Percy Aldridge Grainger (1882-1961) was a celebrated pianist and composer of over 1200 works and arrangements, a pioneering folklore collector, musical inventor, conductor, social commentator and archivist, whose extraordinary life was played out across Australia, Europe and America.

John Blacking restates and reflects upon observations and attitudes relevant to contemporary problems of ethnomusicology and music education.

The two men soon found that, despite their half-century difference in age, they had many affinities. Both were pianists of staggering abilities and composers who combined a love for folk-music and working-class art with an aesthetic that proposed a `world music' to include the farthest reaches of humanity. Both made an art of piano trascription of a wide variety of works and were champions of little-known music and composers. And both revered the work of Walt Whitman, that great poet of inclusivity, the pioneering spirit and the open road. --

A new collection with contributions from performing musicians and Grainger scholars and a detailed Catalogue of Works.

Southern Music

Keneally’s caricature of a self-loathing Jimmie Blacksmith is a lost opportunity to explore the complex ways that Aboriginal people . . . were pushing against a white world that would not accept them for who they were; that would not see them as equal; that, in truth, would not see them as human. Acclaimed journalist Stan Grant weaves literary criticism, philosophy and memoir to shed light on The Chant of Jimmie Blacksmith. Drawing parallels with Indigenous writers Tara June Winch and Bruce Pascoe, Grant brilliantly re-examines Keneally’s novel, raising questions about identity, modernity and storytelling. In the Writers on Writers series, leading authors reflect on an Australian writer who has inspired and fascinated them. Provocative and crisp, these books start a fresh conversation between past and present, shed new light on the craft of writing, and introduce some intriguing and talented authors and their work. Published by Black Inc. in association with the University of Melbourne and State Library Victoria.

In the 1960s, as gentrification took hold of New York City, Jane Jacobs predicted that the city would become the true player in the global system. Indeed, in the 21st century more meaningful comparisons can be made between cities than between nations and states. Based on case studies of Melbourne, Austin and Berlin, this book is the first in-depth study to combine academic and industry analysis of the music cities phenomenon. Using four distinctly defined algorithms as benchmarks, it interrogates Richard Florida’s creative cities thesis and applies a much-needed synergy of urban sociology and musicology to the concept, mediated by a journalism lens. Building on seminal work by Robert Park, Lewis Mumford and Jane Jacobs, it argues that journalists are the cultural branders and street theorists whose ethnographic approach offers critical insights into the urban sociability of music activity.

Bravery and fortitude on the English homefront endure in this lighthearted, enemies-to-lovers WWII romance, perfect for fans of The Wartime Matchmakers and Dear Mrs. Bird. Expecting a relaxing getaway at her family’s summer estate, pampered socialite Elsie Foster-Quinn signs up for the Women’s Land Army. When she ends up at a Somerset dairy farm instead, Elsie immediately butts heads with the grumpy farmer she now works for. Being a land girl in a small town is far more than the city girl bargained for. Ben Grainger hates asking for help. When two land girls unexpectedly arrive on his farm, he quickly learns he can’t simply make them go away. He finds amusement in tormenting Elsie whose privileged life certainly didn’t prepare her for farm life. However, nothing could have prepared Ben for the feelings that suddenly emerge whenever the haughty little princess is near. Why can’t he keep his eyes off her? And why can’t she stop thinking about him? Opposites attract—but is it true love? Between the Germans bombing nearby Bath and a deadly disease rampaging through local farms, Ben and Elsie’s trust in each other is put to the ultimate test.

What goes into the making of a creative genius and how can their gifts be used to help uplift humankind? These were questions that led the Australian/American pianist, composer, and music educator Percy Aldridge Grainger (1882-1961) to exhaustively document his life, his thoughts, and his associations and establish in the country of his birth a museum dedicated to helping answer those questions. Grainger was a creative genius who thought more in terms of the future than of the present and was an advocate for the role that music can play in creating a more harmonious and loving future for humankind. This book is the first attempt to bring together in one volume the details of Grainger’s life as they relate to his music using his own words and those of the people who knew him. It makes use of many heretofore unpublished documents and musical examples and is written in such a way as to be accessible to all while also offering a detailed study of his musical works.