History and pictures of the alumni during the 1950s at Western Kentucky University.

In the 1800s, the healing virtues of mineral springs lured settlers and travelers to Western Kentucky. In addition to curing the sick, the springs provided a forum for antebellum America to socialize, as the elegant surroundings became popular destinations for parties and dances. In this volume, more than 200 photographs and postcards share the unique story of Western Kentucky's mineral spring resorts, spanning nine counties from Elizabethtown westward to Kentucky Lake. Highlighted is the town that grew up around the spring at Cerulean, drawing the nation's first poet laureate, a Kentucky governor, politicians, ex-slaves, and ordinary people. The traditions revealed by these photographs and postcards constitute a thread in the fabric of American culture and history.

In this superb memoir, the bestselling author of In Country and other award-winning books tells her own story, and the story of a Kentucky farm family, the Masons of Clear Springs. Like Russell Baker's Growing Up, Jill Ker Conway's The Road from Coorain, and other classic literary memoirs, Clear Springs takes us back in time to recapture a way of life that has all but disappeared, a country culture deeply rooted in work and food and family, in common sense and music and the land. Clear Springs is also an American woman's odyssey, exploring how a misfit girl who dreamed of distant places grew up in the forties, fifties, and sixties, and fulfilled her ambition to be a writer. A multilayered narrative of three generations--Bobbie Ann Mason, her parents and grandparents--Clear Springs gracefully interlaces several different lives, decades, and locales, moving from the industrious life on a Kentucky farm to travels around the South with Mason as president of the Hilltoppers Fan Club; from the hippie lifestyle of the 1960s New York counterculture to the shock-therapy ward of a mental institution; from a farmhouse to the set of a Hollywood movie; from pop music concerts to a small rustic schoolhouse. Clear Springs depicts the changes that have come to family, to women, and to heartland America in the twentieth century, as well as to Bobbie Ann Mason herself. When the movie of Mason's bestselling novel In Country is filmed near Clear Springs, it brings the first limousines to town, even as it brings out once again the wisdom and values of Mason's remarkable parents. Her mother, especially, stands at the center of this book. Mason's journey leads her to a recognition of the drama and significance of her mother's life and to a new understanding of heritage, place, and family roots. Brilliant and evocative, Clear Springs is a stunning achievement.

The editors, William J. Devlin and Shai Biderman, have compiled an impressive list of contributors to explore the philosophy at the core of David Lynch's work. Lynch is examined as a postmodern artist and the themes of darkness, logic and time are discussed in depth.

Richard Drake has skillfully woven together the various strands of the Appalachian experience into a sweeping whole. Touching upon folk traditions, health care, the environment, higher education, the role of blacks and women, and much more, Drake offers a compelling social history of a unique American region. The Appalachian region, extending from Alabama in the South up to the Allegheny highlands of Pennsylvania, has historically been characterized by its largely rural populations, rich natural resources that have fueled industry in other parts of the country, and the strong and wild, undeveloped land. The rugged geography of the region allowed Native American societies, especially the Cherokee, to flourish. Early white settlers tended to favor a self-sufficient approach to farming, contrary to the land grabbing and plantation building going on elsewhere in the South. The growth of a market economy and competition from other agricultural areas of the country sparked an economic decline of the region's rural population at least as early as 1830. The Civil War and the sometimes hostile legislation of Reconstruction made life even more difficult for rural Appalachians. Recent history of the region is marked by the corporate exploitation of resources. Regional oil, gas, and coal had attracted some industry even before the Civil War, but the postwar years saw an immense expansion of American industry, nearly all of which relied heavily on Appalachian fossil fuels, particularly coal. What was initially a boon to the region eventually brought financial disaster to many mountain people as unsafe working conditions and strip mining ravaged the land and its inhabitants. A History of Appalachia also examines pockets of urbanization in Appalachia. Chemical, textile, and other industries have encouraged the development of urban areas. At the same time, radio, television, and the internet provide residents direct links to cultures from all over the world. The author looks at the process of urbanization as it belies commonly held notions about the region's rural character.

(From the foreword) This Family History of Anderson County preserves the proud heritage of our county and communities as well as many of our churches, businesses, organizations and families. Our intent is to record a picture of the people, organizations and activities for future generations.

"Powerful and important . . . an instant classic." —The Washington Post Book World The award-winning look at an ugly aspect of American racism by the bestselling author of Lies My Teacher Told Me, reissued with a new preface by the author In this groundbreaking work, sociologist James W. Loewen, author of the classic bestseller Lies My Teacher Told Me, brings to light decades of hidden racial exclusion in America. In a provocative, sweeping analysis of American residential patterns, Loewen uncovers the thousands of "sundown towns"—almost exclusively white towns where it was an unspoken rule that blacks weren't welcome—that cropped up throughout the twentieth century, most of them located outside of the South. Written with Loewen's trademark honesty and thoroughness, Sundown Towns won the Gustavus Myers Outstanding Book Award, received starred reviews in Publishers Weekly and Booklist, and launched a nationwide online effort to track down and catalog sundown towns across America. In a new preface, Loewen puts this history in the context of current controversies around white supremacy and the Black Lives Matter movement. He revisits sundown towns and finds the number way down, but with notable exceptions in exclusive all-white suburbs such as Kenilworth, Illinois, which as of 2010 had not a single black household. And, although many former sundown towns are now integrated, they often face "second-generation sundown town issues," such as in Ferguson, Missouri, a former sundown town that is now majority black, but with a majority-white police force.

Though he never reached the lead actor status he labored so relentlessly to achieve, Warren Oates (1928--1982) is one of the most memorable and skilled character actors of the 1970s. With his rugged looks and measured demeanor, Oates crafted complex characters who were at once brazen and thoughtful, wild and subdued. Friends remember the hard-living, hard-drinking actor as kind and caring, but also sometimes as mean as a blue-eyed devil. Married four times, partial to road trips in his RV affectionately known as the "Roach Coach," and famous for performances for directors ranging from Sam Peckinpah to Steven Spielberg, Warren Oates remained a Hollywood outsider perfectly suited to the 1960s and 1970s counterculture. Born in the small town of Depoy in rural western Kentucky and reared in Louisville, Oates began his career in the late 1950s with bit parts in television westerns. Though hardly lucrative work, it was during this time Oates met renegade director Sam Peckinpah, establishing the creative relationship and destructive friendship that produced some of Oates's most unforgettable roles in Ride the High Country (1962), Major Dundee (1965), and The Wild Bunch (1969), as well as a leading part in Bring Me the Head of Alfredo Garcia (1974). Though Oates maintained a close association with Peckinpah, he had a penchant for working with a variety of visionary directors who understood his approach and were eager to enlist the subtle talents of the consummate character actor. With supporting roles in In the Heat of the Night (1967), The Hired Hand (1971), Badlands (1973), 1941 (1979), and Stripes (1981), Oates delivered solid performances for filmmakers as diverse and talented as Norman Jewison, Peter Fonda, Terrence Malick, Steven Spielberg, and Ivan Reitman. Oates's offscreen personality was just as complex as his on-screen persona. Notorious for being a nightlife reveler, he was as sensitive and introspective as he was outgoing and prone to periods of exuberant, and at times illegal, excess. Though he never became a marquee name, Warren Oates continues to influence actors like Billy Bob Thornton and Benicio Del Toro, as well as directors such as Quentin Tarantino and Richard Linklater, all of whom have cited Oates as a major inspiration. In Warren Oates: A Wild Life, author Susan Compo skillfully captures the story of Oates's eventful life, indulgent lifestyle, and influential career.

A fascinating collection of ghost stories, tales of the supernatural, death beliefs and death sayings that remain as a vestige of the part in south central Kentucky's "Pennyrile" region. "This unique and extremely valuable book adds considerably to the area of folklore studies in the United States. The material which Montell obtained in his field work is superb." --Don Yoder. "This book is to be recommended to both folklorists and those non-folklorists who read folklore for enjoyment alone. It makes an important contribution to the study of deathlore and, it is to be hoped, will draw added attention to this multi-generic subject area." --David J. Hufford, Tennessee Folklore Society Bulletin. "Professor Montell's book can well be viewed as a standard of excellence: a direct, articulate and cataloged approach for future study and implementation in the fields of folklore and oral history." --Joan Perkal, Oral History Association Newsletter. "The book gives fascinating accounts of death beliefs, death omens, folk beliefs associated with the dead, and in the major section, ghosts narratives. A fine combination of scholarship and chilling narration to be relished by firelight in an old deserted house in the hills." --Book Forum. "Professor Montell has arranged beliefs and experiences about death of a particular group of people in such a way that a whole new aspect of the people's lives comes to focus." --Loyal Jones, The Filson Club HIstory Quarterly.

In July 1863 New York City experienced widespread rioting unparalleled in the history of the nation. Here for the first time is a scholarly analysis of the Draft Riots, dealing with motives and with the reasons for the recurring civil disorders in nineteenth-century New York: the appalling living conditions, the corruption of the civic government, and the geographical and economic factors that led up to the social upheaval.