, drawing on in-depth research and interviews with remaining players Explores the heated rivalry between Mays's Black Barons and Buck O'Neil's Kansas City Monarchs , culminating in the last Negro League World Series Breaks new historical ground on what led the New York Giants to acquire Mays, and why he didn't sign with the Brooklyn Dodgers, New York Yankees, or Boston Red Sox Packed with stories and insights, Willie's Boys takes you inside an important part of baseball history and the development of one of the all-time greats ever to play the game.

A hypnotic novel intertwining the author’s past with James Earl Ray’s attempt to escape after shooting Martin Luther King Jr. The year is 1968 and James Earl Ray has just shot Martin Luther King Jr. For two months he evades authorities, driving to Canada, securing a fake passport, and flying to London, all while relishing the media’s confusion about his location and his image on the FBI’s Most Wanted list. Eventually he lands at the Hotel Portugal in Lisbon, where he anxiously awaits a visa to Angola. But the visa never comes, and for his last ten days of freedom, Ray walks around Lisbon, paying for his pleasures and rehearsing his fake identities. Using recently declassified FBI files, Antonio Muñoz Molina reconstructs Ray’s final steps through the Portuguese capital, taking us inside his feverish mind, troubled past, and infamous crime. But Lisbon is also the city that inspired Muñoz Molina’s first novel, A Winter in Lisbon, and as he returns now, thirty years later, it becomes the stage for and witness to three alternating stories: Ray in 1968 at the center of an international manhunt; a thirty-year-old Muñoz Molina in 1987 struggling to find his literary voice; and the author in the present, reflecting on his life and the form of the novel as an instrument for imagining the world through another person’s eyes. Part historical fiction, part fictional memoir, Like a Fading Shadow masterfully explores the borders between the imagined, the reported, and the experienced past in the construction of identity.

New York Times bestselling author Kathleen E. Woodiwiss debut romance… The Flower Doomed to a life of unending toil, Heather Simmons fears for her innocence—until a shocking, desperate act forces her to flee. . . and to seek refuge in the arms of a virile and dangerous stranger. The Flame A lusty adventurer married to the sea, Captain Brandon Birmingham courts scorn and peril when he abducts the beautiful fugitive from the tumultuous London dockside. But no power on Earth can compel him to relinquish his exquisite prize. For he is determined to make the sapphire-eyed lovely his woman. . .and to carry her off to far, uncharted realms of sensuous, passionate love.

They grew up together, on the same street separated by a half-dozen homes, yet they lived a world apart. Braxton Freeman dreams of a good college education, blonde, blue-eyed girls and a safe, secure future. Moses Burks just wants to go somewhere else fast, to a place where he would no longer be judged by skin color. In the summer of 1963 in a small, East Alabama town, Brax Freeman and Moses Burks find themselves caught in a vicious crossfire - between George Wallace, the KKK, state troopers and memories of a grisly murder they witnessed as youths. Neither Brax, Moses nor the town of Takasaw will ever be the same.