eTextbooks are now available to purchase or rent through VitalSource.com Please visit VitalSource for more information on pricing and availability. Faces of Contemporary Russia is a one-semester textbook for high-intermediate to advanced level Russian students that aims to develop students' linguistic proficiency by examining significant personalities in current Russian culture. In addition to introductory and concluding chapters, the book features twelve individuals (one per chapter), drawing from a range of areas such as arts, sports, journalism, and business. While upper-level Russian textbooks tend to emphasize grammar and reading more traditional works of Russian literature, this book instead seeks to primarily engage students in learning about and discussing the breadth of contemporary Russian culture while weaving the study of grammar and vocabulary into those discussions. In addition to readings and in-class communicative activities, the book also features guided research assignments that encourage students to make use of the many personality interviews and YouTube clips available online. For Instructors: Exam copies of the textbook are available free of charge to instructors and can be ordered on this page. To request a print sample, please use the print exam copy button. To request a digital sample, instructors should log onto VitalSource.com, select Faculty Sampling in the upper right-hand corner, and select the desired product.

In contrast to the substantial output of Western works on the revival of nationalism among the non-Russians in the USSR, the critical phenomenon of Russian nationalism has been little studied in the West. Here John B. Dunlop measures the strength and political viability of a movement that has been steadily growing since the mid-1960s and that may well eventually become the ruling ideology of the state. Professor Dunlop's comprehensive discussion depicts for the Western reader the gamut of Russian nationalism from Solzhenitsyn to the vehement National Bolsheviks. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Many Faces of the Contemporary Russian Propaganda in the Balkans: Sputnik Srbija analyzes information published by the news website Sputnik Srbija during the first year of the Russian invasion of Ukraine. This book provides an overview of the contemporary Serbian media sphere and the dire conditions that Serbian journalists face to explore how Russian propaganda has flourished in the region. This volume establishes a framework to understand the ideological core of Russian propaganda that, above all, aims to reconstruct societal reality through anti-Western rhetoric. This framework helps to explore the relationship between Russian propaganda and Serbian nationalism, expanding on the significance of their mutual ties and confronting the implications of their close-knit connections.

Recoge: 1. The nationalist imperative - 2. The historical background - 3. Solzhenitsyn an the russian question - 4. Christian nationalism and the black hundreds - 5. National bolshevism and the two parties - 6. Zhirinovsky and the last drive to the south - 7. Neo-nazism and the national revolution - 8. The nationalist intelligentsia, eurasia and the problem of technology - 9. Reform nationalism - 10. The global regime and the nationalist reaction.

In contrast to the substantial output of Western works on the revival of nationalism among the non-Russians in the USSR, the critical phenomenon of Russian nationalism has been little studied in the West. Here John B. Dunlop measures the strength and political viability of a movement that has been steadily growing since the mid-1960s and that may well eventually become the ruling ideology of the state. Professor Dunlop's comprehensive discussion depicts for the Western reader the gamut of Russian nationalism from Solzhenitsyn to the vehement National Bolsheviks. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

When the Soviet communist empire was overthrown by the Russians themselves in August 1991, the change was more clearly anticipated by humanistic students of creativity than by economic and political scientists surrounded by statistics and information. Does the Russian pattern of creativity provide any hints as to how the Russians might solve problems today? Having borrowed the democratic political model of their erstwhile American enemy, will they be able to create a distinctive Russian variant that can endure? Or will they end up destroying their own experiment at accountable, constitutional government and returning to their long tradition of authoritarianism? The Face of Russia--a companion book to the corresponding PBS series--addresses these questions. This is a dazzling and forward-looking history of the Russian people as told through their art--from one of the world's great experts on Russian culture. The story covers eight hundred years of Russian creativity, and introduces us to the new art forms that burst onto the Russian scene and became the vehicles for expressing the creative aspirations of an age as well as the enduring Russian quest to find salvation and entertainment in art.

In the realm of political discourse there is a distinct gap in understanding between Russia and the West. To an outsider, the ideas that animate the actions of Russia's ruling elite, opposition, and civil society - from the motivations driving Russia's political actors to the class structure and international and domestic constraints that shape Russia's political thinking - remain shrouded in mystery. Contrary to the view that a bleak discursive uniformity reigns in Vladimir Putin's Russia, Political Ideologies in Contemporary Russia shows that the country is engaging in serious theoretical debates across a wide spectrum of modern ideologies including liberalism, nationalism, feminism, and multiculturalism. Elena Chebankova argues that the nation is fragmented and the state seeks to balance the various ideological movements to ensure that none dominates. She shows that each of the main ideological trends is far from uniform, but the major opposition is between liberalism and traditionalism. The pluralistic picture she describes contests many current portrayals of Russia as an authoritarian or even totalitarian state. Offering an alternative to the Western lens through which to view global politics, Political Ideologies in Contemporary Russia is a major contribution to our understanding of this world power.

This book consists of the work of twenty-three poets, living in Russia and abroad and writing during the period since 1975. It is the first dual-language anthology in many years.

An introduction to modern Russian culture, from language and religion to literature and the arts.

Russian Through Art: For Intermediate to Advanced Students develops all four language skills while enhancing students’ cultural knowledge through exposure to Russian visual arts. Each of the six thematically organised chapters is accompanied by online resources, available at https://ccle.ucla.edu/course/view/russnart. These supporting materials include online lectures, readings, audio and video clips and assignments of varying levels of difficulty, starting with description and narration tasks and progressing to discussion and debate. Each chapter contains a number of task-based and project-based assignments. The book and website’s modular design make it easy to adapt this comprehensive resource to different course needs and different levels. By the end of the course students will have broadened their active vocabulary, enhanced their grammatical skills while familiarising themselves with Russian art in its various representations and periods.