Izma M was sent down years ago for the brutal murder of a young woman. In jail he's written a bestseller and become a cult hero, and now the charismatic fading-film-star Amelia Laverne wants to bankroll Gethin Grey to prove Izma's innocence. For Gethin - low on luck and cash - the job is heaven sent. But is Izma M really as blameless as his fans believe?

Fade to Gray By: Richard Masinton My wife, Dana, was stricken with early-onset Alzheimer’s disease at the horrifyingly young age of 55. Fade to Gray is our story about dealing with the only disease for which modern medicine has no means to prevent, cure or slow its progression. Shock, disbelief and overwhelming emotions followed her diagnosis with a disease we thought only happened to the very elderly. Furthermore, I was appalled to discover that the business of Alzheimer’s care is broken. Caring and competent caregivers are hard to find, and assisted care facilities and other health care institutions that pride themselves on caring and competence are often anything but caring and competent. I refused to accept “business as usual” in confronting and dealing with this terrible illness, so Fade to Gray was written to share my challenging experiences and offer hard-earned lessons learned during Dana’s struggle. With no chance to alter the outcome, my purpose is to offer practical help, comforting wisdom and enduring hope to those whose lives are ruined by Alzheimer’s, hoping to alter what may otherwise seem a hopeless experience. This is not a story about how to COPE with Alzheimer’s. Fade to Gray was written to help others DEAL with and MANAGE a disease that is becoming a public health epidemic and an ineffective support infrastructure that annually costs families more than sending a child to Harvard!

Americans are living longer and reinventing both work and retirement, but Hollywood movies barely hint at this reality of contemporary society. In many popular films, older characters fade into irrelevance, inactivity, or absurdity, or else they stay in the background as wise elders while younger characters provide the action. Most American films do not attempt to portray the rich variety of experiences or the sensitive aging issues that people confront in the years beyond fifty. Fade to Gray offers one of the first extended studies of the portrayal of older people in American cinema from the silent era to the present. Writing in an accessible style for both general audiences and scholars, Timothy Shary and Nancy McVittie examine social attitudes toward aging through an analysis of hundreds of individual films, including such classics as You Can’t Take It With You (1938), Rosemary’s Baby (1968), Grumpy Old Men (1993), and Nebraska (2013). They show how representations of the aging process and depictions of older people embracing or enduring the various experiences of longer lives have evolved over the past century, as well as how film industry practices have both reflected and influenced perceptions of aging in American society. Exposing the social and political motivations for negative cinematic portrayals of the elderly, Fade to Gray also gives visibility to films that provide opportunities for better understanding and appreciation of the aged and the aging process.

Life in it's rawest form is painful. This is a fact that we all must learn. Join a young woman through the troubles of her new life as divorce separates her family and school takes her far away from it all. See the heartbreak, love, and loss of friendship that accompanies us all as we move through life. This chronologically arranged work is the second anthology that serves as the expression of the emotional turmoil that secretly lies within us all.

Fade To Grey is a groundbreaking new book project by Washington, DC based author and music historian Adrian Loving. This book explores gender identity, art, music and fashion from the late 70s through the 80s. Included in the book are rare photographs, ephemera, album covers, print media and stories about New Wave, Punk, Hip Hop, Club Culture. These stories are told through interviews and essays about David Bowie, Prince, Grace Jones, Ron Hardy, and more.

Learn how to create the illusion of three-dimensional space in your drawings It is as mundane as it is astounding: placed in the right way, a couple of lines on paper create three-dimensional space. To be more exact, the illusion of space. The interest in three-dimensional drawing may initially arise from the intention to depict visible reality. However, the creation of depth is a fascinating challenge in every artistic composition. Drawing Perspective Methods for Artists is suitable for beginners and professionals alike. Authors Peter Boerboom and Tim Proetel have arranged, commented on, and with a guiding hand intuitively and tangibly presented 85 fundamental methods of three-dimensional illustration, offering a refreshing, simple approach to the graphic depiction of three-dimensionality.

In this love letter disguised as an anthology, author Ted Rulseh expresses his deep affinity with that singular body of water we call Lake Michigan. In a collection of 107 seasonally grouped essays that first appeared in his regular column in the Manitowoc Herald Times Reporter, his easy prose is at once rich and satisfyingly restrained. While he waxes nearly poetic in some passages, he never allows his writing to wallow in cheap sentimentality. Instead, he lets the life of the Lake, his hometown of Two Rivers, and adjoining lakeshore communities speak for itself, with quietly compelling results. On the Pond evokes a sense of place strong enough to take a rightful position alongside the works of the most celebrated American writers. With the eye of a writer, the soul of an outdoorsman, and the heart of a small-town boy. Ted Rulseh brings home the essence of life next to one of the most fabled of the Great Lakes, in all its many moods. From the sudden and unpredictable storms of autumn and shrieking winter gales to the tentative warmth of spring and summer's full glory, Lake Michigan is revealed as an alternately soothing and tempestuous -- but never dull -- neighbor. A pleasing chronicle of small-town life that manages to hang on amid the relentless march of time and technology, this book is also a keenly observant naturalist's journal. Let it take you away for a while to a place where gulls wheel above steel-gray waves, and dune walkers pull their jackets a little tighter. Book jacket.

He was the mystery in her history that would forever remain unsolved. She loved him so intensely; now and again it seemed to injure her core to have a sinuous love as this. Being a worldly wise woman, she did not understand how she could love any man. He was an extraordinary man whose beauty comes within the center of his soul. Beautiful as could be he was the angel whom she loves so deeply. Although no one except she and he knows this to be. He was her secret mystery, her morning sun, her luminous star in twilight. He was a quiet tempest she could not resist. Dark passionate desires for him haunted her in the worst way, each and every day. Emotions stirred within her as she allowed her mind to wonder and linger. Within her private world he was her treasure, her ultimate pleasure. The love she held in her heart for him was unreasonable and complicated. Within her mind her wanton love for him was by design. A love so strong whether right or wrong, it would stay with her, waiting for the time for her to ascend. In the midst of the stars where love endlessly flows, she looks forward to the day when he will know. That the love she feels for him will last after everything else in this world has passed

When Emily Masterson wakes up in a strange bed with a dead man, she does the only thing she can think to do. She calls the one man who can help her. A man who betrayed her years ago--the only man she's ever loved. Gideon Sloan might be in the business of helping people, he just never thought one of them would be Emily. After using all his resources to help her, he swears never to see her again, but a second attempt on her life leaves him racing against a clock to keep her alive. Even as the killer circles closer, passion reignites, but secrets from the past threaten to destroy their fragile truce. Only together can they find answers and--if they survive--a second chance at love.

Bestselling author Christopher Golden brings his epic, innovative trilogy, the Veil, to an astonishing conclusion as the mythic realm of heroes and monsters becomes the site of humanity’s last—and greatest—showdown. In the world of the legendary, every myth and folktale is real. That is what Oliver Bascombe learned on the other side of the Veil, where humanity's legends have hidden away for centuries. But even legends have legends, and Oliver has learned of a prophecy that many believe he and his sister, Collette, have come to the Two Kingdoms to fulfill. Before they can discover the truth, the Bascombe siblings must help to stop an apocalyptic war that threatens to destroy the Two Kingdoms, unravel a conspiracy, and prevent a powerful sorcerer from severing the world of humans from the realm of the legendary forever. But first Oliver will have to plot an escape from an impregnable palace dungeon where he and his allies have been imprisoned . . . for regicide. As old heroes and friends ally themselves for one last battle, even older enemies stand arrayed against them. Is humanity ready to face its legends head-on? For Oliver Bascombe, the price may be dearer than even he could ever imagine. From the Trade Paperback edition.